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Eine Liebesgeschichte (1954)
Character: Henriette Kessler
During a New Year's Eve ball, Prussian cavalry officer Jost von Fredersdorff falls in love with Lili, the lover of his superior. When they decide to get married, their plans are opposed by Jost's family and his superiors in the army and he is denied permission to wed Lili. When Jost insists on going through with the marriage and is even willing to leave the army, he is ordered to the capital where he is locked up. Lili sees that they cannot be together and leaves Jost so that he can remain an honorable soldier in the service of his king.
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Ein Mädchen geht an Land (1938)
Character: Lisa Stürmer
Erna, the daughter of a Hamburg coastal skipper, loses her fiancé to the sea. In her grief, she first flees to relatives, then takes her fate into her own hands and starts working for a shipowner in Blankenese. When she slowly begins to develop feelings for a man again, he turns out to be a marriage swindler. But again she does not give in to despair. In her conciliatory attitude to life, she is able to settle a marital dispute between the shipowner and his wife and finally finds her own happiness in love - through a former friend who is himself a widower. She starts a family with him and the children of his deceased wife.
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Unsterbliche Melodien (1935)
Character: Maria Geistinger
Vienna, Austria, late 1870s. After suffering an irreparable misfortune, the Austrian composer Johann Strauss Jr. (1825-99), the Waltz King, falls in love with a ballet dancer, which disappoints the famous operetta singer Marie Geistinger…
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Madame wünscht keine Kinder (1926)
Character: Louise Bonvin
Playboy Paul Le Barroy, weds Elyane Parizot because he is ready for children, and his mistress, Louise Bonvin, is not. After the honeymoon, Elyane informs Paul that she doesn’t want children, either. When Paul leaves her, Elyane blames Louise and confronts the ex-mistress with a gun.
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Man spielt nicht mit der Liebe (1926)
Character: N/A
The film is an adaptation of the 1834 play by Alfred de Musset, On ne badine pas avec l'amour. The film is considered to be a lost film.
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Ehe man Ehemann wird (1941)
Character: Agathe
Professor Hellwig is a confirmed bachelor. He is a music historian and lives only for his passion. He has no patience for the ladies and does everything he can do drive them out of his classes by being super unfriendly. Even at home, he will only let himself be served by a man -- Sebastian. Sebastian, of course, doesn't let the professor know that he's actually married. Elli Martens, a student, who has gotten to know the professor through one of his classes, wants to cure the professor of his aversion to women, because she can't stand to see someone happy (what other reason can there be?). She decides to use her womanly guile to ensnare him. Posing as a married woman, who lost her husband in an auto accident during their honeymoon, she shows up at Hellwig's house on a stormy evening, begging for help. Hellwig is repulsed and tries to get rid of her as quickly as possible (AMEN!).
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Die große Sehnsucht (1930)
Character: Herself
This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)
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Trara um Liebe (1931)
Character: Josefine, Hofburgschauspielerin
Caught by Archduke Max in an embarrassing situation with Marie-Charlote, Captain Rudi is forced into marriage. Yet he approaches actress Josefine, the Archduke's girlfriend, being outright transferred as punishment. Then both girls appear.
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Die fidele Herrenpartie (1929)
Character: Wally
Gentlemen Among Themselves (German: Die fidele Herrenpartie or Herren unter sich) is a 1929 German silent comedy film directed by Rudolf Walther-Fein and starring Hermann Picha, Lydia Potechina and Maria Paudler.
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Majestät schneidet Bubiköpfe (1928)
Character: Karin
A handsome barber in Sweden doesn't know he's actually the Crown Prince of a Balkan kingdom in this charming Swedish-German comedy that effortlessly weaves together multiple Ruritanian tropes.
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Das gefährliche Alter (1927)
Character: Magna
The gorgeous 40-year-old Elsie Lindtner lives in a beautiful house, and is married to a respectable university professor. And yet, there’s something that nags her. She’s about to reach “the dangerous age”, when beauty begins to fade and boredom kicks in. She falls in love with a younger man and divorces her husband, but ends up hiding away in a country house where she can age in secret. (Stumfilm.dk)
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Einer Frau muß man alles verzeih'n (1931)
Character: Susi
"A woman must forgive everything"- Brunhilde's parents expects her to marry Mr. Kuhn. To avoid this Brunhilde makes plans with her lover and piano teacher. She will wear the ugliest possible dress and sing horribly when she meets with Kuhn.
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Grabenplatz 17 (1958)
Character: Lotte Sperber
Murder mystery about the disappearance of a boy who has leukaemia following the murder of his mother, which he witnessed.
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Keine Angst vor großen Tieren (1953)
Character: Frau Müller
Emil, a technical draftsman, is hardworking, always helpful, and somewhat shy. Because of these traits, he is often taken advantage of by those around him. Now Emil is set to inherit a supposedly large fortune. His landlady's brother wants to marry him off to one of his relatives. But soon panic and confusion set in. The inheritance consists of three full-grown lions.
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Ferien auf Immenhof (1957)
Character: Frau Käthe
The pony hotel has just been opened, but so far no guests have arrived. Dick gets Ralf to design a brochure about the hotel. The girls and Ethelbert then lead the village children on horseback to Lübeck, where they all distribute the brochure - not knowing that Dalli has added some embellishments to the text.
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