|
Modisto de Señoras (1969)
Character: (as Enriqueta Carrasco)
Successful fashiondesigner D'Maurice seduces married women while he pretends to be gay in order to avoid arousing suspicion among his clientele's husbands
|
|
|
|
|
Los Caciques (1975)
Character: La Vieja
A bad man holds the power of life and death over the inhabitants of a village... for no apparent reason... and he's fond of torturing them, tying them to crosses and leaving them to die. A cowboy with necromantic powers comes along and leads a rebellion to overthrow that reign of terror.
|
|
|
Fuera de la ley (1966)
Character: N/A
Three outlaws get arrested, and the fourth tries several times to break them out of jail. Also, there are can-can girls.
|
|
|
Secreto de confesión (1971)
Character: Madre adoptiva de Miguel
Young woman falls in love with a cub reporter who's investigating the illegal activities of her father. Then there's secret marriages and secret murders and secret babies and... family melodrama in full flower.
|
|
|
El ídolo (1971)
Character: Mujer reunión
The story of a magnate who is dedicated to doing shady business. This man is involved in a series of problems when his wife, his lover and his secretary find out about the relationship he has with each one.
|
|
|
Nuestro Juramento (1980)
Character: Vecina
"Nuestro Juramento" is the life of the singer, Julio Jaramillo, presented episodically, having as background his childhood, youth, his first loves, the apotheosis of his career and his dramatic end. The musicalization of the film has the singles taken from the singer's original recordings.
|
|
|
La inocente (1972)
Character: Mamá de niña
The innocence of a woman due to a mental deficit will become the worst nightmare for her loved ones, after the harsh reality of the outside world made her their victim.
|
|
|
|
|
El vecindario (1981)
Character: N/A
Mexican comedian Alfonso Zayas is just one of the many folks in town who are cheating on their spouses, imagining themselves quite clever and secretive, even while unbeknownst to them their spouses are cheating on them in turn! When one of the many women with whom Zayas has a child dies tragically, he attempts to integrate his daughter into one of his other families, calling her his goddaughter. But when his son falls in love with her, the many sexual escapades around town threaten to take a disturbing turn for the worse.
|
|
|
El vergonzoso (1988)
Character: N/A
Softcore sex-farce about a guy with a really big lump in his underpants...and all the women who flock to him.
|
|
|
|
|
El vecindario 2 (1983)
Character: Nena
The driver of a wealthy family is a rapist at night, but his victims do not accuse him.
|
|
|
|
|
|
|
|
|
|
|
Burdel (1982)
Character: Motorista anciana
(AKA: Ratero 2 or Cada quien su madre.) Innocent man forced to hide from the police, ends up taking refuge in a brothel.
|
|
|
Patsy, mi amor (1969)
Character: N/A
Written by future Nobel-prize winner Gabriel García Márquez, this is the story of Patsy, a wealthy debutante with an acute sense of living and boundless curiosity. She falls in love with an older man (Julio Alemán) whom is married and mediocre, and thus learns the hard way about unhappiness, marring her rose colored world.
|
|
|
Celestina (1976)
Character: Old Woman
An adaptation of the tragicomedy "Calisto y Melibea", attributed to Fernando de Rojas.
|
|
|
La tierna infancia (1966)
Character: Hermana Camila
Single mother sends her son to an orphanage because she feels she can't provide for him.
|
|
|
Crisol (1967)
Character: Madrina
Hired killer is contracted to do a hit... against his better judgement.
|
|
|
¡Yerba Sangrienta! (1986)
Character: N/A
An undercover cop and slick con-man form an alliance against a evil and vicious drug lord who takes advantage and uses the poor people of a small village with his equally evil henchmen.
|
|
|
Prisión de mujeres (1977)
Character: Dichosa (Enriqueta Carrasco)
'Prisión de Mujeres' is a film by Fernando A. Rivero that narrates a harsh reality: the strength of women in a prison, how they lose their dignity and do not stop for anything.
|
|
|
Cruz de olvido (1984)
Character: N/A
Ambitious, insensitive mother blocks daughter's marriage by telling her fiance a lie about her.
|
|
|
María Isabel (1967)
Character: Chona
A woman jumping from the poverty of the countryside to the splendor of wealth in the city without losing its simplicity
|
|
|
El ratero de la vecindad 2 (1985)
Character: N/A
Roberto y su nueva familia estan pasando por dificultades economicas por lo que decide formar otra vez su vieja banda y comienzan a tratar de organizar algunos robos que resultan mal. La esposa de Roberto y su abuelita recurren al engaño disfrazandose de monjitas para poder vender galletas y rompope, sin embargo la abuelita hace de las suyas y se meten en problemas.
|
|
|
La casa del Sur (1976)
Character: Granny
Indian village experiences forced relocation; their experience is paralleled by that of other groups dating back to the 18th century.
|
|
|
Los Asesinos (1968)
Character: Mujer Asesinada
Starring Nick Adams in his final role, a lone cowboy rides into a small Western town that is besieged by a gang of hoodlums in search of treasure. The search leads to an all out war between the town bosses, a family of crooked ranchers and other unsavory characters. But when Shannon (Nick Adams) enters the picture, they may have met their match...
|
|
|
La venganza de Huracán Ramírez (1969)
Character: (as Enriqueta Carrasco)
Landru, a French businessman, arrives Mexico with the idea of promoting their fighters, what nobody knows is that besides Landru promoter and fighter is a mad scientist who seeks to alter human genetics mixing it with the animal to make stronger and fiercer to their gladiators.
|
|
|
El ratero de la vecindad (1982)
Character: N/A
Roberto es un ladrón que le hace creer a su hijo Pepito y a todos sus vecinos que es un honesto Mecánico. La güerita recién llegada a la vecindad es la muchacha de la que Roberto se ha enamorado. Pero Roberto tiene una doble vida, ya que también es Bobby "El elagante" jefe de una banda de ladrones, quienes siempre fallan en todos sus robos y juntos se ven envueltos en persecuciones graciosas y equivocaciones constantes. Una divertida comedia para toda la familia.
|
|
|
Al caer la noche (1991)
Character: Doña Quetita
A young man becomes involved in wars between street gangs during his trip to the city to improve his education with terrible consequences.
|
|
|
Fe, esperanza y caridad (1974)
Character: Madre de Filigonio (segment "Fe")
Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.
|
|
|
No hay cruces en el mar (1968)
Character: Village girl
A mute fisherman helps another whose boat capsizes, he dies and leaves behind a girl whom he raises as his own daughter.
|
|
|
Bring Me the Head of Alfredo Garcia (1974)
Character: Market Vendor (uncredited)
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
|
|
|
Un Quijote sin mancha (1969)
Character: Doña Angustias
A lawyer trying to fix everyone's problems, instead causes problems, which always end up in funny situations.
|
|
|
|
|
Salvador (1986)
Character: Bruja
In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.
|
|
|
Macario (1960)
Character: Vecina de Macario (uncredited)
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
|
|
|
Pubertinaje (1978)
Character: N/A
Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.
|
|
|
Su Excelencia (1967)
Character: Invitada a recepción (uncredited)
Lopitos, who is horribly inefficient but quick-witted, is invited (because of the current ambassador's superstition about 13 sitting down to a meal) to a banquet attended by the ambassadors of both superpowers. After the news of a series of coups d'état in Los Cocos arrives throughout the meal, Lopitos becomes the official ambassador. At a summit of world leaders, the representatives of the two world superpowers court the allegiances of third-world diplomats to tilt the balance of global power in their favor. The last diplomat to remain unaligned, Lopitos instead harangues the superpowers for infringing on the rights of developing countries to self determination, talking to them with his point of view as a citizen not as ambassador because he arranged his demise as ambassador one day before his speech.
|
|
|
El padrecito (1964)
Character: Vecina
Young priest Father Sebastián is assigned to a parish in San Jeronimo el Alto, where he is not welcomed by the community, particularly the resident priest Father Damián. The newcomer gradually earns the trust of the people through humor, but firmly captures their hearts by saving the town fiesta by fighting a bull when the hired torero failed to show. Father Sebastián counsels the townspeople, lecturing them on their duties in a modern society. He used the collection plate to redistribute the town's wealth more evenly.
|
|
|
Tonta tonta, pero no tanto (1972)
Character: Puestera
María Nicolasa Cruz, an illiterate young Mazahua woman, travels to Mexico City in search of a better life, only to be swept into a chain of misunderstandings and conspiracies that make her an unlikely suspect in thefts and murders.
|
|
|
El tejedor de milagros (1962)
Character: Pueblerina (uncredited)
Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".
|
|
|
Dr. Satán (1966)
Character: N/A
Dr. Satan, a mad scientist and sorceror, plans to take over the world. In order to do so, he wakes up three zombie slaves from the dead and attempts to make a deal with the devil. He sends his zombie servants to do harm to anyone who stands in his way. Will anyone be able to stop him?
|
|
|
El club de los suicidas (1970)
Character: Jaime's mother
Enrique lives in the midst of danger until he falls in love with a girl and learns to appreciate the little things in life. However, a series of strange situations unfold before him towards his own death, which he must deal with.
|
|
|
La mente y el crimen (1963)
Character: N/A
The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.
|
|
|
Descenso del País de la Noche (1974)
Character: N/A
A young woman of wealthy class rejects the world that surrounds her and dies, but in her wake a shaman resuscitates her. She is dedicated to transgressing all the rules of her society. In the end a strange character offers him a flower and they both love each other.
|
|
|
Chiquidracula (1985)
Character: Abuela
An alcoholic grandfather is seriously ill. His doctor suggests that experiencing a bad scare could cure him. His grandson volunteers to help him.
|
|
|
Pedro Páramo (1967)
Character: Pueblerina (uncredited)
When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…
|
|
|
Hermelinda Linda (1984)
Character: Nana Chole
Live action feature based on the Mexican comic about the exploits of a witch living in the outskirts of 'Bondojia', when a ruthless small time politician tries to steal their land in order to build a luxurious condo.
|
|
|
El barón del terror (1962)
Character: Invitada a fiesta
In 1661 Mexico, Baron Vitelius is executed for witchcraft. 300 years later, during a comet's return, he resurfaces as a brain-eating monster seeking revenge on the Inquisitors' descendants.
|
|
|
Rateros último modelo (1965)
Character: La Vecina Bruja
Singing duo waiting for their big break, committing petty crimes to get by. Adopting a baby and meeting a priest's niece are civilizing influences.
|
|
|
El águila descalza (1971)
Character: La Llorona, paciente Manicomio
Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.
|
|
|
Juana Gallo (1961)
Character: Ninon's assistant
Peasant woman leads a regiment during the final days of the Mexican Revolution. Also, romantic entanglements.
|
|
|
El metiche (1972)
Character: N/A
Clownish simpleton can't resist meddling in his neighbors' business. Pretty much a remake of El Reveltoso.
|
|
|
Agente 0013 - Hermelinda Linda 2 (1986)
Character: Nana Chona
A sophisticated device falls into Hermelinda's hands and when the Soviets and Arabs try to retrieve it, an international witchcraft war breaks out.
|
|
