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Bharya Bharthalu (1961)
Character: Sharada
When Anand, a playboy, pursues Sharada, she rejects him. Due to circumstances, they end up married. Anand says he is a changed man, but will Sharada believe him?
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Devta (1956)
Character: Naagi
Black-and-white fantasy film centred around a king who loses his sight and uses the forces of the ‘serpent world’ to get his sight back. He orders a young man working in the palace to descend into the world, and in the process, the young man falls in love with the serpent princess.
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Antastulu (1965)
Character: Mala
Raghu cooks up many lies to woo Mala to win a challenge. However, when he develops feelings for her, Mala refuses to believe him and Raghu has to work twice as hard to win her trust again. His task becomes even more difficult when he inexplicably brings Rani home.
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Nagin (1954)
Character: N/A
Two Adivasi tribes are in conflict for the local economic rights. The daughter of the Nagi tribe's chief, Mala (Vyjayanthimala) vows to kill the son of the Ragi tribe's chief, Sanatan (Pradeep Kumar) as revenge. Trespassing the enemy territory, she is mesmerized by music of a flute (played by the musician Kalyanji Virji Shah). Coming closer, she finds out that the singer is Sanatan. They fall in love, but find it difficult to appease the enmity between the two tribes and to resist the attempts of the villain Prabir (Jeevan) to marry Mala.
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Damaad (1951)
Character: Leela
A newly married school teacher becomes unemployed, but makes it big as singer.
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Chandni Chowk (1954)
Character: Laila
A Nawab belonging to the Chandni Chowk area of Delhi gets tricked into marrying his daughter to the gardener's son.
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Punarjanma (1963)
Character: N/A
Gopi, a sculptor who is in love with his niece, goes into a delirium after his sculpture catches fire. His troubled father tries various things to help him get back to his feet.
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ಭಕ್ತ ಕನಕದಾಸ (1960)
Character: Lacchi
Bhakta Kanakadasa is a 1960 Indian Kannada language film, directed by Y. R. Swamy. It depicts the spiritual journey of Kanakadasa, who was a devotee of the Hindu deity Krishna, and a poet belonging to the Dasa sect. The film stars Rajkumar, Krishna Kumari and Udaykumar in the major roles. This film, officially marked the 100th production/release of Kannada cinema, since its inception in 1934.
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గుడి గంటలు (1964)
Character: Kasthuri
Hari loves Kasthuri, but she becomes engaged to his friend Vasu. When Vasu discovers their history, his malevolent possessiveness resurfaces.
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అడవి సింహాలు (1983)
Character: N/A
Two childhood friends face obstacles and challenges after they confront gangsters and each other.
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Thirumbi Paar (1953)
Character: N/A
Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!
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కుల గోత్రాలు (1962)
Character: Saroja
Ravi, a young man, falls in love with Saroja against his father's wishes, leading to his estrangement from the family.
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డాక్టర్ చక్రవర్తి (1964)
Character: Dr. Sridevi
Dr Chakravarthi gets attached to Madhavi after his sister's death as she reminds him of his sister. However, their spouses misunderstand their relationship and mistake them to be lovers.
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Bangaru Papa (1955)
Character: Papa
Kotayya (Ranga Rao) is a kind man. He marries Rami. She succumbs to pressure from Gopala Swamy and elopes with him, leaving her husband. Rami and Gopala successfully plan and send Kotayya to jail. After returning from jail, Kotayya becomes a rowdy drunkard. He plans to take revenge and kill Gopala Swamy.
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చదువుకున్న అమ్మాయిలు (1963)
Character: Vasantha
Sujatha and Vasantha are best friends despite hailing from different financial backgrounds. Both of them end up falling in love with Shekhar, but Sujatha marries Prabhakar when she finds out that Shekhar loves Vasantha.
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Aastiparulu (1966)
Character: N/A
Zamindar Janardhan Rao, a paterfamilias, holds high esteem in society. One of his sons, Bachi, is a vagabond and malicious, his misdeeds increasing day by day. After Janardhan Rao cuts his allowance, Bachi tries to make a theft, and his father collapses with a heart attack after obstructs his way. Before dying, he reveals the existance of a hidden treasure of their family hierarchy.
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పణ్యవతి (1967)
Character: Shanti
Professor Krishna Rao loves his wife and son, but is separated from them. He marries another woman and has children with her. Will the two families ever unite?
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ఉమ్మడి కుటుంబం (1967)
Character: Sarada
Four brothers live happily together as a joint family. But when misunderstandings arises between them, they need to overcome them to live happily again.
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వసంత సేన (1967)
Character: Vasantha Sena
Vasanthasena is a dancer in a king's palace. When Shakara troubles her, she escapes and meets Charudatta. But Shakara has no plans to leave them alone.
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పిచ్చి పుల్లయ్య (1953)
Character: Kantham
Pullaiah is sent by his father to work in the city for a landlord. Pullaiah faces a lot of hardships and goes to jail, but finally is proved innocent.
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यहूदी की लड़की (1957)
Character: N/A
Yahoodi Ki Ladki (The Jew's Daughter) is a Hindi drama film directed by S.D. Narang, starring Madhubala and Pradeep Kumar as leads. The film became a silver jubilee hit on its release in January 1957.
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Eenadu (1982)
Character: N/A
Eenadu is Krishna's 200th movie with huge star cast. It's almost on the same lines of his 100th movie ALLURI SEETHA RAMARAJU. But in this movie, he fights against the politicians and industrialists who are looting the poor, the movie is about Ramaraju (Krishna) a social reformer who fights against the injustice by the political system and stands in support to the poor and down-trodden.Kantha Rao, Jaggayya, Rao Gopal Rao played the villains in the movie. Rao Gopal Rao is a small-time politician and brother-in-law of Krishna and husband of Krishna Kumari. His brother-in-law being a selfish and cruel man, Krishna stays away from them. Jaggayya is a businessman and and old friend of Krishna because of him Krishna lands in Jail without a fault of his. Kantha Rao is a criminal and after coming out of Jail, he enters into politics and becomes a minister.These three create havoc and play with the lives of the poor.
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వినాయక చవితి (1957)
Character: Rukmini
The story is of Syamantakopakhyanam, annually read during the Ganesh Chaturthi festival day celebrations of Lord Vinayaka.
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Hariyali Aur Rasta (1962)
Character: N/A
Shanker and Rita's marriage is finalized by their elders in their childhoods, however, after growing up, Shanker loves Shobna. Shanker is told to marry Rita instead, and he does so. The marriage is rocky as Rita does not pay attention to her husband and son. Then Shobna re-enters their life.
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Hatim Tai (1956)
Character: Gul Badan
The film is about Hatim Tai (Hatim of Tayy), a merchant and poet who was known for his charity and kindness. In this Arabian Nights style fantasy Hatim Tai, referred to as Shehzada (Prince) from Yemen, undertakes a perilous journey in order to save a young fairy turned to stone. He can do this by answering seven questions posed to him on the way.
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అగ్గి పిడుగు (1964)
Character: Malathi
A set of identical twin brothers join forces to avenge the killers of their parents, and also regain their ancestral entitlement to rule over a kingdom.
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Zamindar (1966)
Character: N/A
A CID officer goes undercover to track down a large sum of money that was stolen by a group of soldiers during the Second World War.
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బందిపోటు (1963)
Character: Mandaramala
Sathyasena (Gummadi), the king of Gandhara, suffering from paralytic legs leaves the rule to his vicious brother-in-law Soorasimha (Rajanala), the army commander. Dharma Nayaka (Chittoor V. Nagaiah) is one of the victims of Surasimha’s tyranny. Dharma’s brother Veera Nayaka (Mikkilineni) as a masked man rebels against Surasimha by leading a group of men. He robs the royal wealth and distributes it to the poor. While he is looting the wealth of princess Mandaramala (Krishnakumari), Dharma’s son Narasimha (N. T. Rama Rao) fights with the masked brigand and is surprised to find it is his uncle. He learns from Veera how Soorasimha has ruined their lives. Meanwhile, Surasimha plots to ascend the throne by marrying Mandaramala. In an act of deceit, he eliminates Dharma Nayaka and Veera Nayaka. Narasimha takes the place of Veera Nayaka as the masked rebel, annihilates Soorasimha and ascends the throne after marrying Mandaramala.
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Pelli Kanuka (1960)
Character: Geeta
Bhaskar (Akkineni Nageswara Rao) and Vasanti (B. Saroja Devi) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Krishna Kumari), supports the family by stitching clothes.Bhaskar rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for her the sake of her sister and convinces Bhaskar to marry Geeta. Bhaskar initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Bhaskar relents and Geeta and he have a son. Vasanti joins them and Geeta suspects that there is something on between Bhaskar and Vasanti and makes Vasanti leave the house.
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ఆప్త మిత్రులు (1963)
Character: Vimala
Prakash works for his childhood friend Shekhar, a rich businessman. Shekhar's mother develops a prejudice against Prakash and turns her son against him, leading to a series of unfortunate events.
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పూజ (1975)
Character: Parvatamma
Due to a familial dispute, Ramu is not allowed to marry his lady-love, Lalitha. He is then forced to marry Gouri who struggles to win him over.
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చిక్కడు దొరకడు (1967)
Character: Padmavathi Devi
The adventures of Chikkadu and Dorakadu to find the hidden treasure and to eliminate the baddies from their kingdom.
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Shree Ganesh (1962)
Character: N/A
After giving birth to Bhagwan Shri Kartiyeke, Devi Maa Parvati forms a child-human image from clay, adopts him, and asks him to guard the house and not let anyone in while she bathes. The child refuses to let anyone in, including Bhagwan Shivji himself, who beheads him. When a tearful Parvatiji pleads, Shivji brings the child back to life with the head of an elephant, and names him Gajanand, and assures him that no one will make fun of him.
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Gharana (1961)
Character: N/A
A mother and daughter create bitterness, hatred, acrimony and discord in a wealthy family.
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जिम्बो (1958)
Character: Queen Maya
A young boy is raised by Dada the Chimpanzee (Pedro the ape bomb) after he loses his parents. Now he is Zimbo (Azaad Irani), lord of the Jungle! An expedition is sent into the jungle to find him, but the Queen of a hidden city has other plans.
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మర్మయోగి (1964)
Character: Prabhavathi
Marmayogi (transl. The Mysterious Sage) is a 1964 Indian Telugu-language swashbuckler film, produced by S. K. Habibulla and directed by B. A. Subba Rao. It stars N. T. Rama Rao, Krishna Kumari, and Kantha Rao, with music composed by Ghantasala. The film is a remake of the 1951 Tamil film of the same name.
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పాతాళ భైరవి (1951)
Character: Woman who warns Ramudu
Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.
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Gorilla (1953)
Character: N/A
Madhukar, a merchant, travels to the jungle with his lovely daughter Rita. Unbeknownst to them they have entered the territory of cannibals who have a habit of sacrificing young women to the huge gorilla that has been terrorizing the land.
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వరకట్నం (1969)
Character: Sujatha
Devasimha and Sujatha's wedding is cancelled due to his father demanding a hefty dowry. As a result, Devasimha decides to marry her in secret and make his father realise his mistake.
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