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Fortín alto (1941)
Character: N/A
Set in 1874, the son of a mitrista accompanies a herd of cattle whose sale will allow to buy weapons.
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El deseo (1944)
Character: N/A
While her husband is abroad, Luisa receives a visit from an old love, her cousin, who becomes a "dangerous attraction". Her husband's stay abroad is prolonged and her loneliness overwhelms her and her attraction to her cousin increases.
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Nosotros los muchachos (1940)
Character: N/A
Three displaced children hitchhike to Buenos Aires, where they get involved in street-crime and heavier stuff. Positive-role-model adults offer a balance to those negative influences.
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Siete mujeres (1944)
Character: N/A
The sisters reject the daughter their father had out of wedlock until she receives a fortune from her dead mother.
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Con las alas rotas (1938)
Character: N/A
A man finds out his wife had a lover and abandons her, but first he gains custody of their daughter.
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Frontera Sur (1943)
Character: N/A
During the so-called Conquest of the Desert, Major Sarabia is sent to the Cruz del Sur fort to replace Major Molina, who was murdered at the hands of the Indians. He is the only one who can stop Santiago, "the most rebellious of the caciques of the southern border, the only one who does not accept peace with the government."
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Retazo (1939)
Character: N/A
Forced by her alcoholic aunt, an orphan practices street vending and begging, until she finally runs away from home.
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Sendas cruzadas (1942)
Character: N/A
A bandit is accused of killing a young man who was actually killed by his girlfriend's stepfather who was in love with her.
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Incertidumbre (1942)
Character: N/A
A man from Europe knows a secret with which he tries to blackmail the father of a young woman.
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Poncho blanco (1936)
Character: N/A
A teacher who has secluded herself in a small town is harassed by a commissioner.
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Mercado negro (1953)
Character: N/A
A policeman discovers that his girlfriend's father heads a drug smuggling band.
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Así cantaba Carlos Gardel (1935)
Character: N/A
A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.
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La Guitarra de Gardel (1949)
Character: Don Felipe
A young man is dedicated to singing, but only for his friends, and his godfather wants him to do it professionally.
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El cantor del pueblo (1948)
Character: N/A
A worker looking for money for his blind mother's operation, presents himself as a tango singer and achieves success.
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Horas marcadas (1954)
Character: N/A
A man marries a woman with the purpose of later eliminating her and inheriting her fortune.
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La senda oscura (1947)
Character: Dr. González
An impostor pretends to be the mother of a blind man so he can manage his assets. But things are changing because of the arrival of the person who takes care of the blind.
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El precio de una vida (1947)
Character: N/A
The story of the tragic love of Count Loris Ipanov, a Russian nihilist, for the Princes Fedora Romanov.
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La canción que tú cantabas (1939)
Character: N/A
Three orphaned brothers and an elderly inventor, who live in the countryside, become acquainted with a young governess and her uncle, who live in a large estate nearby.
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Los Tres Mosqueteros (1946)
Character: N/A
An attempt to bring the famous novel by Dumas to the cinema, where the promenades of Montevideo such as Parque Rivera and the Castillo del Parque Rodó are transformed into French settings.
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El fin de la noche (1944)
Character: N/A
A singer is trapped in France by the unforeseen outbreak of World War II and a man who serves the German occupiers demands, in exchange for safe conduct for herself and her daughter, to act as a spy and informer for members of the Resistance.
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Mariano Moreno y la Revolución de Mayo (1915)
Character: Manuel Belgrano
Silent bibliographic film that tells the story of the mythical hero Mariano Moreno, his life, his relationships and adventures in the hands of Argentine politics. Currently considered lost.
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Corazón de turco (1940)
Character: Manuel Arriaga
The most aristocratic woman of the town is seduced by a Turkish man.
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Su mejor alumno (1944)
Character: N/A
The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.
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La honra de los hombres (1946)
Character: N/A
In a fishing village a young woman carries the guilt of her married sister, passing through the mother of her son.
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La melodía perdida (1952)
Character: N/A
A conflict arises when a girl whose father has died does not accept that her mother remarry.
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Santa Cándida (1945)
Character: N/A
A woman of high society dies, leaving a large part of her assets to her domestic worker, who must deal with the envy and jealousy of her relatives.
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Confesión (1940)
Character: Cernadas
Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.
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Veinte años y una noche (1941)
Character: N/A
A young woman returns from boarding school and will repeat in a certain way her mother's secret story, but she will be happy.
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La revolución de Mayo (1909)
Character: N/A
La Revolución de Mayo (in English: May Revolution) is an Argentine silent movie premiered in 1909. As the name denotes, it is focused on the events of the May Revolution. It was directed by Mario Gallo, and it was the first Argentine film with a plot.
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La quinta calumnia (1941)
Character: N/A
A huge store in Buenos Aires is about to close due to restrictions on imports. The owner of the store returns from a vacation in France, and knowing the financial situation proceeds to throw a big gala party. He hires a man he had met abroad to pose as a fake earl, hoping to attract wealthy clients.
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Albéniz (1947)
Character: N/A
Isaac Albéniz was a child prodigy, and the victim of a tyrannical father. He flees from his house, to America. He returns to his country years later, where he achieves international fame and the attention of many women.
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En el último piso (1942)
Character: Rogelio Aldave
By trying to maintain her millionaire appearance, a young woman goes through a series of entanglements and finds a love that is also millionaire.
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La niña de fuego (1952)
Character: Pereda
An Andalusian woman travels to Buenos Aires, pretends to be a man and travels as a stowaway.
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Alas de mi Patria (1939)
Character: N/A
Semi-documentary film in which a fictional plot is narrated linked to events that really occurred in the history of Argentine aviation between 1908 and 1938.
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Doce mujeres (1939)
Character: N/A
The film follows a group of young girls in a boarding school.
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Cándida (1939)
Character: Dr. Luis Giménez
Cándida Villar is a clumsy Galician maid who speaks improperly, get a lot of troubles in all the conversations with her bosses, simple and straightforward who from night to morning becomes the most lucky woman of the word because she mets a hilarious gallery of character in an art gallery.
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