|
Tiro Al Aire (1980)
Character: N/A
Following his mother`s death, wise son Sebastian attempts to organise dad Nestor to cope with basic household chores. Sebastian shows Nestor how to light the oven. Later Nestor can't fix a broken lamp, but his son soon sorts it out. Nestor wants to act and invent money raising schemes whereas Sebastian yearns for a dad with a steady job. Nestor gets a role in an ad and pursues acting work. He seeks backing to market ping pong balls with world cup logos though the event has passed. The essence of the story revolves around how these conflicting aspirations can be reconciled.
|
|
|
La potranca (1960)
Character: N/A
In the delta islands of the Paraná, a woman is the object of desire of the village's men.
|
|
|
Bacará (1955)
Character: Gastón
When a concert pianist is crippled in a car accident, his wife turns to gambling and gets in over her head.
|
|
|
La noche de Venus (1955)
Character: N/A
A woman will do everything to achieve fame, using her physique and her feminine cunning to achieve it.
|
|
|
|
|
Mercado negro (1953)
Character: Garrido
A policeman discovers that his girlfriend's father heads a drug smuggling band.
|
|
|
O Toque do Oboé (1998)
Character: Sr. Soza
The plot deals with the developments in an old decadent village after a stranger arrives at the old train station, an event in itself. This stranger is a Brazilian musician who carries and plays his "oboe". The music from the oboe, the musician's instrument, will change the lives of everyone involved, and that small village itself will forever be changed by the sound of the oboe.
|
|
|
|
|
Morte Para Um Covarde (1964)
Character: N/A
As soon as his boss discovers his betrayal, Luciano must flee, abandoning his life in the mafia and crime behind him. His options are limited, and the longer he waits, the greater the chances of being captured. However, when Luciano encounters a prostitute with a serious illness, he finds shelter in her home and begins to devise a plan to save his own life.
|
|
|
Si se calla el cantor (1973)
Character: N/A
A man leaves his job working in the mining industry, falls in love with a girl and succeeds as a singer.
|
|
|
Orden de matar (1965)
Character: Pascual
Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.
|
|
|
El grito sagrado (1954)
Character: N/A
El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.
|
|
|
La dama del collar (1948)
Character: Rogelio
A rich woman's personal secretary borrows an expensive piece of jewelry without permission for a night on the town... and then loses it. Based on a story by Guy de Maupassant.
|
|
|
Horizontes de piedra (1956)
Character: N/A
In Cerro Bayo, a mountainous region of Patagonia on the Chilean border, a Kolla Indian falls in love with a girl from another village. His mother disapproves the relationship and hates the woman. When the girl becomes pregnant with his baby, he must travel to find better work, leaving her alone with the mother's wrath.
|
|
|
|
|
Juventud sin barreras (1979)
Character: N/A
A portrait of frivolous youth. Unfortunate events force a group of club-hopping young men and women to face reality and reevaluate their lifestyle.
|
|
|
|
|
Su mejor alumno (1944)
Character: N/A
The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.
|
|
|
Primero yo (1963)
Character: N/A
A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake.
|
|
|
Sur (1988)
Character: Echegoyen
After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.
|
|
|
|
|
|
|
|
|
Bajo el signo de la patria (1971)
Character: N/A
Aspects of the life of General Manuel Belgrano since he took command of the Army of the North until, together with his men, he defeated the enemy in the battle of Salta in February 1813.
|
|
|
La diosa impura (1963)
Character: N/A
After a series of doublecrosses involving stolen diamonds, a gangster's babe in Argentina flees to Mexico; she's kept by a druggy, decadent painter and then falls in love with his brother.
|
|
|
A los cirujanos se les va la mano (1980)
Character: N/A
Two orderlies pretend to be surgeons to impress two young doctors and conquer, through several scenarios. Finally, they are discovered when they had to operate on a mafia boss to remove a bullet.
|
|
|
La calesita (1963)
Character: N/A
When listening to a melody, an old man recalls moments of his childhood.
|
|
|
El dinero de Dios (1959)
Character: Inspector Campos
A man falls in love with a woman who leads him to commit a robbery, when he is released from prison he takes refuge in a convent.
|
|
|
Los evadidos (1964)
Character: Carroza Schuster
Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.
|
|
|
La mujer de mi padre (1968)
Character: Simon
Jose, a mountain rancher in northern Argentina, meets and begins an affair with Eva, a beautful but mysterious woman who is the mistress of Simon, a local gangster from a nearby village, which complicates things more when Jose's son Mario returns and also begins a romantic relationship with Eva which brings out jealousy in Jose.
|
|
|
María de los Ángeles (1948)
Character: N/A
Set in 1825, the romance between a Creole woman and a Spaniard, during the Argentine War of Independence.
|
|
|
Savage Pampas (1966)
Character: Santiago
An army captain in Argentina learns why his lonely men are deserting to an outlaw's gaucho gang.
|
|