Godfrey Ho

Personal Info

Known For

Directing

Known Credits

0.726

Gender

Male

Birthday

10-Nov-1948

Age

(78 years old)

Place of Birth

Hong Kong, China

Also Known As
  • Benny Ho
  • Godfrey Ho Jeung-Keung
  • 何誌強
  • Hoh Chi-Mau
  • Ho Chieh-Chiang
  • Ed Woo
  • Stanley Chan
  • Godfrey Hall
  • Chi Kueng Ho
  • Godfrey Ho Chi-Keung
  • Henry Lee
  • 何志强
  • Ho Chi-Mou
  • Charles Lee

Godfrey Ho

Biography

Godfrey Ho is considered a master of B-movie Hong Kong actioners. However, a number of his movies are Z-grade movies made with a "cut-and-paste" technique. He would shoot footage for one movie, often using Caucasian actors for exportation, then edit the scenes into several other movies, mixing them with footage from old, unfinished or unreleased Asian movies (using Thai as well as Chinese or Filipino footage), then trying to make the story somewhat coherent through dubbing and voice-overs. He would then have four or five movies while having spent the budget of one. Ho states this style of filmmaking was enforced on him by producer Joseph Lai. He effectively retired from direction after 25 years making genre films in Hong Kong, Taiwan, and the Phillipines, he was most recently teaching filmmaking at Hong Kong Film Academy.


Credits

Mr. X Mr. X (1995) Character: Godfather Ho
A cut-and-paste movie combining footage from two 1990 HK gangster films with shot-on-video dialogue featuring Joe Lewis, "Chaplin Chang" and director Godfrey Ho in a rare acting role. There is no discernible plot.
Eastern Heroes: The Video Magazine - Volume 1 Eastern Heroes: The Video Magazine - Volume 1 (1995) Character: Self
Eastern Heroes: The Video Magazine - Volume 1 is a Documentary on Hong Kong cinema.
From Shaw to Snakes: The Venom and Violence of Early Chinese Language Horror Cinema From Shaw to Snakes: The Venom and Violence of Early Chinese Language Horror Cinema (2023) Character: self
A look back at the largely undocumented period of early Chinese-language horror cinema, beginning in Hong Kong and the Shaw Brothers and graduating to Taiwan and the production of Calamity of Snakes in 1983.
Ninja Master: Interview with Godfrey Ho Ninja Master: Interview with Godfrey Ho (2024) Character: Himself
Z-grade film auteur Godfrey Ho sits down to discuss his career, Ninja Terminator and how he created the cut-and-paste ninja film.
巴黎殺手 巴黎殺手 (1974) Character: N/A
Two young men flee Hong Kong after stealing diamonds from their boss and attempt to hide with friends in Paris, but professional hitmen persue them relentlessly throughout France.
Ninja Hunt Ninja Hunt (1986) Character: Dr. Ho (uncredited)
Gordon Anderson (CIA. Ninja. Ninja Hunter) must face his toughest challenge yet when King Ninja steals a top secret formula known as DAK10 that can activate the desire to kill... Hong Kong cut and paste edit of the 1983 Taiwanese Film "錯誤的腳步" (The Wrong Steps) with new ninja scenes.
Enter the Clones of Bruce Enter the Clones of Bruce (2023) Character: Self
Get ready to play a game of death… and another… and another. This wild documentary dives into the Bruce Lee exploitation craze.
Space Ninjas Space Ninjas (2019) Character: Janitor
Five high school misfits are called for detention on a Saturday night by their teacher but as the night closes in an elite group of Space Ninjas begin their invasion on the secluded school. After the Space Ninjas kill the teacher, the students are left to fend for themselves, as they try to escape the school grounds and survive the night.
Category III: The Untold Story of Hong Kong Exploitation Cinema Category III: The Untold Story of Hong Kong Exploitation Cinema (2018) Character: Self
An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking.



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