Sayuri Tanima

Personal Info

Known For

Acting

Known Credits

0.419

Gender

Female

Birthday

01-Jan-1922

Age

(104 years old)

Place of Birth

NO INFO PROVIDED

Also Known As
  • NO INFO PROVIDED

Sayuri Tanima

Biography

NO BIOGRAPHY AVAILABLE


Credits

雪子と夏代 雪子と夏代 (1941) Character: Tazuko
Adaptation of a novel by Nobuko Yoshiya that was serialized in "Shufu no tomo" between 1939 and 1940.
女学生記 女学生記 (1941) Character: Sanae Tazaki
A "slice-of life" film about a group of high school girls in 1940s Japan.
女の四季 女の四季 (1950) Character: Wife
Woman melodrama by Shiro Toyoda
わかれ雲 わかれ雲 (1951) Character: N/A
Five women classmates from a college in Tokyo are on the first stretch of a walking tour when one of them, Masako, falls ill at a railway station. Osen, a middle-aged maid from a nearby inn, takes her in and nurses her, assisted by Dr. Minami, a young physician who diagnoses her illness as a mild case of pneumonia. With Masako in good hands and needing a few days to recuperate, her classmates continue their tour. Masako’s recovery, however, is hampered by her spoiled and immature nature and her determination to punish the world for the loss of her mother.
わが青春に悔なし わが青春に悔なし (1946) Character: Lady
After her anti-fascist professor father is dismissed, Yukie navigates love, political repression, and wartime upheaval—ultimately forging her own path in pre- and post-WWII Japan.
明日を創る人々 明日を創る人々 (1946) Character: Shizumi, Dancing girl (uncredited)
In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.
愛の世界 山猫とみの話 愛の世界 山猫とみの話 (1943) Character: N/A
A sixteen-year-old who had been living on her own since her mother died, frequently gets in trouble with the police. She gets sent to an "institute" for young girls in the countryside. There the residents grow their own food, cook and clean for themselves, and are taught language, music, and sewing. While there the young girl slowly begins to form friendships and come out of her shell.
めし めし (1951) Character: N/A
Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.
戦争と平和 戦争と平和 (1947) Character: N/A
A woman remarries after receiving official notification that her husband has died, but he returns.
獄門島 獄門島 (1949) Character: Hanako
Kindaichi challenges the mystery of an incident in which three sisters were killed one after the other according to an ancient tradition on an isolated island in the Seto Inland Sea. Kosuke Kindaichi received a will from his friend Kito, which said, "Go to Gokumon Island to save my three younger sisters," and Kosuke went to Gokumon Island. Upon arriving at the residence of Quito, there were three beautiful sisters, a crazy father, a cousin of Sanae, and Kosuke plunged into a strange atmosphere. The film adaptation of the masterpiece novel of the same name by Seishi Yokomizo. Kyozo Kataoka plays Detective Kosuke Kindaichi, and Ryutaro Otomo plays Inspector Isokawa, who can be called Kindaichi's best partner.
獄門島 解明篇 獄門島 解明篇 (1949) Character: N/A
Sequel to "Island of Horrors" (獄門島, 1949).
今ひとたびの 今ひとたびの (1947) Character: N/A
A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.
一番美しく 一番美しく (1944) Character: Yuriko Tanimura, vice president of women workers
Young women at a precision optics factory in wartime Japan push to exceed production quotas, enduring illness, injury, and personal hardship to “serve the country.” Led by Tsuru Watanabe, they fight fatigue and setbacks to keep their line moving—even when duty collides with grief.



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