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Ciulinii Bărăganului (1958)
Character: Ursu
The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.
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Omul de lîngă tine (1962)
Character: N/A
A young engineer arrives for a short time in Bucharest, where he reconnects with the girl that he loves since college. They get married, and she sacrifices her career to follow him to a big project away.
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Pasărea furtunii (1957)
Character: Steaga
Adam, a young and poor fisherman, falls in love with Uliana, but the girl's parents want her to marry Simion. To get rid of him, Simion blames Adam of the drowning of his fellow fishermen he was with out in a storm.
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Lumina de iulie (1963)
Character: N/A
even if you say you don't remember that summer light, it has been in your brain for a long time and you would recognize it immediately....in this communist-collectivist propaganda film of an artificially grotesque beauty to the point of absurdity....full-on lies and shots arranged idyllically, this is how people's perception of reality can be manipulated
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Mofturi 1900 (1966)
Character: N/A
Mofturi 1900 is a 1964 Romanian comedic film directed by Jean Georgescu and based on Ion Luca Caragiale's many Moments and Sketches. The sketches used are "Diplomatie" ("Diplomacy"), "Amicii" ("Pals"), "O lacuna" ("A gap"), "Bubico", "C.F.R." (abbreviation of "Romanian Railways") and "Din statiune" ("From resort"). The film stars Grigore Vasiliu Birlic, Iurie Darie and Ion Dichiseanu; and features Ioana Bulcă, Alexandru Giugaru, Mircea Crisan, Geo Barton and others. Set at the beginning of the 20th century, the story revolves around two Mitică characters sitting at a cafe telling stories to each other.
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O scrisoare pierdută (1954)
Character: Ghiță Pristanda
The plot take place in 1883 in a small provincial town in Romania, where the corrupt establishment decide everything, including - of course - who will be the "elected" representative to the national Senate. A love letter from the bachelor mayor to the wife of the local party chief, gets lost and found by a drunk party supporter. The letter finds its way to the opposition party, which decide to use the letter by blackmailing the powerful local "camarilla", and to get his own man to represent the county. What follows is not easy to guess....
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Badaranii (1960)
Character: Maurizio
Movie adaptation after Carlo Goldoni`s "I rusteghi" comedy, written in 1760.
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Corigența domnului profesor (1966)
Character: Andrei Mureșanu
A subpoena on perception turns the life of a teacher upside down when he finds himself taxed for what he never even had: two buffalo. Because of the aberrant bureaucracy, he can't even get rid of the fictitious cuckolds...
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Tufă de Veneția (1977)
Character: N/A
A lunatic conductor-director brings to light a kaleidoscope of characters from a kind of insect. Comedy in "zig-zag" from smile to laugh, inspired by a book by humorist Valentin Silvestru.
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Băieții noștri (1960)
Character: N/A
A star of a small town soccer team gets involved with the pretty sister of his main rival in the team.
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Celebrul 702 (1962)
Character: N/A
In the imaginary country of "Allergica", a group of gangsters have made a fat hit by pinning the blame on the Kid, who awaits execution in the terrible "Bing-Bing" prison. At the last moment the electric chair is unplugged because the lawyer has persuaded the doomed man to dictate his gangster memoirs for the use of the Books & Books publishing house. Its director offers him a "bonus to life" only if he plays along. But the Kid prefers to write about truth, people and love.
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Castelanii (1967)
Character: Mădăraș
Two cooperativists exploit a pond for fish and frogs outside their institutions circuit. Until a youth with socialist expanding ideals comes with the initiative to drain it and use the land for grains. They hatch a plan to make the pond a natural monument, so an expert is summoned, but foolish beliefs betray them.
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Partea ta de vină (1963)
Character: Oniga
This movie follows the story of a young man - Mihai Brad, who works for a industrial plant. He reaches a turning point in his life when his bosses discuss his admittance in the Young Worker Union, a communist organization, which can help propel his career forward. Mihai calls to remembrance his early days of his job after leaving his village with dreams of having his own house and a decent life. He first starts low as a unqualified worker and each month he saves all his money. The UTM organization tries to convince him to improve his skills become a qualified worker but he refuses saying that he soon wants to go back to his village and be a shepherd.
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Pe răspunderea mea (1956)
Character: Șerban
A fashion designer creates an ugly model and he won't back down against all advice.
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Post restant (1962)
Character: Toma
"Post Restant" is about two engineers: Puiu (Iurie Darie), a quite shy character, and Dan (Ion Dichiseanu) an alpha male type. They receive a letter from Liliana, a letter which is actually meant for the former apartment owner. Puiu replies to the letter, although he does not know the sender. The mail exchange goes on and the two fall eventually in love. Being less self-confident, when the time comes to see Liliana in the flesh Puiu asks Dan to meet her and pretend to be the one who wrote the letters.
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O mica întîmplare (1957)
Character: András Lakatos
An obliging and resourceful peasant made a woodworking machine out of scrap metal bought for two ducks, unaware of the dangers that would await him at every turn. Having become an unwitting swindler, he had to go with the proper documents through many instances, suffering from unscrupulous officials-bureaucrats...
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Frații Jderi (1974)
Character: Iohan Roșu
Historical movie based on the "The Martens Brothers" (Romanian: Frații Jderi) novel. Ionut is the youngest son of Commissar Jder, a trusted man of Stephen the Great. He falls in love with Nasta, the daughter of a boyar, and competes for her affections with Alexăndrel, the ruler's own son. His longing for Nasta gives impetus to Ionuț, who, together with his brothers, puts his life at the service of Moldavia.
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Avalanșa (1959)
Character: Matei
The story of the rescue of workers trapped in a snow avalanche in a remote mountain cabin.
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Mona, l'étoile sans nom (1966)
Character: N/A
The tranquility of a Romanian village is shattered by the arrival of a beautiful unknown coinciding with the discovery of a new star by a modest professor of astronomy ...
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Furtuna (1960)
Character: N/A
The Nazi troops are retreating from Romania. On a wester town, they have to be held back until some strategic trains can leave the train station.
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Două lozuri (1959)
Character: Captain Pandele
1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
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Mușchetarul român (1975)
Character: Drăguș
During the 18th century when Moldavian Prince Dimitrie Cantemir writes The History of the Rise and Fall of the Ottoman Empire the manuscript is stolen and offered to the highest bidder.
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Squadriglia bianca (1944)
Character: Nello
Inspired by the activity of the medical squadrons, piloted exclusively by female nurses on the Russian front of the Second World War.
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Aventuri la Marea Neagră (1972)
Character: N/A
A counterespionage office get a mission to go to the Black Sea shore and catch a spy network that got their hands on a secret fuel formula.
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Darclée (1960)
Character: Ruggero Leoncavallo
Darclee is a lead singer for an opera company in Romania with a heavy load of responsibility. It seems the company is in dire need of a decent physical structure for their performances and a brace -- or more -- of good singers to improve their image and sales. In other words, they need just about everything except an excellent lead singer; Darclee fills that bill. And so the company rather unfairly leans on her to get the people and the funds they so desperately want.
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Pași spre lună (1963)
Character: N/A
An aspiring astronaut prepares his ship for take-off, plugs in a razor and causes a blackout. In the deep darkness the boy imagines himself meeting the literary characters who have enthralled readers past with their stories of space travel.
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Ștefan cel Mare: Vaslui 1475 (1975)
Character: N/A
In 1475 when Stephen the Great, ruler of Moldavia is facing an invading Ottoman army of 120 000 men, the fate of Christian Europe largely depends on the battle's outcome.
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Răsună valea (1950)
Character: Ion
Famous Romania communist propaganda movie, one of the templates to what followed. It is about the volunteers that built the Bumbești-Livezeni railroad.
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Telegrame (1960)
Character: Popic
Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.
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