|
Ay Tank Ay Go (1936)
Character: Mary Lou Beagle
Boy loves girl, but she's on the other side in a hillbilly feud.
|
|
|
Three on a Limb (1936)
Character: Molly's Friend the Car-Hop
Scoutmaster Elmer Brown loses his heart to the pretty carhop who works in a drive-in diner. Complicating his romantic longings is her policeman fiancé. When he tries to eliminate Elmer by giving him traffic tickets for every conceivable violation, the girl takes pity on the martyred Elmer and they drive off together. She informs him that she is also fending off another suitor, Oscar; and to make matters worse, her father is backing the cop while her mother promotes Oscar. Eventually all three men wind up competing for her hand at a chaotic wedding ceremony that ends with Elmer winning his beloved.
|
|
|
The Captain Hits the Ceiling (1935)
Character: Vera
Franklin gets into a disagreement with a tough sea captain. However, he doesn't find out until later that the captain is his fiance's father.
|
|
|
Hot Paprika (1935)
Character: The Bank Filing Clerk
A bank clerk, who mistakenly believes he has three months to live, quits his job, runs off to the island of Paprika, gets involved with a flirty cantina dancer, and becomes entangled in a revolution.
|
|
|
Stolen Kisses (1929)
Character: Margot
A crotchety old coot wants his son and daughter-in-law to have kids so he can have grandchildren, but so far they haven't done so. In a somewhat ham-handed attempt to bring them closer together so they'll be in the mood to give them the grandchildren he wants, he winds up bringing them to the point where they're considering divorcing. He decides to change his tactics in order to achieve his goal.
|
|
|
Stage Frights (1935)
Character: N/A
Two bumbling detectives help a stage actress who has been receiving threatening letters.
|
|
|
|
|
|
|
Three Hollywood Girls (1931)
Character: Phyllis
Three young girls live together in a one room apartment just scraping by while dreaming of Hollywood stardom. When one refuses a small role because they the producers won't meet her price the newest of the trio whose fresh off the bus from Omaha takes it and finds success.
|
|
|
|
|
|
|
Midnight Blunders (1936)
Character: Miss Millstone (uncredited)
The evil Dr. Wong abducts prominent scientist Dr. Edwin Millstone. Bumbling bank guards Tom and Monte search through Chinatown to find Dr. Wong and rescue the professor.
|
|
|
Racing Romance (1927)
Character: N/A
Racing Romance is a 1927 Action film. According to a brief article in the St. Petersburg, FL Evening Independent newspaper, the film was centered in the world of automobile racing. The article also noted that racing sequences in the film were shot at the "world famous Culver City Race track," which referred to the Culver City Speedway, a popular racing venue that opened in mid-Jun 1924 and was located adjacent to Washington Blvd., close to M-G-M and other movie studios. Apparently it's a lost film.
|
|
|
Ten Cents a Dance (1931)
Character: Eunice
A taxi dancer with a jealous husband finds herself falling for a wealthy client.
|
|
|
It's a Cinch (1932)
Character: Phyllis
When a dance instructor is tricked into facing a prize fighter in the boxing ring, his girlfriend devises a plan to turn the odds in his favor.
|
|
|
The Girl Who Came Back (1935)
Character: Miss Parsons (uncredited)
A counterfeiter gives up her life of crime and goes straight. She gets a job in a bank, but the members of her former gang hear about it and try to blackmail her into helping them rob the bank.
|
|
|
Blind Date (1934)
Character: Girl in Box
A young woman is torn between a wealthy suitor who wants her body and the honest young man who wants what's best for her.
|
|
|
My Man Godfrey (1936)
Character: Party Guest (uncredited)
Fifth Avenue socialite Irene Bullock needs a "forgotten man" to win a scavenger hunt, and no one is more forgotten than Godfrey Park, who resides in a dump by the East River. Irene hires Godfrey as a servant for her riotously unhinged family, to the chagrin of her spoiled sister, Cornelia, who tries her best to get Godfrey fired. As Irene falls for her new butler, Godfrey turns the tables and teaches the frivolous Bullocks a lesson or two.
|
|
|
|
|
Pop Goes the Easel (1935)
Character: Model in Tights (uncredited)
The stooges are down and out. With a cop chasing them, they flee into an artists studio where they are mistaken for students. The cop continues to hunt for them and they use a variety of disguises and tactics to elude him. A wild clay throwing fight ends the film.
|
|
|
Below the Deadline (1936)
Character: Miss Jennings (uncredited)
After a good-natured Irish cop is framed for a diamond robbery and murder and presumed dead in a train wreck, he gets plastic surgery and returns to expose the real killers.
|
|
|
Elmer, the Great (1933)
Character: Gentryville Journal reporter (uncredited)
Baseball star Elmer Kane leaves the little town of Gentryville, Indiana, to join the Chicago Cubs, where his naivete and arrogance soon put his relationship and career into jeopardy.
|
|
|
Men in Black (1934)
Character: Anna Conda (uncredited)
The stooges are three doctors who graduated medical school by being in it for too many years. They come across such problems as an overly chirpy nurse, a mental patient, and a combination to a safe swallowed by the hospital superintendent in the course of their attempt to get through the day.
|
|
|
Three Little Pigskins (1934)
Character: Molly Gray
The stooges are mistaken by a gangster for the "Three Horsemen of Boulder Dam", famous football players. Hired to play for his team, they blow the big game and get it in the end. Lucille Ball has a nice part as a gun moll.
|
|
|
A Pain in the Pullman (1936)
Character: Girl Curly Kisses (uncredited)
The stooges are small time actors traveling by train to an engagement. Along with their pet monkey, they manage to spoil the trip for quite a few of the other passengers including the conductor and a big movie star. Eventually their antics get out of hand and they are literally tossed off the train.
|
|
|
Alias Mary Dow (1935)
Character: Maid (uncredited)
A taxi-dancer agrees to pose as a girl who had been kidnapped as a child 18 years before.
|
|
|
Every Night at Eight (1935)
Character: Telephonist (uncredited)
Three young girls working in an agency have build a singing trio. They want to "lease" the Dictaphone of their boss to make a record of their singing, but they are caught and fired. When they are not able to pay their rent any longer, they decide to try it on an amateur contest at a radio station.
|
|
|
Circumstantial Evidence (1935)
Character: A Dumb Dame (uncredited)
A reporter sets out to provide how unreliable circumstantial evidence is by faking a murder and then taking the rap for it. However, the "fake" murder victim turns out to be really dead
|
|
|
Hoi Polloi (1935)
Character: Nichols' Daughter (uncredited)
A professor bets that he can turn the stooges into gentlemen. After many attempts to teach them etiquette, he brings them to a fancy society party. The stooges' new found manners don't last very long, and the party quickly degenerates. By the end, the other guests have adopted stooge-like behavior and the stooges leave as gentlemen.
|
|
|
|
|
Uncivil Warriors (1935)
Character: Miss Judith Buttz (uncredited)
Set in the civil war, the stooges are spies for the north. They impersonate southern officers and infiltrate the enemy ranks to get valuable information. On the run when they are discovered, they hide in a cannon and are blown back to their northern headquarters.
|
|
|
The Forward Pass (1929)
Character: Dot
Marty Reid, the star quarterback at Sanford College, is constantly singled out by the opposition for punishment, and he swears to his pal, Honey Smith, and to Coach Wilson that he will quit the game forever. Ed Kirby, who dislikes Reid, calls him yellow, and Wilson gets Patricia Carlyle, the college vamp, to induce Reid to play. At a sorority dance, where only football players can cut in, Kirby persecutes Reid by dancing with Pat, and as a result Reid does apply to play in the game.
|
|
|
Madam Satan (1930)
Character: Girl in Parked Car
A socialite masquerades as a notorious femme fatale to win back her straying husband during a costume party aboard a doomed dirigible.
|
|
|
The Girl Said No (1930)
Character: Alma Ward
A comedy romance in which breezy Haines, as a young lady killer, tries to capture the heart of Hyams who has turned him down for Bushman. Haines plots dozens of extreme measures to win her over, and finally goes so far as to drag her from the altar, bound and gagged.
|
|
|
Why Be Good? (1929)
Character: Salesgirl (uncredited)
A flapper unwittingly falls for the boss' son.
|
|
|
Young Bride (1932)
Character: The Taxi Dancer
A newlywed discovers her husband is a cheating phony.
|
|
|
Coquette (1929)
Character: Bessie
A Southern belle's flirtation with a working man leads to tragedy.
|
|
|
The Bridge of Sighs (1936)
Character: Peggy Watts (uncredited)
Assistant District Attorney Jeffery Powell has just sent an innocent man to prison for the murder of a gambler. Powell is in love with, Marion Courtney, but he's unaware that Marion is the sister of the innocent man he sent to prison. Marion gets herself committed to a women's prison to get proof from inmate, Evelyn 'Duchess' Thane, that her brother is innocent. Powell learns of Marion's plight and believes she's in love with the man he sent to prison.
|
|
|
Aloha (1931)
Character: Dixie
In the South Seas, a half-caste island girl refuses to follow tradition and marry a fellow islander, instead falling in love with a white man and heir to an American fortune.
|
|
|
Murder in the Fleet (1935)
Character: Woman Trying to Leave Ship (Uncredited)
A traitor is lurking somewhere aboard the USS Carolina, and Lt. Tom Randolph is determined to find the offender. First a revolutionary new piece of technology -- an electric firing device -- is sabotaged. Then one of the cruiser's crew is murdered. In order to catch the killer, the captain locks down the ship. With foreign dignitaries, corporate goons and even Tom's girlfriend, Betty, trapped on the vessel, there is no shortage of suspects.
|
|