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Le Chiffonnier de Paris (1924)
Character: N/A
Paris, under the reign of King Louis-Philippe. Jean, a rag-and-bone man, witnesses a murder. The victim begs him to adopt little girl Marie Didier. 20 years later, in 1846, she has grown into a beautiful young lady and works as a seamstress. One night, she is taken to a party where she is insulted by the nasty Baron Hoffmann because she was wearing the dress she had made for his daughter. Dashing Henri de Berville takes her defense.
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La valse de l'adieu (1928)
Character: N/A
The life of composer Frédéric Chopin through his youthful love for Maria Wodzińska, a young Polish aristocrat he was unable to marry because of his own situation, considered too modest by the girl's family. On the threshold of death, Chopin remembered his beloved and the piece he composed when he left her: La Valse de l'adieu.
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L'heureuse mort (1925)
Character: N/A
Unsucessful writer Théodore Larue is mistakenly believed to be drowned during a vacation at the sea with his wife Lucie. The latter persuades him to play dead because the incident increases his popularity. Théodore pretends he is his brother Anselme. Trouble begins when the actual brother unexpectedly returns from Madagascar.
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Teodora (1921)
Character: Andreas
Teodora, a Roman courtesan and former slave girl, marries the Roman emperor Justinian and assumes the throne as Empress of Rome. But a love affair with a handsome Greek whom she meets in Byzantium leads to revolution and armed conflict in both Byzantium and Rome.
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La Garçonne (1923)
Character: Georges
Monique is an ingenue, a clueless girl who believes in true love. A marriage is the only thing a decent girl must long for. When she discovers that her future husband has a lover, she rebels against her bourgeois family.
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La belle meunière (1948)
Character: N/A
Franz Schubert retired from Vienna in country for musical writing. He draws his inspiration from a romance with the watermiller's daughter. An operetta in the fifties Vienna style. This is the only movie from Marcel Pagnol in color and the only movie in rouxcolor, a French experimental process derivated from the agfacolor German process.
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Champagne caprice (1919)
Character: Il dottore
Maude, engaged to a doctor, was adopted years earlier by the president of an anti-alcoholic league. A Gypsy violinist falls in love with her, who, after having kidnapped and immobilized the girl's boyfriend, takes her to a villa and, to try to make her give in to his coaxing, has some gypsies offer her champagne.
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L'Agonie des aigles (1922)
Character: Pascal de Breuilly
After the death of Napoleon, colonel Montaner plots to restore the Empire, but falls in love with Lise, a beautiful dancer.
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Coupable? (1951)
Character: N/A
Charles Walter, a forestry contractor, has helped Noël Portal to start a new life. When Victor, the new foreman and Charles'wife's lover, is found murdered, everything points to the guilt of the deceived husband. To save his benefactor, Noël decides to accuse himself of the the crime. He is condemned to death.
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Cœur de lilas (1932)
Character: N/A
Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.
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