Linda Batista

Personal Info

Known For

Acting

Known Credits

0.5256

Gender

Female

Birthday

14-Jun-1919

Age

(107 years old)

Place of Birth

São Paulo, São Paulo, Brazil

Also Known As
  • Florinda Grandino de Oliveira

Linda Batista

Biography

Linda Batista, born Florinda Grandino de Oliveira (June 14, 1919 – April 18, 1988) was a Brazilian popular musician. Linda was born in São Paulo, the sister of Dircinha Batista. She studied violão (classical guitar) from age 12 under Patricio Teixeira. She was hired at Radio Cajuti (later Rádio Mundial) in Rio de Janeiro after substituting for her sister on composer Gastão Lamounier's show in 1932. By 1937 she had been named Brazil's Rainha do Rádio (Queen of Radio) in a contest voted on by listeners, a title first held by Carmen Miranda. Batista married and quickly divorced in the late 1930s. Her first recordings were released in 1938. Around this time she also began appearing in films such as Maridinho de Luxo and Banana da Terra. She sang on Rádio Cultura Brasil [pt] in São Paulo and then appeared at Casino São Vicente on Ilha Porchat for six months. She returned to Rio de Janeiro in 1939 and was hired at the Cassino da Urca, singing with the Kolman Orchestra. She remained there until the casinos were closed in 1945 by state decree. She signed to Victor Records in 1940, and would record for the label until her retirement in 1960. Batista toured throughout Brazil in the early and mid-1940s, scoring many nationwide hits such as "Tudo é Brasil" (1941), "Batuque No Morro" (1941), "Clube Dos Barrigudos" (1944), "No Boteco Do José" (1946), "Enlouqueci" (1948), "Nega Maluca" (1950), and "Vingança" (1951). Batista did extensive work for films throughout the 1950s. In 1951, she embarked on a tour of Portugal, France, and Italy. She toured Uruguay in 1957-58 and Argentina in 1959. She appeared in a variety show with Carlos Machado's orchestra at his Rio nightclub Night and Day in 1960, and retired from active performance that year. (Wikipedia)


Credits

Noites de Copacabana Noites de Copacabana (1950) Character: N/A
A young woman from the countryside comes to Rio to try to be a theater star with the support of a friend, but to achieve what she wants, she ends up getting her own mother into trouble.
Virou Bagunça Virou Bagunça (1961) Character: N/A
The Gerimum Trio arrives in Rio de Janeiro wanting to make it big in their artistic careers. They struggle with great difficulties and even sing in the street. The police pursue the three, who end up in the place they most want to be: a television studio. Mistaken for northeastern congressmen, they are taken to the TV director-general, Mr. Walter. Shortly after, Marly, the advertising star, and her secretary, Josias, enter. A heated argument ensues, but the situation is resolved when the real congressmen show up.
O Petróleo é Nosso O Petróleo é Nosso (1954) Character: N/A
A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company into giving up her property for nothing, but is saved by his son's noble intervention.
Tira a Mão Daí Tira a Mão Daí (1957) Character: N/A
The "corn king" usually sponsors dreamy girls who want to become a miss in any contest. One of them doesn't agree with her sponsor's "donjuanesque" tactics and abandons everything to return to her former fiancé.
Céu Azul Céu Azul (1941) Character: N/A
The Companhia de Esquetches Musicados do Teatro 'Brasil' is in crisis. After the debut of a new play failed, impresario Artur Fernandes, despite protests from Nini del Mar—the company's star—decides to hire Vitorino, the only writer who understands the audience's tastes and the company's artistic capabilities, to write the next play.
É Fogo na Roupa É Fogo na Roupa (1952) Character: N/A
A precious necklace is stolen during a convention at Quitandinha Palace, a hotel in which a wives conference is deciding whether or not unfaithful husbands should receive the death penalty.
No Me Digas Adiós No Me Digas Adiós (1950) Character: N/A
An Argentinian and a Brazilian fall in love and at the same time, their couples do the same thing between them.
Carnaval em Marte Carnaval em Marte (1955) Character: N/A
A woman impressed by news reports about flying saucers, gets hit on the head by a vase, passes out and dreams that she is the 'Queen of Mars', from where she sends an expedition to Earth in order to bring back Rio's Carnaval to the planet.
Tudo é Brasil Tudo é Brasil (1997) Character: Self (archive footage)
A film essay about Brazil discovered through Orson Welles' eyes during the shooting of It's All True.
Lupicínio Rodrigues: Confissões de um Sofredor Lupicínio Rodrigues: Confissões de um Sofredor (2022) Character: Self (archive footage)
The documentary celebrates the poetic legacy of Lupicínio Rodrigues, investigating the musical contribution and historical context of this composer born in Rio Grande do Sul and author of hits that surpass generations.
Depois Eu Conto Depois Eu Conto (1956) Character: Ela mesma
Zé da Bomba dreams of being rich, and his neighbour dreams of being an artist and having an affair with him.
Banana-da-Terra Banana-da-Terra (1939) Character: N/A
A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.
Tudo Azul Tudo Azul (1952) Character: N/A
Unsuccessful music composer attempts suicide and moves to a new world where everything goes right for him.
É de Chuá! É de Chuá! (1958) Character: N/A
The film narrates the adventures of the trickster Juca Moleza in the carnival while he has to deal with the consequences of the scams he applied to people of high society.
Maridinho de Luxo Maridinho de Luxo (1938) Character: N/A
A pampered girl decides to marry in a different way: buying a husband.



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