|
|
|
|
|
|
|
|
|
Oro entre barro (1939)
Character: Bartolo
A humble bartender wants his minister brother to recognize the son of the woman he abandoned years ago.
|
|
|
El sobretodo de Céspedes (1939)
Character: Pedro Céspedes
The needy Pedro Céspedes finds a coat that implies for those who wear it a mysterious prodigality of money and jewelry.
|
|
|
|
|
|
|
Dancing (1933)
Character: N/A
The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.
|
|
|
El cantor del pueblo (1948)
Character: N/A
A worker looking for money for his blind mother's operation, presents himself as a tango singer and achieves success.
|
|
|
|
|
Carlos Gardel, Historia de un Ídolo (1964)
Character: Él mismo
Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.
|
|
|
Así te quiero (1942)
Character: N/A
A bohemian reluctant to marriage and work will get sudden wealth.
|
|
|
Así es el tango (1937)
Character: Tito
Two unfaithful husbands have to win their wives back while they take their revenge on them by going out with other people.
|
|
|
A La Habana me voy (1950)
Character: Tito Guzmán
Backstage musical: showbiz couple fusses and breaks up, then resolve their problems just before the end.
|
|
|
Luna de miel en Río (1940)
Character: Gorostiaga
Catita goes with her husband to spend the honeymoon in Rio de Janeiro and on the trip they fall into the hands of a player who will try to use them to achieve their ends.
|
|
|
|
|
Buenas noches, Buenos Aires (1964)
Character: N/A
Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.
|
|
|
|
|
La vuelta de Rocha (1937)
Character: Carlos Arguindegui, alias "Firulete"
A sailor and a tango singer fall in love. To protect her, the man takes her to live with his family. But before embarking, he is robbed, and the circumstances accuse the girl of being an accomplice of the criminals.
|
|
|
Gente bien (1939)
Character: Medina
A single mother who is denied work to support the son she had with the aristocrat who had seduced her, is helped by a singer, a director of orchestra and an American female singer, who get her shelter in the humble pension where they live.
|
|
|
Con la música en el alma (1951)
Character: N/A
An orchestra director had a son as a result of an affair in his youth and hides the fact from his wife. But the young man succeeds as a musician and the truth soon comes to light.
|
|
|
El día que me quieras (1935)
Character: Rocamora
Carlos Argüelles is the son of a wealthy man whose only interests in life are business and making money. While trying to succeed in show business he falls in love with a dancer and they elope to marry. But success is not easy to obtain.
|
|
|
Cleopatra era Cándida (1964)
Character: Don Valentín / Dr Arévalo
Cándida marries a widowed millionaire. She is in full exercise of being the housewife, when her husband's daughter arrives, with the company of Amelita Vargas with 2 purposes: to find out what her father is hiding and that she marry him..
|
|
|
|
|
La vida es un tango (1939)
Character: Quintana
Romance - with its ruptures and reunions - between a girl and a boy who want to succeed with the tango.
|
|
|
La historia del tango (1949)
Character: Pebete
The director of a tango set is in love with the singer but she marries another man who eventually abandons her. In their old age, their children will fulfill their dreams.
|
|
|
|
|
Isabelita (1940)
Character: Galíndez
In order to seduce a humble man, a rich girl pretends to be a maid.
|
|
|
Mujeres que trabajan (1938)
Character: Lorenzo Ramos
A rich lady is suddenly in the street after her father's suicide and moves to a pension with many working women from different origins whom she had previously humiliated.
|
|
|
|
|
Adiós Buenos Aires (1938)
Character: Juan Carlos
A freakish coincidence brings together a songwriter and the lyricist from whom he inadvertently stole the lyrics to a hit song.
|
|
|
La muchachada de a bordo (1936)
Character: Lucero
A boy who is doing compulsory military service in the navy has a confrontation with a superior over the love of a woman.
|
|
|
Una cubana en España (1951)
Character: Tito León
Blanquita, a very superstitious Cuban young woman, visits a fortune teller on the eve of her wedding to Roberto. She predicts that her first husband is destined to die, as well as would not make her happy. Believing this and according to her uncle, Blanquita starts looking for a man about to die, with the intention to marry him, then become widower and take Roberto as her second husband, thus freeing him from the curse.
|
|
|
El cartero (1954)
Character: N/A
A provincial postman shares with the inhabitants of a small town the joys and sorrows caused by the correspondence he delivers.
|
|
|
Un señor mucamo (1940)
Character: Jorge Peñalbert / Próspero
Well-to-do idler loses his fortune, ends up going to night-school and working as butler for a wealthy family. Still posing as a rich toff, he courts a young lady who turns out to be the daughter of his employer.
|
|
|
Jettatore (1938)
Character: Carlos
A rumor spreads about a man being bad luck. His superstitious friends believe it, but it's all part of an evil scheme to ruin the man's upcoming wedding. Adapted from the play of the same name by Gregorio de Laferrere.
|
|
|
Tres anclados en París (1938)
Character: Eustaquio Pedernera
Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.
|
|
|
La muchachada de a bordo (1967)
Character: Lucero
The adventures of two conscripts on an aircraft carrier, including one of them having a rivalry with an officer over a woman.
|
|
|
Tango Bar (1935)
Character: Juan Carlos Puccini
Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.
|
|
|
|
|
Navidad de los pobres (1947)
Character: N/A
A woman finds herself in trouble from a single mother whose father has stolen her child and decides to protect her.
|
|
