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...nur ein Komödiant (1935)
Character: Lokalgast
A moving actor at the rococo era shows the power-hungry-crude minister of a small state prince in the barriers, while he makes use of his resemblance to the sovereign and slips in his role. - Double role for Rudolf Forster who plays his figures very much chilly.
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Der weite Weg (1946)
Character: N/A
Shortly before the end of the war: Disillusioned Austrian soldiers crammed into a barracks in a prison camp welcome a new arrival who has nothing better to do than rave to the men, who have been separated from their homeland for years, about his Viennese lover. When the womanizer mentions the name of his latest love affair, Manhardt, her husband, jumps at him in outrage; the adulterer falls and dies. Acquitted of murder and returned to Vienna, Manhardt cannot get over his Anni's infidelity. Friends and a second fateful coincidence help.
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Großfürstin Alexandra (1933)
Character: Der Knecht am Gut Litauen
A Czarist refugee, separated from her husband, gets a job as a nightclub singer in Vienna and has to decide later if she wants to rejoin him.
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Anton, der Letzte (1939)
Character: Tourist
A grumpy valet takes corrective action with mumbling peevishness in the fortunes of his family household count.
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Der Frauendiplomat (1932)
Character: Ferdinand, ein Diener
Diplomat Fürst Windischberg is known for spending too much time with women, receiving frequent reprimands and even a threat to be sent to Afrika. In Berlin he meets chorus girl Hella, who tells her companions she is his current flirt.
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Ost und West (1923)
Character: N/A
Morris Brown, a New York gambler acquainted more with his checkbook than his prayer book, returns to Galicia with his very American daughter, Mollie (Molly Picon) for a family wedding. But Mollie, whose exuberant antics fill the film, unexpectedly meets her match--an engaging young yeshiva scholar who forsake tradition and joins the secular world to win her heart.
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Das Jüngste Gericht (1940)
Character: Professor Schn eck
The greengrocer Ferdinand Strubel wants his daughter Marianne to marry the son of the brewery owner Baron von Schnackenberg. Since Strubel is an impossibly cheap bastard, the marriage is to take place on 20 May, which, coincidentally, is the same day the city is having a grand festival for him to celebrate his company's being in business for 100 years. Marianne, however, has fallen in love with Leopold, a gym teacher; and when he reads an article in the newspaper about the upcoming arrival of Haley's Comet on 19 May, he comes up with an idea how he can prevent the wedding from taking place: He tells Strubel that the world is going to come to an end when the comet shows up, so that Strubel will see the errors of his way, cancel the arranged wedding and will become a better person for it. (Sucker!).
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Der Himmel auf Erden (1935)
Character: Sekretär des Theaterdirektors
A poor composer who should buy a property for his ambitious father-in-law finances with the money, nevertheless, an opera. Together with his friend who must play a husband to his strict rich aunt, he makes to himself a fun from the mistakes which cause her feints.
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Der fidele Bauer (1951)
Character: N/A
Matthias Scheichelroither is a poor but always cheerful, or rather, jolly farmer. He has grand plans for his son Heini, nicknamed "Heinerle": He intends for him to one day become a trained academic, a doctor. To achieve this, the old man scrims and saves to give Heinerle a perfect education. But Heini has other plans: Instead of focusing on his studies, he is drawn to music. With the help of Vivian Harrison, a wealthy American woman who is in love with him, he finally manages to organize his first concert as a composer.
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Ich bin Sebastian Ott (1939)
Character: Kellner
After a shady art collector is murdered, adept Dr. Sebastian Ott uncovers a massive organised fraud with fake paintings. His twin brother Ludwig is responsible, kidnaps him and locks him away in his house. He uses Otto's ID and 'replaces' him...
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Operette (1940)
Character: N/A
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
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Die schwarze Kobra (1963)
Character: N/A
After a truck carrying a cargo of narcotics is held up by rival smugglers, the driver sets out to prove his innocence.
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