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La casa colorada (1947)
Character: N/A
Mexican Revolution: rich man's son kills somebody over a woman, runs off to the war, goes home afterwards. Many complications, much melodrama.
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El juicio de los hijos (1971)
Character: Marta
Widow with teenaged children faces hostility from her dead husband's mother, who seems to know a family secret she wants to use against her.
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Nosotros los jóvenes (1966)
Character: Tía Amparo
Young-adult movie about a crew of 8 or 10 upper-middle-class boys and girls -- mostly about the romance between two of them.
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Salón de belleza (1951)
Character: N/A
Employees and clients at Merle's Beauty Stuff have illicit romances and cheating husbands and that kind of thing. Meanwhile, the cop that directs traffic outside gets an opportunity to become a movie star.
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Los corrompidos (1971)
Character: N/A
Hotel with a dozen stories unfolding simultaneously: man with brain tumor, child with leukemia, drug-traffic magnate and his paid escort, rich widow and her paid escort, lesbian seduction scenario, etc etc...
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Mi adorado salvaje (1952)
Character: N/A
The old folks back home in Spain have arranged a marriage for their niece living in Mexico. To side-step their demands, she pretends to be already married, with a male acquaintance who agrees to pose as her husband while her relatives are visiting.
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La reina del cielo (1959)
Character: N/A
A tribe of Venezuelan Indians in the jungle, commanded by chief Coromoto live with fear because of the presence of a Spanish colony settled in the outskirts. Coromoto's fears are increased because of the presence of a snake and the prophecies of the sorcerers. His government is threatened by the rebellious character of Piache, a warrior who also has his followers. One day Coromoto and his people have a vision in the lake of the Virgin Mary, but he doesn't trust on it, thinking that it's a negative spirit despite its beauty. However, the tribe exiled a woman, Guaita and his little son Jesus. Guaita and Jesus run away to the Spanish colony, where they're received in the local governor's house. The governor and a soldier, Bartolome offer to help Guaita and Jesus. Maybe the father of the child is a Spaniard known by Bartolome and his brother.
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Corazón de fiera (1951)
Character: Leda
Wanted criminal has plastic surgery, starts new life in a distant town. Old habits die hard.
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La estrella vacía (1960)
Character: Teresa
Mourners share their memories of a dead film-star at her wake, a la Citizen Kane. Only melodrama.
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Cielo Rojo (1962)
Character: N/A
Troubled young man meets his father for the first time.
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La mujer ajena (1955)
Character: Augusta
This is the story of a gambler whose mistress is the wife of a renowned philanthropist. The gambler himself is cheating on his mistress with another woman. The secret love triangle gradually becomes public due to the jealousy, ambition, and weaknesses of its protagonists, including the guilt felt by the lovers.
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Tú, yo, nosotros (1972)
Character: Silvia
Three interwoven stories where the characters experience deception, passion, love and rejection.
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El gallero (1948)
Character: N/A
In Michoacan in the 1920s, Gabriel, a young farmer and champion cockfighter, finds himself in violent opposition to Roman, who not only wants to beat Gabriel's fighting cock, but to steal Gabriel's wife Rosa.
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El rencor de la tierra (1949)
Character: Analena
A couple is struck by tragedy and must prove how great their love is to overcome what happened together.
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Hombres de roca (1966)
Character: N/A
Cowboy drifter goes home for a visit, gets into trouble messing around with another man's woman.
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A Bullet for Billy the Kid (1963)
Character: N/A
Western gunfighter Billy Kid decides to embark upon a new life and, accompanied by his sister, sets off on the long journey to his ranch. The journey is fraught with danger as Billy is attacked by both gunmen and lawmen.
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Los bandidos de Río Frío (1956)
Character: Mariana del Sauz
Luis Aguilar heads the cast in this story of a band of outlaws whose exploits are more fun than negligible.
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Las últimas banderas (1954)
Character: Rosa
Two Spanish soldiers, good friends, have to fight on the battlefield during the Peruvian war of independence.
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Angel del barrio (1981)
Character: N/A
Patada de Mula, an old retired boxer, lives with the guilt of having killed his opponent in his last fight, but he works as a masseur in a gym, sells balloons on Sundays and with the proceeds supports the widow of the opponent he killed and his son El Kid, an aspiring boxer, without his knowledge. Patada is also in love with his neighbor Marga, a young woman who is pushed into prostitution by the gangster Duque and his own father, but to whom Patada sends letters as an anonymous lover. The Kid is sponsored by Duke and detests Patada for the death of his father, but when he throws him out of the inn that his mother tends she confesses to him what he has done for them and the Kid asks her forgiveness and makes him his second.
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Angel del barrio (1981)
Character: Da Rosa
Patada de Mula, an old retired boxer, lives with the guilt of having killed his opponent in his last fight, but he works as a masseur in a gym, sells balloons on Sundays and with the proceeds supports the widow of the opponent he killed and his son El Kid, an aspiring boxer, without his knowledge. Patada is also in love with his neighbor Marga, a young woman who is pushed into prostitution by the gangster Duque and his own father, but to whom Patada sends letters as an anonymous lover. The Kid is sponsored by Duke and detests Patada for the death of his father, but when he throws him out of the inn that his mother tends she confesses to him what he has done for them and the Kid asks her forgiveness and makes him his second.
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En la mitad del mundo (1964)
Character: N/A
Mexican-Ecuadorian film from 1964, originally titled: ‘The Misadventures of Don Ventura’. A musical comedy created in the style of traditional classic Hollywood cinema of the 1950s, with the purpose of promoting Ecuador to the world through an idyllic vision of the country that erased economic, political and social conflicts, while offering its national and international viewers the idea of a harmonious nation in the process of modernization.
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El medallón del crimen (1955)
Character: María Álvarez
Going out for a drink with the guys after work, a salaryman get in over his head with a gangster's moll and a murder.
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El ángel negro (1942)
Character: Hija de Doña Meche (uncredited)
Despite the strange death of Jorge's previous wives, Elisa decides to marry him.
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Las cinco noches de Adán (1942)
Character: Etelvina
Globe-hopping playboy bachelor is getting on in years, so he invites his five international children to come live with him.
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El fugitivo (1966)
Character: Rosa
Drifter returns to his home town for revenge, but he get caught up in the town's interpersonal dramas.
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Rosa blanca (1961)
Character: Carmen López de Yáñez
An international oil company comes into conflict with a Mexican ranch owner who refuses to sell his land, resorting to a devious scheme to try to take over the property.
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El castillo de la pureza (1973)
Character: Beatriz
A disciplined and sexually driven man forces his family to stay isolated in their home in order to protect them from the “evil nature” of human beings.
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Once Upon a Scoundrel (1974)
Character: Sra. Gómez
After falling for Alicia, greedy and powerful Mexican landowner Carlos has her fiancé thrown in prison on a bogus charge. To trick Carlos into releasing her man, Alicia teams up with her Aunt Delfina and tries to convince Carlos that he's a ghost.
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La otra virginidad (1975)
Character: Eva's Mother
Two young waitresses, Laura and Eva, become romantically involved with a movie distributor, Adrian, and his friend Luis.
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Los indolentes (1979)
Character: Inés Alday
Wealthy family in the 1940s have failed to change with the times, and now everything's collapsing in their lives.
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Cinco rostros de mujer (1947)
Character: Elena (as Concha Macedo)
"The great love of his life" happened five times; one of those women just wrote him a letter. Which one will it be?
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Quinceañera (1960)
Character: Teresa, Beatriz's mother
María Antonia, Beatriz and Leonor are three classmates who are anxiously awaiting the celebration of their 15th birthday. However, each of them will have to cope with their complicated personal situation.
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Nazarín (1959)
Character: Andara
A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.
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Una bala es mi testigo (1960)
Character: N/A
Cowboy goes to track down the man who murdered his brother, but it turns out to be someone other than the one he was looking for. Together, they set things straight and take care of the real murderer.
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Ensayo de un crimen (1955)
Character: Patricia Terrazas
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan...
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Por la puerta falsa (1950)
Character: Adela Quiroga
Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.
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Las infieles (1953)
Character: Leticia del Valle
Governess falls in love with the uncle of the children she's teaching. Then complications.
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Veneno para las hadas (1986)
Character: Jaime's Grandmother (uncredited)
In 1965 Mexico City, Flavia, a wealthy yet lonely schoolgirl, befriends Veronica, a young orphan girl who has a fascination with witchcraft. Veronica convinces Flavia that she is a real witch and forces her to be her assistant. The children's games gradually become more serious and Veronica demands more from Flavia.
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El hombre de papel (1963)
Character: Victoria, esposa del Torcuato
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.
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Rosenda (1948)
Character: Rosenda
A ruffian sends his assistant to force a peasant girl to marry him, but while he is bringing her to him, he falls in love with her.
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Cambiando el destino (1992)
Character: Hermana Angustias
A musical band of teens travel by plane to a scheduled event where they will perform in scenario have an accident and get lost in the middle of the desert.
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Juana Gallo (1961)
Character: Starving woman
Peasant woman leads a regiment during the final days of the Mexican Revolution. Also, romantic entanglements.
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Stronghold (1951)
Character: Beatriz Vega
In 1850s Mexico, the beautiful owner of a silver mine is kidnapped by a bandit leader, who needs money to finance his revolt against the Emperor Maximilian.
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