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La guarida del buitre (1958)
Character: N/A
Cowboy-policeman-hero interferes with the bad guy's plans and prevents his engaging in monkeyshines. Part of the series "Mauricio Rosales, el rayo justiciero."
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No matarás (1943)
Character: Actuario (uncredited)
A mother stands by helplessly while a scandal involving marital infidelity, blackmail and murder takes shape around her daughter.
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Ave sin rumbo (1937)
Character: Amigo de Tiburcio (uncredited)
A woman with a past meets a man with a past; the back story of each one represents an obstacle to their couple-bonding. Will they work through their traumas?
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La mujer X (1955)
Character: Testigo corte (uncredited)
A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.
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Lágrimas robadas (1954)
Character: Abarrotero (uncredited)
Melodrama involving a young woman returning to Mexico from abroad after a failed romance and dealing with an unwanted pregnancy and a meddling Aunt.
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¡Fíjate qué suave! (1948)
Character: N/A
There are two sisters who will soon receive a large inheritance and several men want to marry them to participate in that heritage.
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Desnúdate, Lucrecia (1958)
Character: N/A
Commercial artist and her fiancé go to Acapulco for a weekend, and she discovers that their engagement was a mistake.
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Piña madura (1950)
Character: Cantinero (uncredited)
A dancer surrenders herself to a wealthy, depraved man to save the life of her true love.
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Pepita Jiménez (1946)
Character: (uncredited)
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
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Vino el remolino y nos alevantó (1950)
Character: Jefe de Patricio (uncredited)
Three generations of a stable, middle-class family in the capitol are scattered to the four winds by blowback from the Mexican Revolution.
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Préstame tu cuerpo (1958)
Character: Man in the hospital
Heaven Can Wait scenario; a young woman dies forty years ahead of schedule because her guardian angel made a mistake... so the divine powers that be put her back on earth in a new body.
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¡Esquina bajan...! (1948)
Character: Fidel Yañez
Driver Gregorio del Prado and fare collector Regalito were suspended for deviating from their route to impress a young woman named Cholita.
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El vagabundo (1953)
Character: N/A
Homeless/unemployed dude has a spiritual awakening and rehabilitates himself working at a circus.
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Los dineros del diablo (1953)
Character: Sr. Olea, padre de Manuel
Los dineros del diablo (The Devil's Money) is a Mexican drama film directed by Alejandro Galindo. It was released in 1953 and starring Amalia Aguilar and Roberto Cañedo.
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La rebelión de los fantasmas (1949)
Character: Sancho Panza
When an old house is about to be demolished to make room for a new radio station the famous ghosts which resides in the house start a revolt to alter the decision.
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El rebelde (Romance de Antaño) (1943)
Character: Invitado a tertulia (uncredited)
After a vengeance taken too far costs his father his Hacienda and his life, young Juan Manuel Mendoza becomes a bandit. He will get a chance for revenge and for love after he infiltrates his enemy house as a piano teacher.
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La mujer sin cabeza (1944)
Character: El Corbatón
Fu Man Chu must find a murderer, the only clue he has is a series of wax heads that have appeared.
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Macario (1960)
Character: Sacerdote (uncredited)
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
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El rey del barrio (1950)
Character: Mataor (uncredited)
A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.
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Camino del infierno (1951)
Character: Juanito (cantinero) (sin créditos)
When a robbery goes wrong, the thief takes a singer as hostage, they fall in love and try to rebuild their lives, but tragedy surges in the most unexpected way.
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Cuidado con el amor (1954)
Character: (uncredited)
Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.
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Tambien de dolor se canta (1950)
Character: Escritor de la pelicula (uncredited)
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
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Canaima (1945)
Character: Empleado (uncredited)
Marcos Vargas returns home to Ciudad Bolívar after finishing his studies in Trinidad. There he decides to start a business transporting merchandise to the interior of the jungle. A local chieftain will not make things easy for him.
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Calabacitas Tiernas (¡Ay qué bonitas piernas!) (1949)
Character: Don Gumersindo
A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan (Germán Valdés). Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer. Another common English translation of the title of this film is Tender Pumpkins or Tender Little Pumpkins (although a direct translation is Baby Zucchini).
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A.T.M. ¡A toda máquina! (1951)
Character: Invitado (uncredited)
A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
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Llévame en tus brazos (1954)
Character: Cantinero
To pay off her father's debts, Rita leaves her humble fishing village in Yucatan and gets exploited by several men, including a married politician who turns her into a big dancing star.
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El ametralladora (1943)
Character: Spanish grocery store owner
Peasant farmer and landowner are rivals for a woman. Sequel to Ay Jalisco No Te Rajes.
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