Mitchell Kriegman

Personal Info

Known For

Writing

Known Credits

0.5773

Gender

Male

Birthday

04-Jun-1952

Age

(74 years old)

Place of Birth

Richmond, Virginia, USA

Also Known As
  • NO INFO PROVIDED

Mitchell Kriegman

Biography

Mitchell Kriegman is an American television writer, director, producer, consultant, story editor, author, composer and actor. He is the creator of Clarissa Explains It All for Nickelodeon, Bear in the Big Blue House and The Book of Pooh for Disney Channel and It's a Big Big World for PBS.


Credits

The Orange Years: The Nickelodeon Story The Orange Years: The Nickelodeon Story (2018) Character: Self
A journey behind the scenes of the Nickelodeon television network to chronicle its unprecedented success, from its humble origins as a small local channel to its status as an international phenomenon that helped shape an entire generation of children.
Show Off! How to Be Cool at Parties Show Off! How to Be Cool at Parties (1986) Character: N/A
A kids humorous instructional tape on how to do gags and party tricks. It is from 1986, so the hair and wardrobe alone makes this tape comic gold. It is hosted by a young Malcolm Jamal Warner (Cosby Show) and features the likes of Fred Newman, Madman Magician Friedhoffer (who uses this strange Hasidic Jewish accent that doesn't fit his character at all) and comedian Frankie Pace. Learn how to do the Hawaiian nose hum and beatbox at the same time! Learn how to levitate, and how to juggle.
Good Morning, Mr. Orwell Good Morning, Mr. Orwell (1984) Character: Self
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).



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