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Cuando los hijos se pierden (1963)
Character: Cantinero (uncredited)
Young woman's parents don't supervise her activities closely enough; she ends up going to a beatnik nightclub and dancing the twist and getting raped.
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María Eugenia (1943)
Character: Hombre bailando fiesta (uncredited)
Before marrying María Eugenia, landowner Carlos are away to visit her godmother to break the promise to marry his daughter. The godmother is dying, Carlos quiets and everything takes an unexpected course.
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Doña Diabla (1950)
Character: Invitado a fiesta (uncredited)
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
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La entrega (1954)
Character: Invitado baile (uncredited)
Through hard work, the Spaniard Alejandro has become wealthy and powerful. In contrast, the banker Don Victorino—who once refused a loan to the then-poor Alejandro—has fallen on difficult times. Victorino is married to Ana, who spends her life playing the piano, and they are the parents of the proud Julia, who is engaged to Enrique Régules. Julia is forced to marry Alejandro in order to save her family’s financial situation. Despite her husband’s blunt and often harsh honesty, Julia gradually finds herself falling in love with him, and vainly tries to make him jealous with Licenciado Héctor, who courts her. Julia becomes nervously ill, troubled by the fact that Alejandro does not love her in the romantic, storybook way she longs for.
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El rápido de las 9.15 (1941)
Character: Padrino de la boda (uncredited)
It tells the stories of the passengers aboard a nonstop train. Each character is portrayed one by one, and the only thing they have in common is the journey they will take that night.
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Cuando me vaya (1954)
Character: Hombre en subasta (uncredited)
Fictionalized version of the life of songwriter Maria Grever.
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No matarás (1943)
Character: Cliente casa de juegos (uncredited)
A mother stands by helplessly while a scandal involving marital infidelity, blackmail and murder takes shape around her daughter.
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Inmaculada (1950)
Character: Espectador concierto (uncredited)
A single mother discovers her daughter getting ready to elope with an unworthy boyfriend, so she sits the girl down and tells her the whole entire story of her own very unhappy marriage.
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Esos viejos raboverdes (1983)
Character: Miembro del consejo
A club of elderly dudes plan a contest among themselves to see who can pull the most babes over a holiday weekend.
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Así amaron nuestros padres (1964)
Character: N/A
Elderly roue interferes in the love life of a young woman because she's secretly his daughter. Remake of En Tiempos De Don Porfirio.
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¿Quién te quiere a ti? (1942)
Character: Pasajero golpeado tranvía (uncredited)
Neither he nor she are very handsome, not to say ugly, and how they would like to be good looking to give and receive compliments, and that someone loves them.
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Y Dios la llamó Tierra (1961)
Character: Lucio Martínez, Pedro's son
During the Mexican Agrarian Reform, an engineer travels to a town to distribute the land of the landowners among the peasants.
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La adúltera (1956)
Character: Invitado a fiesta
Jilted lover takes revenge on her ex's new wife.
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Piña madura (1950)
Character: Pistolero en cantina (uncredited)
A dancer surrenders herself to a wealthy, depraved man to save the life of her true love.
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Rondalla (1949)
Character: Hombre fuera iglesia (uncredited)
A woman who has been raped (Alicia Neira) sets out to rebuild her life with another man (Luis Aguilar), but the bandit who assaulted her (Enrique Zambrano) stands in her way.
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Nosotros (1945)
Character: Cliente cabaret (uncredited)
The tragic romance between a woman with a dubious past and a young thief who reforms his life for love.
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Los tales por cuales (1965)
Character: Filomeno (uncredited)
Western comedy. Stranger-in-town falls into an ambivalent love/hate relationship with the sheriff.
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Crisol (1967)
Character: Pueblerino
Hired killer is contracted to do a hit... against his better judgement.
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Bajo la influencia del miedo (1956)
Character: Espectador boxeo (uncredited)
Tony Carpio becomes a dangerous criminal and gains power by fixing boxing matches while seeking revenge on the ones who sent him to serve 5 years in jail, this includes his former lover, the rapacious Marbella.
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Santa (1943)
Character: Asistente del doctor (uncredited)
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipolito.
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¡Ay, Jalisco no te rajes! (1965)
Character: Hombre en cantina (uncredited)
A man hated by his father and in love with a beautiful woman whose brothers do not approve of the relationship and persecute him.
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Coqueta (1949)
Character: Cliente cabaret (uncredited)
Blind nightclub pianist takes in a young singer/entertainer when she hits bottom... but once she gets stable and starts thinking about maybe a boyfriend, his unspoken intentions start to surface.
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Historia de un amor (1956)
Character: Invitado a fiesta (uncredited)
Elena (Libertad Lamarque), already a star, falls madly in love with Roberto. They make it to the altar. Elena and Roberto adopt a baby. The years go by and everything is happiness in the couple’s life—until one day the girl’s grandfather appears.
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Los leones del ring (1974)
Character: Miembro de la comisión (uncredited)
Young wrestler runs afoul of gambling-syndicate Mafiosi; his twin brother and two friends meet at his funeral and decide to avenge his murder (which they don't even start doing until the sequel).
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Al diablo las mujeres (1955)
Character: Pueblerino (uncredited)
Rosa, a mayor, faces pressure from her police chief father to imprison her cousins. After a kidnapping and tampering with vaccines, Rosa realizes politics isn't for women.
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Asesinato en los estudios (1946)
Character: Actor en lote estudio (uncredited)
During the filming of a movie an actor has to be attacked with blanks but dies because they were real bullets.
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Las cinco noches de Adán (1942)
Character: Hombre en cabaret (uncredited)
Globe-hopping playboy bachelor is getting on in years, so he invites his five international children to come live with him.
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La extraña pasajera (1953)
Character: Pasajero baja tren (sin créditos)
During a long train trip, the Police has discovered jewelries in the personal bag of an actress, but she turns out to be innocent.
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Los Marcados (1971)
Character: Pueblerino (uncredited)
The Kid is a vicious psychopath given to laughing a lot, an actor manqué who leads a gang of looters and rapists, and is incestuous with his father to boot. The town’s resident Mater Dolorosa, madam of the brothel, hires her lover Marcado to kill the Kid, who is of course her son.
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Ojo por Ojo (1981)
Character: Juez registro civil (uncredited)
A couple is attacked bu thugs and the woman is killed, the boyfriend plans his revenge.
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Cuando escuches este vals (1944)
Character: Esbirro espias (uncredited)
During World War II, Nazi spies tried to infiltrate everywhere, and the Mexican Military Academy was no exception.
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Los cinco halcones (1962)
Character: Pueblerino (uncredited)
Elías, a banker and the secret leader of a gang, tries to persuade Pedro—the father of young Laura and little Chava—to sell him his ranch. Five friends—the shopkeeper Trini, the blacksmith Quique, the horseman Cuco, the barber Javier, and the doctor Demetrio—serenade Laura. After her father is murdered, the five friends, encouraged by the judge, who reveals the banker’s guilt to them, disguise themselves as The Five Hawks and fight against the gang.
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El fugitivo (1966)
Character: Espectador (uncredited)
Drifter returns to his home town for revenge, but he get caught up in the town's interpersonal dramas.
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El rebelde (Romance de Antaño) (1943)
Character: Invitado a tertulia (uncredited)
After a vengeance taken too far costs his father his Hacienda and his life, young Juan Manuel Mendoza becomes a bandit. He will get a chance for revenge and for love after he infiltrates his enemy house as a piano teacher.
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El caballo blanco (1962)
Character: N/A
Claimed by his grandmother, who lives in a Mexican village, Joselito begins the journey from Spain. Once there, while traveling in a stagecoach, is assaulted by bandits. Joselito manages to escape and, walking aimlessly, he meets Antoine, a rider who is ex officio of random player, and become close friends.
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Un rincón cerca del cielo (1952)
Character: Hombre en cantina (uncredited)
An honest man emigrates to the capital in search of a better life, but ends up mired in extreme poverty along with his family; forced to overcome tragedy and despair to find, even in misery, a glimmer of hope.
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Los Tres Mosqueteros (1942)
Character: Hombre bailando en cabaret (uncredited)
Cantinflas and three friends return a stolen necklace to an actress who invites them to be extras at Clasa studios. While on the set, he falls asleep and dreams that he is d'Artagnan, fighting on behalf of Queen Anne.
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No hay cruces en el mar (1968)
Character: N/A
A mute fisherman helps another whose boat capsizes, he dies and leaves behind a girl whom he raises as his own daughter.
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Bring Me the Head of Alfredo Garcia (1974)
Character: Guest at Baptism (uncredited)
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
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Cri-Cri el Grillito Cantor (1963)
Character: Cliente en restaurante (uncredited)
Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.
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Ella, Lucifer y yo (1953)
Character: Hombre en baile (uncredited)
A man makes a pact with Lucifer in order to gain the love of a beautiful singer. To achieve his goal, the devil endows him with the ability to become invisible at will.
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El profe (1971)
Character: Profesor casado (uncredited)
Mario Moreno portrays a professor in this movie. A small town in the middle of no where requests the school Mario Moreno is working in for a teacher. He ends up going to give the town a hand. When he arrives he comes to know the corrupt leaders who through out the movie try to make him leave. Although he is being harassed you can see how much he cares for the kids and their circumstances. He deals with problems by using his hilarious comments.
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La vida no vale nada (1955)
Character: Passenger (uncredited)
Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.
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La bestia magnifica (1953)
Character: Reportero
Two very good friends become wrestlers to leave poverty behind, but the arrival of an ambitious woman will tragically change their destinies.
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Matar es fácil (1966)
Character: Detective de policía (uncredited)
Among Delia, a socialite, and Jorge a bohemian cabaret pianist, begins a relationship that ends in tragedy.
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Su Excelencia (1967)
Character: Comisario en cena (uncredited)
Lopitos, who is horribly inefficient but quick-witted, is invited (because of the current ambassador's superstition about 13 sitting down to a meal) to a banquet attended by the ambassadors of both superpowers. After the news of a series of coups d'état in Los Cocos arrives throughout the meal, Lopitos becomes the official ambassador. At a summit of world leaders, the representatives of the two world superpowers court the allegiances of third-world diplomats to tilt the balance of global power in their favor. The last diplomat to remain unaligned, Lopitos instead harangues the superpowers for infringing on the rights of developing countries to self determination, talking to them with his point of view as a citizen not as ambassador because he arranged his demise as ambassador one day before his speech.
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La mujer de Benjamín (1991)
Character: Galdino
Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.
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Corazón salvaje (1968)
Character: Empleado del gobernador (sin créditos)
Calculating Aime sends her sister Monica to distract a love-struck smuggler, Juan del Diablo, when he threatens to reveal their affair to Aime's new rich husband. They are discovered alone together and to save Monica's virtue, Juan del Diablo promises to marry Monica.
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The Last Sunset (1961)
Character: Man in saloon (uncredited)
At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.
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La ilusión viaja en tranvía (1954)
Character: Secuaz del acaparador de masa (uncredited)
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
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El gato con botas (1961)
Character: Lenador
Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.
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La Cucaracha (1959)
Character: Soldado (uncredited)
The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
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The Magnificent Matador (1955)
Character: Client restaurant (uncredited)
Karen Harrison is a spoiled, rich, American predator who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos who has inexplicably run away prior to a corrida that was to occasion the "alternativa" of a young, up-and-coming bullfighter.
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Escuela de vagabundos (1955)
Character: Amigo de Mauricio (uncredited)
Alberto Medina is a famous composer whose car breaks down while he is on a trip. While looking for help, he finds the Valverdes' house and is welcomed in by Emilia, the mother of the family, who is known for taking in tramps.
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El tejedor de milagros (1962)
Character: Hombre en iglesia (uncredited)
Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".
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El tragabalas (1966)
Character: Gerente hotel (uncredited)
Piporro doesn’t need to use his gun to get away with murder.
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El rey del barrio (1950)
Character: Party Guest (uncredited)
A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.
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Caperucita Roja (1959)
Character: Leñador
The classic story of the Red Riding Hood spiced up by a couple of funny characters like the dog Duke, companion to the girl in her adventures, and the stinky Skunk, henchman to the Wolf.
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¡No me defiendas, compadre! (1949)
Character: Espectador lucha (uncredited)
A bungling wannabe-lawyer keeps interfering in his friend's lives; his desire to help always makes things worse.
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Tambien de dolor se canta (1950)
Character: Cliente en cabaret (uncredited)
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
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El gendarme desconocido (1941)
Character: Hombre bailando hotel (uncredited)
A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.
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El ladrón (1947)
Character: Cajero banco (uncredited)
Bank employee is tempted to make use of banknotes scheduled for destruction.
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El Extra (1962)
Character: Martínez, empleado estudio (uncredited)
Cantinflas is a man who hangs around the studios and helps anyone who needs his advice while at the same time envisioning his own versions of how certain scenes should be shot. Both angles provide ample opportunities for very witty, subtle barbs at the foibles of the industry.
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Yo bailé con Don Porfirio (1942)
Character: Hombre en baile (uncredited)
Light comedy in which Joaquin Cortes and Mapy Pardavé join their talents, written and directed by Gilberto Martinez Solares. It deals with the life of a pair of twins from a provincial family who emigrated to the city, then one begins to work in a music magazine and occasionally is confused with her sister, which causes problems with their respective boyfriends.
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Escuela de rateros (1958)
Character: Invitado a fiesta (uncredited)
The police plan to capture a killer by using a double that looks exactly as one of his victims.
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Pedro Páramo (1967)
Character: Revolucionario (uncredited)
When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…
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Mariana Mariana (1987)
Character: Griever
The story runs in the 1940s Mexico City. A schoolboy (Carlos) falls in love with his best friend's mother (Mariana). Carlos is impressed because this family is not like the ordinary mexican families of the time, because they have many expensive American things, although they are not rich. The drama begins when Carlos gets out of school to go to declare his love to Mariana, and is discovered by his teachers.
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Pasaporte a la muerte (1968)
Character: Doctor
The Secret Agent Lafargue locates the evil Professor Marcus headquarters, who with the help of Dr. Bellini and an android of his invention, plan to conquer the world. Lafargue is discovered and severely injured, so he is unable to remember where it is the basis of Marcus or what their plan. To resolve this situation the authorities call the Agent Zero team.
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Besos prohibidos (1956)
Character: Cliente del empresario
Nightclub singer has to choose between marrying again or reuniting with her divorced husband.
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Simón del desierto (1965)
Character: Monk (uncredited)
Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.
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Ladrón de cadáveres (1957)
Character: Agente policía
A detective and his cowboy friend team up to stop a mad scientist who is stealing the bodies of murdered wrestlers, and bringing them back to life while electronically replacing their minds with those of animals to make them stronger and live longer. Posing as a successful masked wrestler, the cowboy quickly attracts the attention of the scientist and his henchmen as their next experimental subject...
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The Big Cube (1969)
Character: Party guest (uncredited)
A young woman and her drug addict boyfriend plot to drive the woman's stepmother insane with LSD in a plot to secure an inheritance.
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Tlayucan (1962)
Character: Mesero (uncredited)
Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.
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Santo en el museo de cera (1963)
Character: Espectador lucha libre (uncredited)
El Santo, the masked Mexican wrestler, investigates a series of kidnappings. He discovers that the mysterious Doctor Caroll is using the victims as part of his experiments to develop an army of monsters. Naturally, El Santo is able to overcome them all - with wrestling!
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El ángel exterminador (1962)
Character: Man Trapped at Church (uncredited)
After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.
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Las tandas del principal (1949)
Character: Espectador teatro (uncredited)
Frivolous young dandy is trying to score with an operetta singer, but she ends up with his uncle.
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Conserje en condominio (1974)
Character: Hermano espiritista (uncredited)
After reading in the newspaper, Úrsulo runs to seek employment. It is the position of caretaker of a luxury apartment building habited by people more heterogeneous: the professional model, the spiritualist, hippies and all turn to him to solve their problems. But someone in the building, kidnapped an important person and Úrsulo becomes a private investigator.
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Santo contra los jinetes del terror (1970)
Character: Esbirro de Camerino
After a group of violent lepers escapes from a sanitarium, - robbing several farms, residents of the town demand the the sheriff - take action. Meanwhile, a local criminal joins forces with the lepers - to commit even more robberies. As the disfigured madmen keep the - entire town indoors with its reign of terror, the sheriff has no - choice but to call on the only man who can help--legendary wrestling - superhero, Santo!
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Las luchadoras contra el médico asesino (1963)
Character: Reportero
A mad scientist terrorizes a city by kidnapping young women with his ape-man Gomar and then using them as subjects in sadistic brain transplant experiments. A female wrestler whose sister was one of the victims swears vengeance against the Mad Doctor.
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La hija del engaño (1951)
Character: Hombre bailando cabaret (uncredited)
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
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Operación 67 (1967)
Character: Police detective
The silver masked Santo tries to stop a gang of counterfeiters who conspire to ruin the economy.
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El ministro y yo (1976)
Character: Empleado oficina (uncredited)
Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.
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Agente 0013 - Hermelinda Linda 2 (1986)
Character: N/A
A sophisticated device falls into Hermelinda's hands and when the Soviets and Arabs try to retrieve it, an international witchcraft war breaks out.
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