|
Baixo Gávea (1986)
Character: Mãe de Clara
Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.
|
|
|
Os Mendigos (1963)
Character: N/A
A young female fugitive escapes from a juvenile institution (the Child Assistance Service) and joins a group of poor beggars with the intention of finding a potential partner to marry in order to avoid her return to that place.
|
|
|
O Roubo das Calcinhas (1975)
Character: Filó - Segment 2 - Manuel's wife
Brazilian comedy in two segments. 'Theft of the Panties': Four friends are broke during Christmas. Genaro decides to rob a brothel because he thinks that the victims won't call the police. To get to know the place, one of the friends, Alfredo, disguises as a woman and goes there with Genaro. They set up a plan and then return to execute the robbery. 'I Love Cod': The owner of a bar in the suburbs, the Portuguese Manuel, wins the sports lottery. Three mechanics find themselves wronged for having almost won the prize and abduct Manuel's wife, demanding ransom. Manuel refuses to pay, as he finally got rid of his wife and can now win the woman of his dreams. Knowing this, the wife collaborates with the kidnappers to reverse the plan: Manuel will have to pay the ransom if he does not want to see her again.
|
|
|
|
|
O Assalto ao Trem Pagador (1962)
Character: Edgar's Wife
Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.
|
|
|
Guerra Conjugal (1975)
Character: D. Laura
Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.
|
|
|
Xuxa em Sonho de Menina (2007)
Character: Vovó Deolinda
Kika, a math teacher, accidentaly becomes a child again after eating a magic cupcake. This leads her in a journey of self-discovery, while also helping Juju, a 10-year old girl chasing her dreams.
|
|
|
Bufo & Spallanzani (2001)
Character: Dona Bernarda
Ivan Canabrava is a writer, turned insurance ivestigator who investigates mysterious deaths involving Bufo Marinus. Bufo Marinus is a frog poison causing catalepsy in humans, simulating death, enabling grand insurance fraud and other crimes. Ten years later, now as a successful writer, similar characters possibly using Bufo Marinus reappear and create an intricate plot full of surprises.
|
|
|
Simão, o Fantasma Trapalhão (1998)
Character: Sra. Dolsty
Two jumbled and coward drivers join a rich family that moves to an ancient castle inhabited by a resented, but friendly ghost.
|
|
|
Mitt hem är Copacabana (1965)
Character: N/A
Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.
|
|
|
Sem Controle (2007)
Character: Dona Iolanda
In the movie, Eduardo Moscovis is Danilo, a stage director obsessed with the injustice committed against XIX century farmer Manoel da Motta Coqueiro, case that initiated the process of extinction of death penalty in Brazil. Incited by a beautiful and mysterious woman, Danilo takes a fateful decision. He stages a play about the case with himself as Motta Coqueiro and psychiatric patients playing all the other parts. When the borders between reality and fantasy start to blend, Danilo relives the historical facts in first person, all the time conscious of the tragic doom of his character. Full with uncommon characters and surprising turns, the movie approaches the issue of death penalty in a refreshing new perspective.
|
|
