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Cuando Regrese Mamá (1961)
Character: Vecina (uncredited)
A family of six children are orphaned on Christmas Eve and struggle through a year without parental support.
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La bienamada (1951)
Character: N/A
Civic-minded elementary-school teacher marries and sets up home with wife and her little brother. The-e-n...
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Misericordia (1953)
Character: Limosnera (uncredited)
Faded rich family has a housekeeper who struggles to keep them fed and comfortable after their fortune disappears; she also sacrifices herself on behalf of sick and disabled friends.
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La mujer X (1955)
Character: Sirvienta (uncredited)
A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.
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Ángel o demonio (1947)
Character: Transeúnte (uncredited)
Wealthy young gentleman falls in love with a cabaret girl of no breeding; he overcomes his prejudices and accepts her in spite of her past... will she live up to his expectations of her?
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El beso mortal (1938)
Character: Mujer cantina (uncredited)
Adapted from "Le mortel baiser", a stage play by French writer Loïc Le Gouriadec (also known as Paul Gury). The story follows Cecilia, the daughter of a wealthy and conservative family, who is about to marry the son of the town's mayor. When a physician specializing in venereal diseases arrives in town, he examines Cecilia's fiancé and informs him that he is still suffering from syphilis, which has advanced significantly since he contracted it years earlier.
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El sol sale para todos (1950)
Character: Mesera (uncredited)
A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.
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Puerto de tentación (1951)
Character: Puestera (uncredited)
A cabaret dancer helps an injured man, and the two fall in love, unaware that together they will face a tragedy.
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Lágrimas robadas (1954)
Character: Puestera (uncredited)
Melodrama involving a young woman returning to Mexico from abroad after a failed romance and dealing with an unwanted pregnancy and a meddling Aunt.
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Sed de amor (1959)
Character: Pueblerina (uncredited)
Pedro Ortiz, a brave charro, arrives to a fishing village that is passing hard times. There's no fish in the waters. His manners and his love for Maria, a local attractive widow, will get him into trouble
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Los cuervos están de luto (1965)
Character: Pueblerina (uncredited)
The family of a dying man celebrates his wake while the man is still alive, showing their darker, selfish ambitions and trying to take the best part of the inheritance.
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Qué hombre tan simpático (1943)
Character: Invitada a fiesta (uncredited)
Amable is the drinking buddy of Paquito, a former medical student who plays Fanny's love, a cabaret singer and also with Conchita, a showgirl. One day, Paquito receives a telegram that his uncle Pancho vayaa asked to see his wife and other medical eminence to heal him his kidney ailment. Among all a hoax to mount Paquino not lose the inheritance from his uncle.
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El hambre nuestra de cada día (1960)
Character: Puestera (uncredited)
Trophy wife of a crooked industrialist meets a philanthropic doctor and develops a social conscience. Mexican remake of Born Yesterday.
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Mi mujer no es mía (1951)
Character: Sirvienta (uncredited)
Bachelor pretends that he got married, thinking that will stop his aunt from trying to play matchmaker.
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Dos gallos de pelea (1950)
Character: Mamá de Apolonio (uncredited)
Two small-town hell-raisers get so out of hand the authorities have to step in to rein them in.
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Un gallo en corral ajeno (1952)
Character: N/A
A wealthy sculptor takes in a thief as a servant on her ranch, hoping to reshape him, but their situation is disrupted when she discovers a major robbery has taken place on her estate.
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Crisol (1967)
Character: Pueblerina (uncredited)
Hired killer is contracted to do a hit... against his better judgement.
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Sonatas (1959)
Character: Pueblerina (uncredited)
In the fall of 1824 Javier Montenegro, Bradomin Marquis is spared death hanging by Captain Casares, and in return, the Marquis agrees to help him escape to America. Adaptation of "Sonata de Otoño" and "Sonata de Estío" of Ramón María del Valle-Inclan, which included elements Bardem later works of the author.
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Un dorado de Pancho Villa (1967)
Character: Old Woman
Villa's regiment demobilizes at the end of the Revolution, but the ruling faction in the provisional government isn't eager to see them reintegrate into civilian society.
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Los dineros del diablo (1953)
Character: Vendedora de bebidas
Los dineros del diablo (The Devil's Money) is a Mexican drama film directed by Alejandro Galindo. It was released in 1953 and starring Amalia Aguilar and Roberto Cañedo.
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Al diablo las mujeres (1955)
Character: Pueblerina (uncredited)
Rosa, a mayor, faces pressure from her police chief father to imprison her cousins. After a kidnapping and tampering with vaccines, Rosa realizes politics isn't for women.
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Ella y yo (1951)
Character: Taquera (uncredited)
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
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La guerrillera de Villa (1967)
Character: Soldadera (uncredited)
Reyes Mendoza (Carmen Sevilla) is a Spanish artist who arrives in Mexico in 1913 and finds herself involved in the Pancho Villa (Jose Elias Moreno) revolution.
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Dancing, salón de baile (1952)
Character: Puestera (uncredited)
Some thieves confront the detectives who surprise them while robbing a factory, but manage to escape.
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Así es mi tierra (1937)
Character: Lupe (uncredited)
With revolutionary Mexico as a backdrop, a successful local rancher returns triumphant from the war to the praise of townsfolk, and "El General" is ready to take a wife. However the senorita of choice already has fallen for a secret admirer, and a boyhood rival who is threatened by the General's popularity in turn plots against his life.
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El Misterio de Huracán Ramírez (1962)
Character: Espectadora lucha libre (uncredited)
Hurricane Ramirez is the new manager of the arena and champion of the ring. He must battle with The Prince, a ruthless criminal who will try to end with his life.
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Un rincón cerca del cielo (1952)
Character: Bailarina callejera (uncredited)
An honest man emigrates to the capital in search of a better life, but ends up mired in extreme poverty along with his family; forced to overcome tragedy and despair to find, even in misery, a glimmer of hope.
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Pueblerina (1949)
Character: Vecina chismosa (uncredited)
Aurelio Rodríguez is released from jail, and tries to start a new life by marrying Paloma and working his land. But the local landowners, the brothers González, interfere with his plans.
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El Rey de México (1956)
Character: Martita
A humble tramp is turned, for a couple of days, into the richest and most famous man in México.
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La Venganza de las Mujeres Vampiro (1970)
Character: Espectadora lucha libre
The vampire women of Mexico have awakened to take their revenge on the descendant of the man who destroyed them shortly after they had emigrated to Mexico during the 19th century.
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The Black Scorpion (1957)
Character: Villager (uncredited)
Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.
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Cri-Cri el Grillito Cantor (1963)
Character: Vendedora (uncredited)
Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.
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Las Lobas del ring (1965)
Character: Espectadora lucha
Intimate problems and the wickedness of friends is resolved in the ring.
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La vida no vale nada (1955)
Character: Market Seller (uncredited)
Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.
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Un Quijote sin mancha (1969)
Character: Vecina (uncredited)
A lawyer trying to fix everyone's problems, instead causes problems, which always end up in funny situations.
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Caballero a la medida (1954)
Character: Vecina (uncredited)
Cantinflas works as a model of tuxedos in a prestigious store, your job is to use the smoking in the street along with an advertising sign on his back. The use of smoking gives you access to exclusive places and meet important people. During this time, Cantinflas was the manager of an amateur boxer, it is an attractive nurse assistant and occasionally attending a priest in the church and the orphanage. However, a Cantinflas day while wearing tuxedo, is a rich man, who mistakenly believe that Cantinflas is a millionaire too.
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El Mago (1949)
Character: Vendedora de comida (uncredited)
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
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Macario (1960)
Character: Señora recomendando caldo de zopilote. (uncredited)
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
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El río y la muerte (1954)
Character: Sirvienta (uncredited)
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
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Dos tipos de cuidado (1953)
Character: Anastasia (uncredited)
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
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¡¡¡Mátenme porque me muero!!! (1951)
Character: Cliente en bar (uncredited)
Tin Tan just won the lottery and wants to donate it to an orphanage. Sataela and Riverita want to keep the money for themselves. In an attenpt to do so, they convince him of having a terminal disease and suggest that committing suicide is his best option.
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Museo del Horror (1964)
Character: Sirvienta (uncredited)
A mysterious killer abducts girls off the street and covers them in wax. Graverobbers and poison darts also feature as our heroine discovers which of the men in her life is the psycho.
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¡Ay, amor... cómo me has puesto! (1951)
Character: Mrs. Rupertota (uncredited)
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
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Tizoc (1957)
Character: Indígena (uncredited)
An Indian arouses envy for his expertise in hunting animals without ruining their skins, for his wisdom and his kindness.
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¡Arriba las mujeres! (1943)
Character: Miembra camisas pintas (uncredited)
Movie in which funny situations based on the entanglements caused by a woman named Felicidad to her family because of her feminist ideology are presented, to the extent of bringing her daughters and herself to a divorce trial.
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El secreto del sacerdote (1941)
Character: Pueblerina (uncredited)
Priest Jesus knows a dark secret that was passed onto him during confession. When the town mayor threatens the integrity of some people, it is up to the priest to take action or remain silent.
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El profeta Mimí (1973)
Character: Mujer en iglesia (uncredited)
Childhood trauma and religious repression causes a little boy to grow up into a murderer.
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La ilusión viaja en tranvía (1954)
Character: Doña Panchita (uncredited)
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
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Susana (1951)
Character: Empleada de Guadalupe (uncredited)
The story of a girl of questionable mental stability who escapes from incarceration and ends up at a plantation where she disrupts a working family's daily routines and chemistry.
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Huracán Ramírez (1953)
Character: Anunciadora Lucha libre
Family comedy and family melodrama involving father and son wrestlers, little brothers, little sisters, girlfriends, waitresses...
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Días de otoño (1963)
Character: Vecina fisgona (uncredited)
Luisa is a small-town girl who works in the bakery of the widower Don Albino. Luisa dreams of marrying and loves children. Just as Don Albino shows interest in her, Luisa announces that she will marry soon with Carlos, the driver of a rich house whom she met recently...
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Allá en el Rancho Grande (1936)
Character: Pueblerina (uncredited)
Two good friends — the owner and general manager of a ranch — fall in love with the same girl at the same time. The owner tries to 'buy' the girl without knowing she is in love with the manager.
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La Cucaracha (1959)
Character: Soldadera (uncredited)
The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
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Él (1953)
Character: Portera (uncredited)
Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.
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Nazarín (1959)
Character: Presa (uncredited)
A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.
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Yo no creo en los hombres (1955)
Character: (uncredited)
In Havana, humble office girl Maria Caridad becomes the victim of rich playboy Arturo who seduces her and takes her to bed under false pretenses.
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El tragabalas (1966)
Character: Mesera fonda (uncredited)
Piporro doesn’t need to use his gun to get away with murder.
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Las Aventuras de Pito Perez (1957)
Character: Vendedora de tortillas (uncredited)
After a long absence, a man returns to his village and recounts all his adventures with a touch of nostalgia.
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El revoltoso (1951)
Character: Pig Owner (uncredited)
Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.
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El hijo desobediente (1945)
Character: Cabaret chick (uncredited)
A poor young man is mistaken for a millionaire when he travels to the city to fulfill his dream of being a singer.
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El hijo de Huracán Ramírez (1966)
Character: Espectadora lucha libre
A wrestler is arrested on suspicion of assault, but his son manages to capture the real culprits.
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Escuela de rateros (1958)
Character: Mujer en mercado (uncredited)
The police plan to capture a killer by using a double that looks exactly as one of his victims.
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Ensayo de un crimen (1955)
Character: Waitress (uncredited)
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan...
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El rapto (1954)
Character: Espectadora juicio (uncredited)
In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.
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Pedro Páramo (1967)
Character: Pueblerina (uncredited)
When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…
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Pasaporte a la muerte (1968)
Character: Espectador lucha libre
The Secret Agent Lafargue locates the evil Professor Marcus headquarters, who with the help of Dr. Bellini and an android of his invention, plan to conquer the world. Lafargue is discovered and severely injured, so he is unable to remember where it is the basis of Marcus or what their plan. To resolve this situation the authorities call the Agent Zero team.
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El Supersabio (1948)
Character: Mujer en turba (uncredited)
Cantinflas is the apprentice of a renowned scientist, Prof. Arquimides Monteagudo (Carlos Martinez Baena). But Cantinflas has the soul of a poet rather than a serious researcher, and he wants to find the formula that achieves the immortality of the roses. Nevertheless, after the death of Prof. Monteagudo, Cantinflas will be chased by a ferocious corporative group, who wants to steal the secret formula of a cheaper fuel named "carburex", because they think that our friend is the only person who knows the composition
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Dicen que soy comunista (1951)
Character: Vecina (uncredited)
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
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El Siete Machos (1951)
Character: Cocinera (uncredited)
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
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Cruces sobre el yermo (1967)
Character: Pueblerina (uncredited)
After a long journey in search of the murderer of his father, a man abuses a beautiful girl next to marry.
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El bolero de Raquel (1957)
Character: Sirvienta en parque
The film tells an episode of the life of a kindly hearted bootblack who becomes accidentally the tutor of an orphan but nevertheless spends all his time and effort for the sake of the boy.
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El hombre de papel (1963)
Character: Paseante encuentra niño (uncredited)
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.
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Ustedes los ricos (1948)
Character: Vecina (uncredited)
Pepe el Toro is married to Celia la Chorreada and they have two children.
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La oveja negra (1949)
Character: Señora chismosa (uncredited)
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
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Ladrón de cadáveres (1957)
Character: Puestera
A detective and his cowboy friend team up to stop a mad scientist who is stealing the bodies of murdered wrestlers, and bringing them back to life while electronically replacing their minds with those of animals to make them stronger and live longer. Posing as a successful masked wrestler, the cowboy quickly attracts the attention of the scientist and his henchmen as their next experimental subject...
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Juana Gallo (1961)
Character: Country girl (uncredited)
Peasant woman leads a regiment during the final days of the Mexican Revolution. Also, romantic entanglements.
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El gran calavera (1949)
Character: Vecina vecindad (uncredited)
Portrayal of a family’s attempt to change the spending habit of the indulgent and hedonistic patriarch, Alfredo. The family decides to try to fool him into spending less by telling him that his large fortune is gone.
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El bruto (1953)
Character: Doña Enriqueta (uncredited)
A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
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Tlayucan (1962)
Character: Pueblerina (uncredited)
Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.
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Los tres huastecos (1948)
Character: Nana
This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.
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Subida al cielo (1952)
Character: Doña Linda
Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.
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Marejada (1952)
Character: Doña Prudencita
Recently-graduated doctor assigned to a small, backward fishing community.
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Víctimas del pecado (1951)
Character: Prisionera (uncredited)
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
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Operación 67 (1967)
Character: Woman in audience (uncredited)
The silver masked Santo tries to stop a gang of counterfeiters who conspire to ruin the economy.
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Pepe El Toro (1953)
Character: Vecina (uncredited)
The simple life and the values of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.
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