Michelangelo Antonioni

Personal Info

Known For

Directing

Known Credits

0.9009

Gender

Male

Birthday

29-Sep-1912

Age

(114 years old)

Place of Birth

Ferrara, Emilia-Romagna, Italy

Also Known As
  • 미켈란젤로 안토니오니
  • 米开朗基罗·安东尼奥尼
  • Микельанджело Антониони

Michelangelo Antonioni

Biography

Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian modernist film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities". Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard.


Credits

Back to Room 666 Back to Room 666 (2008) Character: Self (archive footage)
What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.
Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima (2007) Character: Self
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
Épreuves d'artistes Épreuves d'artistes (2004) Character: N/A
Documentary featuring footage from six decades of Cannes Film Festivals.
Michelangelo Antonioni: Lo sguardo che ha cambiato il cinema Michelangelo Antonioni: Lo sguardo che ha cambiato il cinema (2001) Character: Self (archive footage)
A look back at the life and works of Michelangelo Antonioni.
Underground New York Underground New York (1968) Character: Self
A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.
Caro Antonioni Caro Antonioni (1995) Character: Self
A documentary portrait of Michangelo Antonioni based on Roland Barthes' essay.
Antonioni su Antonioni Antonioni su Antonioni (2008) Character: Himself
A documentary on the life, work, and character of Michelangelo Antonioni.
Antonioni visto da Antonioni Antonioni visto da Antonioni (1978) Character: Self
An interview with Antonioni about his film career, shot in 1978 by eminent film critic, film historian and founder of the Pesaro Film Festival, Lino Miccichè. Karlovy Vary IFF 2012
Un po' di Giappone Un po' di Giappone (1990) Character: Self (uncredited)
In the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the intent of creating a documentary, Un viaggio in Giappone, that would chronicle “the social transformations undergoing in Japan through the experimental use of new film technologies,” specifically the Betacam. Un po' di Giappone is the shortened version of the documentary.
Cinéma et Réalité Cinéma et Réalité (1967) Character: Self
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.
Close Up Close Up (2012) Character: Self (archive footage)
More than 150 silent short films about singers, actors and directors captured during Press Conferences in Cannes, Venice and Berlin, between 1993 and 2002. Presented the first time in 2012 (ten years after the last shooting) in Napoli Film Festival and in 2013 at the Art Institute of California in Santa Ana. An anthropological experiment on the facial expressions of famous people showing the human being aspect. All original footage from Mel Gibson to Peter Jackson, from George Lucas to Catherine Deneuve, from Michael Douglas to Giancarlo Giannini and many others.
Fare un film è per me vivere Fare un film è per me vivere (1995) Character: Self (uncredited)
A behind-the-scenes look by wife Enrica Antonioni into Michelangelo Antonioni's passion for cinema as he directs Beyond the Clouds (1995), assisted by filmmaker Wim Wenders.
Mille e una Monica Mille e una Monica (2006) Character: N/A
There is no shortage of words to define the actress, screenwriter and director Monica Vitti: Intense, beautiful, sensual, eclectic, intelligent, muse... She was a shining star during the golden age of Italian cinema. She is a legendary figure who served as example for generations of young filmmakers. Monica Vitti’s story is the story of Italian cinema; her life is inextricably linked to the medium. This documentary shows the sheer physicality of her acting; her visceral style which demanded that everything, personality defects included, was integrated into her unique performances.
Coração Vagabundo Coração Vagabundo (2009) Character: Self
Wandering Heart intimately follows Caetano from São Paulo to New York and Japan, during the release of his first album recorded solely in English. It takes considerably more than a week-long series of shows at Carnegie Hall, accolades in the New York Times, or the admiration of friends like Pedro Almodóvar, David Byrne and Michelangelo Antonioni to make Caetano feel comfortable outside of Brazil.
Michelangelo Antonioni storia di un autore Michelangelo Antonioni storia di un autore (1965) Character: Self
A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.
L'addio a Enrico Berlinguer L'addio a Enrico Berlinguer (1984) Character: Self
A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.
Chambre 666 Chambre 666 (1982) Character: Self
During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"
Fame, Fashion and Photography: The Real Blow Up Fame, Fashion and Photography: The Real Blow Up (2002) Character: Self (archive footage)
Tells the story of the photographers who cemented the image of swinging London and who, through their pictures, irreversibly altered the face of fashion and pop.
Lo sguardo di Michelangelo Lo sguardo di Michelangelo (2004) Character: Self
In this short documentary, Michelangelo Antonioni enters the church of San Pietro in Vincoli in Rome to contemplate Michelangelo Buonarroti’s statue of Moses. The film consists of Antonioni’s silent observation of the sculpture and the surrounding space, recorded during a visit following the restoration of the monument.
Jeanne Moreau, l'affranchie Jeanne Moreau, l'affranchie (2018) Character: Self - Filmmaker (archive footage)
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.



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