|
|
|
|
|
|
|
Nuevo / Otro Cine Español - Un Lugar En El Cine (2007)
Character: N/A
Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.
|
|
|
Autumn of the Magician (2009)
Character: Himself
Scriptwriter, author, artist, sculptor, dramatist, architect, journalist, constructor, philanthropist, pedagogue, metalworker, inventor, public figure, agriculturist, gardener, chemist and simply a good person. He also plays football and the saxophone. In scale and versatility he is comparable to Leonardo da Vinci, but it is known that Leonardo could not play the saxophone, did not play football and did not write scripts. Tonino Guerra is the last representative of the Italian Renaissance.
|
|
|
|
|
|
|
|
|
Жертвоприношения Андрея Тарковского (2012)
Character: Self
Dedicated to the 80th anniversary of Andrei Tarkovsky. The film uses unique materials related to the years Tarkovsky spent in Italy, personal accounts of friends and professionals, the shooting locations of his films, to what degree his works reflects his personal life. The film brings us closer to the man to whom contemporary filmmaking owes so much.
|
|
|
Caro Antonioni (1995)
Character: Self
A documentary portrait of Michangelo Antonioni based on Roland Barthes' essay.
|
|
|
La favola del pennello (2009)
Character: Himself
Scriptwriter Tonino Guerra talks about his encounter with the artist Giorgio Morandi - a man who treated his paintbrushes as his best friends.
|
|
|
E il Casanova di Fellini? (1975)
Character: Self
During his preparation for his film on Casanova Fellini asks a number of renowned actors to give him their view on the character of Casanova.
|
|
|
3XTONINO (2015)
Character: Self
Three times Tonino is a creative documentary about one of Europes most significant screenwriters, Tonino Guerra, who wrote scripts to more than 120 movies, by Fellini, Antonioni, Tarkovskij and Angelopoulos. Tonino Guerra was also a poet, a painter, a sculpturer – an artist.
|
|
|
|
|
Fare un film è per me vivere (1995)
Character: Self (uncredited)
A behind-the-scenes look by wife Enrica Antonioni into Michelangelo Antonioni's passion for cinema as he directs Beyond the Clouds (1995), assisted by filmmaker Wim Wenders.
|
|
|
Paradjanov, le dernier collage (1995)
Character: Self
Parajanov lifts the curtain on numerous unfinished scenes and fragments of unshot films. These are memories of his childhood, death, friends, Tiflis, Kyiv, Yerevan. Seven stories from the life of Parajanov and the close circle that shared his entire life path with him.
|
|
|
|
Nu de femmes (2013)
Character: Self
Documentary produced for the 2013 Gaumont release of Michelangelo Antonioni's Identification of a Woman (1982), consisting of interviews with cast/crew members Enrica Antonioni, Andrea Crisanti, Renata Franceschi, and Tonino Guerra, as well as author Aldo Tassone.
|
|
|
День-Рафаэль (2011)
Character: self
The elegy film is dedicated to the memory of the remarkable Soviet and Russian poet, translator and writer of the second half of the twentieth century, Bella Akhmadulina.
|
|
|
Michelangelo Antonioni storia di un autore (1965)
Character: Self
A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.
|
|
|
Московская элегия (1987)
Character: Self (archive footage)
A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally intended to mark the 50th birthday of Tarkovsky in 1982, which would have been before his death. Controversy with Soviet authorities about the film's style and content led to significant delays in the production.
|
|
|
Notarangelo ladro di anime (2019)
Character: Self (archive footage)
David Griecos documentary showcases the underappreciated photography of Domenico Notarangelo, and through it, tells the story of Matera, it's people and it's history.
|
|
|
Долгое путешествие (1997)
Character: (voice)
The film is a journey through a fantastic country in which the erotic images of the films of the great Federico Fellini came to life, and Tonino Guerra himself acted as a guide. The heroes of the maestro’s paintings are sailing on a ship to the Enchanted Island. There everyone goes ashore except two - Federico Fellini and Juliet Mazina. Their wanderings continue.
|
|
|
Diario segreto di Amarcord (1974)
Character: Self
A tongue-in-cheek documentary that goes "behind the scenes" during the production of Federico Fellini's film "Amarcord" (1973).
|
|
|
Лев с седой бородой (1995)
Character: Peretti (voice)
An animated film based on the tale of Tonino Guerra, telling the story of the once famous circus duet - the lion and its owner, the story of how the famous lion Amadeo performed in the traveling circus of Signor Peretti.
|
|
|
Tempo di viaggio (1990)
Character: Self
Andrei Tarkovsky and screenwriter Tonino Guerra journey across Italy in preparation for "Nostalghia." Their location scouting unfolds into a wide-ranging conversation about filmmaking, artistic simplicity, and cultural identity, with Tarkovsky articulating his creative philosophy while confronting the emotional weight of working far from his homeland.
|
|
|
Poltrone Rosse - Parma e il cinema (2014)
Character: Self (archive footage)
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
|
|
