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Nuestros maridos (1946)
Character: Cliente Anita (uncredited)
Three sisters discover that the men in their lives are philandering trash and band together to build new lives for themselves instead of continuing to enable their unworthy partners.
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La hermana blanca (1960)
Character: Madre Verónica
A young woman believes her fiance has died, and she enters a convent.
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Locura pasional (1956)
Character: Pasajera tren (uncredited)
Wife-killer narrates flashbacks about how his obsessive jealousy led him to tragedy.
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Reto a la vida (1954)
Character: Doña Laura (sin créditos)
Self-righteous young Social Services woman puts all her faith in the institutional answers to questions of the Public Good, and she destroys a couple of lives in the process.
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El sol sale para todos (1950)
Character: Mamá de Juan
A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.
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El seminarista (1949)
Character: Estudiante colegio (uncredited)
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
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Acuérdate de vivir (1953)
Character: Invitada fiesta
In Guanajuato, a piano teacher delays her marriage to an engineer not to let her younger sisters alone. As he is love with her voice, he is mistaken for a sister whom he marries. The teacher then goes to the capital. There she becomes part of a family of young students, who believe she is the mistress of his father, so she suffers the scorn and reproach. Over the years the parents die and she renounces to the inheritance they leave her.
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El diablo no es tan diablo (1949)
Character: Empleada oficina (uncredited)
A couple in crisis receives a mysterious visit from the devil, who offers them a tempting solution to their problems-but his true intention is to claim their souls in exchange.
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La familia Pérez (1949)
Character: Empleado oficina (uncredited)
Gumaro Pérez must fulfill all the whims of his wife, who is sworn lady of society even though the Pérez are not a wealthy family. In order not to look bad with his wife, Gumaro asks for a loan, but when he receives it, all his co-workers take it from him since he owes everyone money.
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¡Ay, Jalisco no te rajes! (1965)
Character: Doña Isabel (uncredited)
A man hated by his father and in love with a beautiful woman whose brothers do not approve of the relationship and persecute him.
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Historia de un amor (1956)
Character: Doña María (uncredited)
Elena (Libertad Lamarque), already a star, falls madly in love with Roberto. They make it to the altar. Elena and Roberto adopt a baby. The years go by and everything is happiness in the couple’s life—until one day the girl’s grandfather appears.
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Ella y yo (1951)
Character: Beata (uncredited)
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
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Sol en llamas (1962)
Character: N/A
A powerful rancher loses his power and wealth during the Revolution, and his daughter falls in love with a revolutionary.
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Los cinco halcones (1962)
Character: Cholita (uncredited)
Elías, a banker and the secret leader of a gang, tries to persuade Pedro—the father of young Laura and little Chava—to sell him his ranch. Five friends—the shopkeeper Trini, the blacksmith Quique, the horseman Cuco, the barber Javier, and the doctor Demetrio—serenade Laura. After her father is murdered, the five friends, encouraged by the judge, who reveals the banker’s guilt to them, disguise themselves as The Five Hawks and fight against the gang.
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La reina de la opereta (1946)
Character: Invitada fiesta (uncredited)
Mario marries Blanca, the queen of operetta, but after their daughter is born, they separate and she leaves on a world tour to continue her artistic career. Meanwhile, he stays behind and waits with the baby until they reunite again.
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El rebelde (Romance de Antaño) (1943)
Character: Petra (uncredited)
After a vengeance taken too far costs his father his Hacienda and his life, young Juan Manuel Mendoza becomes a bandit. He will get a chance for revenge and for love after he infiltrates his enemy house as a piano teacher.
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Ella, Lucifer y yo (1953)
Character: Eduviges
A man makes a pact with Lucifer in order to gain the love of a beautiful singer. To achieve his goal, the devil endows him with the ability to become invisible at will.
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Caballero a la medida (1954)
Character: Vecina (uncredited)
Cantinflas works as a model of tuxedos in a prestigious store, your job is to use the smoking in the street along with an advertising sign on his back. The use of smoking gives you access to exclusive places and meet important people. During this time, Cantinflas was the manager of an amateur boxer, it is an attractive nurse assistant and occasionally attending a priest in the church and the orphanage. However, a Cantinflas day while wearing tuxedo, is a rich man, who mistakenly believe that Cantinflas is a millionaire too.
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El Mago (1949)
Character: (uncredited)
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
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Macario (1960)
Character: Comadre de Chona (uncredited)
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
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El analfabeto (1961)
Character: Doña Chona
Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.
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Días de otoño (1963)
Character: Nana de Manuelito (uncredited)
Luisa is a small-town girl who works in the bakery of the widower Don Albino. Luisa dreams of marrying and loves children. Just as Don Albino shows interest in her, Luisa announces that she will marry soon with Carlos, the driver of a rich house whom she met recently...
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Nazarín (1959)
Character: Sirvienta de Don Ángel (uncredited)
A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.
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Canaima (1945)
Character: Doña Luisa Ladera (uncredited)
Marcos Vargas returns home to Ciudad Bolívar after finishing his studies in Trinidad. There he decides to start a business transporting merchandise to the interior of the jungle. A local chieftain will not make things easy for him.
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Los tres García (1947)
Character: Invitada a fiesta (uncredited)
Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.
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Vuelven los García (1947)
Character: Invitada a fiesta (uncredited)
Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.
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En la palma de tu mano (1951)
Character: Empleada hotel (uncredited)
A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat?
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Dicen que soy mujeriego (1949)
Character: Invitada a fiesta (uncredited)
Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.
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El bombero atómico (1952)
Character: Doña Guadalupe (uncredited)
Cantinflas is a clumsy fireman, who one day receives the visit of his little goddaughter, whose mother recently died in the jungle. After having work in a few fires, Cantinflas decided to quit and become a policeman, because is less dangerous. Everything goes well until a gang of gangsters kidnap the girl, because of a monetary inheritance.
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El bolero de Raquel (1957)
Character: (uncredited)
The film tells an episode of the life of a kindly hearted bootblack who becomes accidentally the tutor of an orphan but nevertheless spends all his time and effort for the sake of the boy.
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Nosotros los pobres (1948)
Character: Doña Merenciana
Carpenter Pepe El Toro lives peacefully with his daughter Chachita in an impoverished Mexico City neighborhood. He pursues a romance with the pretty Celia, but tragedy comes knocking on his door when he is falsely accused of having perpetrated a felony.
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Las tres perfectas casadas (1953)
Character: Sirvienta (uncredited)
Three married couples gather to celebrate the eighteenth anniversary of their marriage mourning the absence of a friend who was best man at all three weddings.
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La otra (1946)
Character: Invitada a fiesta (uncredited)
A mousy, poor manicurist seeks to switch places with her more glamorous, wealthy twin sister.
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