|
Cosas con las manos (2017)
Character: Madrina
Fernando cannot forget Sofía. She left some time ago and still the littlest things remind him of her. When he meets Liz, he starts to manipulate his own memories so that he can move on, but his own mind has created a strange being that will stand in his way.
|
|
|
Uzi (2020)
Character: Sol
Uzi is the name of a firearm, but also is the diminutive of Uziel, who used to be a hitman in his youth. Now he lives crushed by guilt. His crisis deepens when he helps in a childbirth: the force of life fascinates him, and he does not understand how he was able to destroy it in the past.
|
|
|
La historia negra del cine mexicano (2016)
Character: N/A
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
|
|
|
Las Lágrimas de Bael (2026)
Character: Mamá de Capitán
Capitán Gato is a small-time drug dealer tormented by pain and his own inner demons.
|
|
|
Lo dulce de la vida (2017)
Character: Manuela
Ana, a 7 year old girl, tries to understand and be a part her grandfathers funeral despite her mothers efforts to keep her away.
|
|
|
Silencio Aislado (2024)
Character: Luz
Ariadna, an elderly woman, is overwhelmed by the pressure of leaving her sister in a nursing home, without having enough money. After robbing a supermarket for the first time, Ariadna will find an escape from the weight of caring for a family member with dementia.
|
|
|
Las niñas bien (2019)
Character: Toñis
Sofía, a well-to-do socialite and her husband must wrestle with the impact of Mexico's 1982 economic crisis.
|
|
|
Gusarapos (2024)
Character: N/A
Crawlies is a soliloquy based on voice recordings of my schizophrenic uncle. An audiovisual exercise of mise en abyme that weaves a patchwork of memories from my childhood, of madness and desire.
|
|
|
Corpúsculo (2022)
Character: N/A
After an unidentified earthquake-like ground shaking, Mara and her nurse are visited by their neighbor. Together, the three women begin to experiment a strange and slow catharsis.
|
|
|
Papamobile (2025)
Character: Mère supérieure
To mark his recent appointment, the new Pope prepares for a tour of Latin America, only to find that the Vatican is bankrupt. A rich Mexican woman offers to help out. In return for financing his trip, she demands he attends an event in his honour in the city of Ciudad Juarez – Mexico’s capital of crime. The “guardian angel” turns out to be a drug trafficker, and when she discovers that a lookalike Pope has been sent in his place, confusion, laughter and unexpected chaos ensue.
|
|
|
Distancias cortas (2015)
Character: Mamá de Fede
A heart-warming story of Fede who discovers his passion to photography and his two new friends help him to find a way from his loneliness and four walls of his apartment. The three friends - an obese Fede, his brother-in-law Ramón and Paulo, a lonely teenager who loves comic books - form a friendship that completely changes their lives.
|
|
