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Así es la vida (1977)
Character: Barreiro
Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.
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Mujeres perdidas (1964)
Character: Sr. Bermúdez
In an art academy that serves as a screen for a strip club, a pimp falls in love with one of the prostitutes, but she sells herself to a rich man.
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Atracción peculiar (1988)
Character: Sr. Galápagos
A television director decides to make a show about the invasion of transvestites in Mar del Plata. He commissions one of his editors, Jorge Trolombati, who must infiltrate and impersonate one.
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Mingo y Aníbal contra los fantasmas (1985)
Character: N/A
Mingo and Aníbal are two friends who work at a car dealership and are accused of a murder they did not commit. The incident occurred in a remote house, where both friends go to try to hide and solve the crime. There they will try to elude a ghost that wanders in the place while trying to regain their innocence.
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Las turistas quieren guerra (1977)
Character: N/A
Alberto and Jorge are employees of a refrigerator, who one day see a bus where several beautiful tourists flirt with the guide who drives them and think that being guides will give them many love affairs. They manage to meet with the owner of the tourism company and his partner (Frías Garmet and Gamarro Salas, respectively), who hire them immediately, promising them a quick promotion in the company. In reality, Frías Garmet and Gamarro Salas are planning a scam of great magnitude, and they need two unwary to indisting them.
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La pulga en la oreja (1981)
Character: Ferracutti
Following a forgotten piece of underwear, a single who lives with his uncles has a series of entanglements.
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Yo tenía un plazo fijo (1990)
Character: N/A
Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.
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La terraza (1963)
Character: uncredited
A group of young aristocrats lock themselves up, for fun, on a terrace in a wealthy building in Buenos Aires. Their parents try to get them out, but they threaten to jump down if any adults enter the terrace.
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Los caballeros de la cama redonda (1973)
Character: Don Julián
Alberto, Jorge, Ricardo and Tristan are employees of a shoe store, all are married and share the friendship also between their wives. The 4 friends, faithful to the rogue style of Buenos Aires, go out of their way to have love affairs with the beautiful customers of the shoe store, and for that purpose one day they decide to rent, secretly, an apartment to use as a "bulín". The problems begin from then on, as everyone wants to be the first to release it and then, successively, take turns for their adventures. As is to be expected, it does not take long for the first entanglements to appear, while their wives seem to begin to suspect the adventures of these four typical Buenos Aires chantas.
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Los doctores las prefieren desnudas (1973)
Character: Arturo Mendieta
Alberto, an employee of a car dealership, is commissioned by his boss to deliver a car that has been sold to a customer. Being a luxury car, he has no better idea than to invent an excuse to the new owner of the vehicle, delay delivery for the next day and use it to go out to have fun at night with his faithful friend Jorge. They both go to a revue theatre and, while witnessing the performance, the first vedette (Corina) faints. Then Alberto and Jorge pose as doctors, in order to meet Corina. As is to be expected, both decide to continue the deception with the passing of the days, causing the confusion to become bigger and bigger and harder to keep secret.
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Basta de mujeres (1977)
Character: Manuel
Alberto, who has been married to Laura for twenty years, meets Monica in his office, a serious and formal employee with whom he strikes up a friendship.
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El gordo catástrofe (1977)
Character: Don Carlos
Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital.
Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).
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Encuentros muy cercanos con señoras de cualquier tipo (1978)
Character: N/A
Alberto and Jorge are two comedians, who before the possibility of making money with a business agent, agree to play the role of executives of a fictitious company, in order to appear prosperity before possible foreign buyers of players. As the business agent instructs them to present themselves as married, Alberto and Jorge propose two co-workers to represent the indicated role.
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El profesor Punk (1988)
Character: Sr. Pataleta
Pancurulo is a lovable and unorthodox high school music teacher who accompanies his students to a camp. Two escapees will arrive at that place looking for a hidden treasure.
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Los vampiros los prefieren gorditos (1974)
Character: Vladimir Bram Stoker, Conde de Drácula
Count Dracula travels to Buenos Aires with his secretary and stays in a very special hotel, where several mobsters are also staying.
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Comandos azules (1980)
Character: N/A
A parallel police group attends a scientific conference and goes into action. Their mission: disrupt a gang of criminals that rob a memory bank.
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Los colimbas se divierten (1986)
Character: Principal Monteleña
Two violators of the military service law are incorporated as soldiers recently arrived from Europe and proposed to integrate a group that will operate in a jungle region, for which they have to prepare for difficult survival missions.
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El andador (1967)
Character: N/A
A late pregnancy disrupts the routine of a mature marriage.
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