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La perra (1967)
Character: Renee Johnson
Bad woman conspires with young lover to kill her mature husband.
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Una mujer sin precio (1966)
Character: N/A
Exotic dancer with a masochistic streak can't decide which of two boyfriends treats her more thrillingly badly.
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Cuando los hombres hablan de mujeres (1967)
Character: N/A
Three stories told in a Turkish bathhouse: two braggarts are mocked by a starlet; two Boca Juniors fans and love-hate for two River Plate fan girls; a man, father of 8 daughters, seeks the boy despite his wife.
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De l’Argentine (1985)
Character: N/A
Documentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.
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La cómplice (1966)
Character: Renata
A woman becomes an unwitting accessory to a company robbery. Out of love, she finds herself involved in a surprising plot trying to get out of the event unscathed.
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Cerco de terror (1972)
Character: Carla
Finding himself unwittingly involved in a love triangle with his unfaithful wife and her lover sends a man over the edge.
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Noches prohibidas (1968)
Character: N/A
Fully shot in Puerto Rico, Noches prohibidas tells the story of a beautiful woman desired by three men, but she is passionate about a captain in her life.
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4 Contra el Crimen (1968)
Character: N/A
Four secret agents have to protect a crime boss in order to stop other criminals from taking over the organization and grow stronger.
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El bote, el río y la gente (1960)
Character: N/A
An old boat is a silent witness of how the lives of the characters on board are fleetingly intertwined on a predetermined day.
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Mujeres de medianoche (1969)
Character: Pilar / Kitty
Crime melodrama involving blackmail, murder, mystery and the obligatory police investigation.
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El primer beso (1958)
Character: N/A
A taxi driver falls in love with a newspaper seller girl at a newsstand.
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Psexoanálisis (1968)
Character: N/A
A profiteer pretends to be a psychoanalyst to conquer women with sexual trauma.
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María M. (1964)
Character: María M.
María M. is a prostitute from the Ciudad de Buenos Aires. She has sex and love relationships with several men, until she meets the one she thinks will be the love of her life. From that moment he decides to reform and start a new life, but fate has a bitter disappointment in store for him.
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La Venus Maldita (1967)
Character: N/A
Man with fatal illness encourages wife and best friend to have fun together.
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La flor de Irupé (1962)
Character: Mara
Three criminals escape prison and find themselves at the swampland home of a strange old man and his sexy blonde daughter. This black-and-white Argentine crime film was dubbed into English and spiced up with over 10 minutes of color nudie insert shots.
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Testigo para un Crimen (1963)
Character: Blondie
A wealthy man comes to Buenos Aires to avenge the death of his young brother. He starts a relation with a suggestive blonde singer from a nightclub run by a mafia boss. One of the musical numbers is made by Michelle, a well-known American transvestite and is the first appearance of a transvestite in an Argentine film, something daring for the time.
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La casa de Madame Lulú (1968)
Character: Maria La Pompadour
In the 1930s a young revolutionary falls in love with a young woman of innocent appearance but who really works in a brothel.
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Acosada (1964)
Character: N/A
An attractive songstress (Libertad Leblanc) lands herself a performing contract and leaves her home in Buenos Aires. She travels to Venezuela, and when arriving in Caracas, she soon discovers that her contract is a hoax made by a major drug baron. She finds that she is knee-deep in trouble herself and must be careful if she is to get out of her predicament in one piece. When imported to the U.S., the film was dubbed into English, new footage (shot in New York City) was added and it was given the memorably salacious title The Pink Pussy: Where Sin Lives.
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Standard (1990)
Character: N/A
Five bricklayers work to construct and subsequently demolish a monument under the direction of a pseudo-architect. As they toil, the workers succumb to distractions and base desires, effectively dismantling the myths of national identity and cultural foundations.
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La endemoniada (1968)
Character: Princesa Fausta de Santillán; Lucía
An evil princess who kills her lovers is condemned by the Inquisition. Four centuries later she returns with the help of a vampire and tries to live forever in the body of an identical woman.
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La culpa (1969)
Character: N/A
A traffic accident and a man wounded by a bullet cause a couple to feel guilty.
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El satánico (1968)
Character: Norma
The film follows the exploits of a small gang of jewel thieves who employ a little person as their ultimate tool.
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Cautiva en la selva (1969)
Character: Laura
Laura (Libertad Leblanc), a sensual stripper, receives from her lover (Jorge Salcedo) an envelope with an order to open it only in case he dies. When he is killed, she opens the envelope, finding half of a mysterious map and a piece of paper with instructions. Following these, Laura travels to Guayaquil, where she comes into contact with an Argentine geologist (Ricardo Bauleo), who owns the other half of the map. It turns out to be the map of a large treasure buried in the heart of the Ecuadorian jungle, in the territory of the fearsome Auca Indians, head reducers. Both are on the road, ready to face all the dangers that may be necessary, in order to get so valuable loot. But Laura's beauty and sensuality will awaken desire in all men throughout the dangerous expedition.
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El derecho de gozar (1968)
Character: Ines
A beautiful woman is married to a film director. Despite the apparent happiness of the marriage, she has an affair with a young womanizer, and flirts with a screenwriter. During the filming of a film directed by her husband, two actresses are mysteriously murdered.
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