|
María Eugenia (1943)
Character: Rosa
Before marrying María Eugenia, landowner Carlos are away to visit her godmother to break the promise to marry his daughter. The godmother is dying, Carlos quiets and everything takes an unexpected course.
|
|
|
Mi madrecita (1940)
Character: Chona
Woman faces the vicissitudes of life with her three adult children well in the background. But when the chips are down...
|
|
|
Una luz en mi camino (1939)
Character: Vecina pueblerina
In a small city, talented María was trained as a singer by blind composer Joaquín. They both dream of making it big in the capital but, when they finally make the move, they find that success is not achieved without struggles.
|
|
|
El primo Basilio (1935)
Character: N/A
Luisa, who is actually happily married, begins an affair with her cousin while her husband is away.
|
|
|
El beso mortal (1938)
Character: Dama honorable
Adapted from "Le mortel baiser", a stage play by French writer Loïc Le Gouriadec (also known as Paul Gury). The story follows Cecilia, the daughter of a wealthy and conservative family, who is about to marry the son of the town's mayor. When a physician specializing in venereal diseases arrives in town, he examines Cecilia's fiancé and informs him that he is still suffering from syphilis, which has advanced significantly since he contracted it years earlier.
|
|
|
|
|
Pobre diablo (1940)
Character: Cachita
An elderly homeless dude lucks into a situation where a young woman's uncle and her boyfriend ask him to impersonate her long-lost father and give her some nurturing parent attention.
|
|
|
|
|
Mil estudiantes y una muchacha (1942)
Character: Sra. de Buenrostro
The dream of Atenodoro is to be a professor at the Faculty of Law. The students show enthusiasm for Ana, the professor’s daughter. Atenodoro resigns from his class, and the students try to make him return by pretending to be the rector and his family.
|
|
|
Luponini de Chicago (1935)
Character: Sra. Benitez
Luponini, a bank employee, becomes a robber due to a broken heart. His criminal career, successful at first, is soon threatened by the betrayal of one of his accomplices and the contempt of Luisa, his ex-wife.
|
|
|
La pícara Susana (1945)
Character: Sra. Pérez
Socialist librarian gets mixed up in the family life of a spoiled rich girl and her screwball family.
|
|
|
El charro Negro (1940)
Character: Doña María
Masked cowboy avenger in the style of The Lone Ranger, first film in a series of four.
|
|
|
Cuando escuches este vals (1944)
Character: María
During World War II, Nazi spies tried to infiltrate everywhere, and the Mexican Military Academy was no exception.
|
|
|
Marihuana (El monstruo verde) (1936)
Character: Enfermera (uncredited)
An agent of the anti-drug brigade is captured and ends up addicted to marijuana, which causes him to enter the mafia.
|
|
|
¡Vámonos con Pancho Villa! (1936)
Character: Viejecita
The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.
|
|
|
La mujer del puerto (1934)
Character: Doña Lupe, Vecina
Her father dies... her fiance dumps her... and she can't find a job... so she covers the waterfront. And then one night...
|
|
|
|
