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La perversa (1954)
Character: Amigo de Enrique (uncredited)
A single, hard-working, girl looks to improve her situation by becoming a "kept woman". In doing so, she turns away from church and family, thereby violating the mandates of both God and Man.
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La diosa de Tahití (1953)
Character: N/A
A fugitive hides from justice among smugglers in the deep jungle of an exotic island, but things become complicated when he falls in love with a local cabaret dancer.
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El vestido de novia (1959)
Character: Luis Anguiano
A young professional hires a sex-worker to pass as his wife in a situation that requires him to seem married. Later they think about getting married for reals... but mostly they just recite monologues to each other.
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Bajo la influencia del miedo (1956)
Character: Esbirro de Tony
Tony Carpio becomes a dangerous criminal and gains power by fixing boxing matches while seeking revenge on the ones who sent him to serve 5 years in jail, this includes his former lover, the rapacious Marbella.
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Hombres sin alma (1951)
Character: René Alonso
Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gangster but a rival mobster will make things impossible for them.
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Plazos traicioneros (1958)
Character: N/A
A down in his luck film director falls in love with an attractive waitress and decides to launch her as a big singing star. Once the goal is reached, the girl runs away and becomes involved with a gangster who leads her into prostitution.
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El secreto de la solterona (1945)
Character: N/A
A homeless orphan girl is adopted by a wealthy man against his wife wishes. When the man dies, the girl endures endless humiliations under the wife's harsh grip, so she finds solace with mysterious old maid who lives near by.
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Morir de pie (1957)
Character: N/A
A young woman gives herself to her boyfriend but is forced to marry an army officer, who takes revenge on him.
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El Asesino X (1955)
Character: Amigo de Robert Francis
A murderer turns himself to the police, but claims amnesia and insists he's unable to tell them anything about his crime.
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El jinete sin cabeza (1957)
Character: Herminio González
A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").
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Juego diabólico (1961)
Character: Antonio
Entry in a four part series based on the novel "El fisto del diablo" by Manuel Payno.
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Viento negro (1965)
Character: Funcionario (uncredited)
The building of a railroad under tough conditions from searing heat to freezing cold in the Sonora desert provokes clashes of passion and struggles between the engineers and the workers at the campsite. The workers also contend with sudden dust storms that are called the 'black wind'. Based on true events.
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Muñecos infernales (1961)
Character: Gilberto
Four men are cursed by a voodoo priest for stealing a sacred idol from his temple. Soon a band of murderous "doll men" are after the men and their families.
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El gallo de oro (1964)
Character: N/A
A poor, but very lucky man in the cock fighting business, is hired by a rich man, but both are in love with the same woman.
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Tierra baja (1951)
Character: Nando
A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.
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El hombre que logró ser invisible (1958)
Character: Reporter
A man is sentenced to prison for a murder he did not commit. Thanks to a serum invented by his brother, he manages to become invisible and escape from prison in order to prove his innocence, while his brother works feverishly to find an antidote. Theatrically released in USA in Spanish language only; later English-dubbed version syndicated directly to television.
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La Momia Azteca (1957)
Character: Doctor Rios
A scientist discovers through hypnosis a mummy who watches over the jewels of an Aztec god for all eternity.
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El gángster (1965)
Character: Policía
An old gangster returns from the United States to Mexico City to live with his sister-in-law and his two nephews, where he will face the daily life of a middle-class family.
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La mujer del puerto (1934)
Character: Hombre de cabaret
Her father dies... her fiance dumps her... and she can't find a job... so she covers the waterfront. And then one night...
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Por mis pistolas (1968)
Character: (uncredited)
Fidencio Borer, an apothecary in a village on the northern border of Mexico, discovers some old title of a mine in Arizona and decides to claim them. Trying to cross the border is a border guard intercepted by exaggerating in the line of duty. On the way is captured by a tribe of Apaches and is about to be burned alive, but thanks to the Great Head Horse Lying having toothache and learns that the prisoner it can heal, ordered his release on the condition that the cure. Fidencio would take the wheel and gets the eternal friendship of the Chief apache.
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Pilotos de la muerte (1962)
Character: Sr. Contreras (uncredited)
A couple of provincial gas station employees travel to the capital seeking fortune of vehicle mechanics accidental career passing drivers.
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Ensayo de un crimen (1955)
Character: Gambler (uncredited)
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan...
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Muertos de miedo (1958)
Character: N/A
A young woman hires Viruta y Capulina to find a notorious jewel thief, known as Rostov.
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El bolero de Raquel (1957)
Character: (uncredited)
The film tells an episode of the life of a kindly hearted bootblack who becomes accidentally the tutor of an orphan but nevertheless spends all his time and effort for the sake of the boy.
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El niño y la niebla (1953)
Character: Empleado manicomio (uncredited)
Marta is obsessed with protecting her son from the genetic predisposition to schizophrenia that she has hidden from her husband.
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Amok (1944)
Character: Hombre en casino (uncredited)
A doctor embezzles the proceeds of his Parisian clinic in order to better support the manipulative woman with whom he is having an affair. After losing all the money while gambling, he is forced to flee to an undeveloped region of India. There, he tries to mitigate the onslaught of a disease the natives term "Amok," while his past mistakes still plague him.
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La tijera de oro (1960)
Character: Teniente de policía (uncredited)
The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.
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