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금붕어 (1927)
Character: N/A
A touching story about how, after a quarrel, the wife leaves home, and the husband is sad, watching the fish in the aquarium.
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사랑을 찾아서 (1928)
Character: N/A
The hero leaves Korea. But the village where Korean immigrants live is attacked by Chinese bandits. The hero and his friends want to return to Korea. Japanese police officers fire shots at border trespassers.
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벙어리 삼룡 (1929)
Character: N/A
The film shows humanity and sincere love, opposed to the old conventions. The story of the mute Samyon, who works for a landowner and is in love with the owner's daughter-in-law.
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아리랑 후편 (1930)
Character: Yeong-jin
The freed Yeong-jin falls in love with a girl who loves him. But Yeong-jin goes on a journey, leaving a note to his beloved: "My love is endless expanses".
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임자없는 나룻배 (1932)
Character: Chunsam
A farmer sells his land to go to Seoul and become a rickshaw driver.
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종로 (1933)
Character: N/A
The film is a melodrama in which Na Woon-gyu's character breaks up with his girlfriend and becomes a vagabond. The girlfriend marries another man. When Na returns and discovers her married, he leaves again.
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아리랑 3 (1936)
Character: Young-jin
Tae-jun, seeing the beauty of Young-hee, was inflamed with passion for her. However, her brother Young-jin prevented him from approaching the girl. By placing Young-jin in a mental hospital, Tae Joon finally has free access to his sister.
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풍운아 (1926)
Character: N/A
Na Woon-gyu plays the role of Nicolai Park, a veteran of the Russian army, who has returned to Korea from European battlefields. Broke, hungry, and unable to find employment, he is taken in as a boarder by Kim Chang-ho. Chang-ho's friend, Cha-duk becomes romantically involved with Hae-ok, who had sold herself to support her parents. Cha-duk's wife, Yeong-ja becomes involved with Nicolai, who rejects her proposal to run away with him. The romantic complications spiral until Yeong-ja kills Cha-duk. The film ends with Nicolai departing for destinations unknown while the other boarders bid him farewell.
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농중조 (1926)
Character: N/A
A sad love story of a man and a woman who cannot meet freely because of the strict surveillance around her.
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흑과 백 (1927)
Character: N/A
A sad story about a love triangle consisting of two men and one woman.
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그림자 (1935)
Character: N/A
The story is a melodrama concerning a young woman, played by Yun Bong-choon, who is abused by her stepmother and half-sister. After her stepmother expels her from her home, she stabs her stepmother.
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아리랑 (1926)
Character: Ch'oe Yeong-jin
The film concerns a student, Ch'oe Yeongjin, who has become mentally ill after being imprisoned and tortured by the Japanese for his involvement in the March 1, 1919 protest against the Japanese colonial rule.
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금강한 (1931)
Character: N/A
The film concerns the playboy son of a rich man. After he gets a village girl pregnant, she commits suicide. The playboy is later murdered by his ex-wife.
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남편은 경비대로 (1931)
Character: N/A
A pro-Japanese propaganda film directed by Japanese director Shimada under the Korean pseudonym Jeon-jang Do. The film is about sending guards to the border.
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칠번통소사건 (1936)
Character: N/A
This action-oriented film tells the story of a traveling theatrical troupe. When one of the actresses is sold to criminals running an opium den, Woon-gyu Na's character rescues her and returns her to the troupe.
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개화당이문 (1932)
Character: N/A
The film concerns the 3-day rule of Kim Ok-kyun (1851-1894), and his attempt to modernize Korea.
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심청전 (1925)
Character: N/A
Based on the Korean folk story of the same name. The plot shows the self-sacrifice of the main character, Sim Cheon, based on her daughter's loyalty, which is subsequently rewarded.
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사나이 (1928)
Character: N/A
The story of the miners who dealt with the cruel master of the quarry.
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철인도 (1930)
Character: N/A
About the pastor's daughter, who reconciled the irreconcilable fighters - the inhabitants of two neighboring villages.
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들쥐 (1927)
Character: N/A
A young man called Field Mouse (Deuljwi) saves a young couple when the woman is forced to marry a rich gangster.
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암굴왕 (1932)
Character: N/A
A serial play centered on the real scene of the sea screened on a theater stage that is a dramatization of Duma's detective novel. Na Woon-gyu darkened and directed, and Na Woon-gyu appeared as a new stage member of the troupe.
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