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Kilómetro 111 (1938)
Character: N/A
Ceferino is the train station chief o a remote town. A group of planters ask him to legit them the wagons to send the harvest to Buenos Aires, he agrees, but he gets fired.
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Todo sea para bien (1957)
Character: N/A
A widowed man who has lived adoring the memory of his wife, discovers 15 years later that she was his best friend's lover.
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Corrientes, calle de ensueños (1949)
Character: N/A
Story about a humble musician who triumphs overcoming his failures and a young woman arrives in Buenos Aires from the interior of the country in search of triumph but finds death.
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La telaraña (1954)
Character: N/A
The problems of a man who when he goes to see his newborn son is mistaken for an assailant.
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Fragata Sarmiento (1940)
Character: Asistente Carrión
It narrates the history of the Argentine ship that served for many generations like school for the formation of sailors.
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Los padrinos (1973)
Character: N/A
A group of artists adopt a girl and take her to their shows.
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Una novia en apuros (1942)
Character: N/A
A young woman interrupts her honeymoon with a pharmacist to search for the mysterious donor of a valuable ring.
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Toto Paniagua (rey de la chatarra) (1980)
Character: N/A
Toto is a scrap metal dealer who became rich by a stroke of luck. Having fallen in love with a woman from a higher social class, he decides to take etiquette classes so he can get closer to her.
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El campeón soy yo (1960)
Character: N/A
Nightclub entertainer discovers he closely resembles a boxing champion and decides to impersonate him for profit.
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El tesoro de la isla Maciel (1941)
Character: Profesor Curot
To get her father, a sailor, out of his depression, his daughter and his doctor make him believe there is a hidden treasure.
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24 horas en libertad (1939)
Character: N/A
A millionaire woman is the victim of harassment by loan sharks and a journalist will do everything possible to rescue her.
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Héroes de hoy (1960)
Character: N/A
A group of robbers rob a photo novel publishing house and take refuge in a seaside town. It was never released commercially, only exhibited on television.
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Juan Moreira (1948)
Character: N/A
Adaptation of the homonymous novel by Eduardo Gutiérrez, inspired by a real police chronicle, starring a gaucho killed by the police in 1874. Juan Moreira's life was full of injustices and has been considered representative of those suffered by gauchos.
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Una noche cualquiera (1951)
Character: N/A
An unsuccessful actor wants to get money from his uncle to mount a play, and seeks a woman and a child to make them look like his wife and son.
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¡Ué... Paisano! (1953)
Character: N/A
The story revolves around the relationship of Italian immigrants and Argentines. Nostalgia for his country of origin and life in a strange country. It is a call for the union of immigrants that evokes sentimentality. The film conveys the sensation of the musician, whom an Italian immigrant listens to, and feels "understood and unconditionally loved"
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Mi marido y mi novio (1955)
Character: N/A
When a woman finds out that her husband is being unfaithful to her, she decides to give him a dose of his own medicine, making him jealous with another suitor.
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La serpiente de cascabel (1948)
Character: Médico
Juan Carlos Thorry is a police inspector who must solve the mystery of the death of the warden of a boarding school for young women, for which he goes undercover as a music teacher. The main suspect is the mischievous schoolgirl María Duval. A series of entanglements leads the protagonists to becoming romantically involved and to finding the culprit.
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Bajo un mismo rostro (1962)
Character: N/A
Two twin sisters have completely different ways of loving: to one love is profound, to the other is carnal.
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El rufián (1961)
Character: N/A
An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.
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El picnic de los Campanelli (1972)
Character: Timonel
The vicissitudes of the members of the Campanelli family while they have a picnic in the Delta del Tigre, with assailants included.
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La secta del trébol (1948)
Character: Li Tse
A writer gets involved in a police case related to some jewelry belonging to a Chinese sect.
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La flor de la mafia (1974)
Character: Hombre en procesión
An influential mob boss and a cabaret star team up to increase his power.
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La fuga (1937)
Character: Traspunte
Daniel, a smuggler is chased by a policeman. In his escape are helped by the messages that his lover transmits to him in code by means of the tangos that sings in a radio program. To hide himself, he pretends to be a teacher in a small town in Entre Ríos, and by the time he discovers it, the police have already faced a new life.
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Héroes sin fama (1940)
Character: N/A
Social film that explores journalism's fight against fraud, intimidation, extortion and political crimes during the 30s in Argentina.
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El festín de Satanás (1958)
Character: N/A
With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.
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La calle del pecado (1954)
Character: N/A
A student dreams that she is the heroine of one of her history teacher's lessons with whom she is in love.
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Tren internacional (1954)
Character: Conserje
A couple of thieves with a worldwide reputation start a dispute over a valuable necklace in a transalpine train.
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Mi noche triste (1952)
Character: N/A
The plot reflects the figure of Pascual Contursi, tango poet. In love with a singer, he leaves his wife and son to go with her. Some time later, the singer leaves him and he composes the tango that gives the film its title.
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Mi amor eres tú (1941)
Character: Don Ramón
An authoritarian tutor changes his behavior thanks to a young orphan with whom he ends up falling in love.
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La cigarra no es un bicho (1963)
Character: Camarero anciano
The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.
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Mercado de abasto (1955)
Character: Mozo
The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, his past come to ruin the wife's life.
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Los isleros (1951)
Character: Ebrio en baile
Leandro and Carancha inhabit the islands located in the Parana delta. When their son brings home a girlfriend, her presence makes Carancha jealous and dramatic consequences ensue.
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La nona (1979)
Character: Viejito 3º
The story about a family that must maintain an insatiable grandmother.
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El Jefe (1958)
Character: Sr. Pereyra
The head of a criminal gang has all the power among his men until one decides to testify against him.
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La otra y yo (1949)
Character: N/A
An impulsive actress abandons a film shoot and is replaced by a dressmaker, and the former's husband hires her to impersonate her in front of his future in-laws.
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Margarita, Armando y su padre (1939)
Character: Mozo
A young couple, Margarita and Armando, reenact the story of The Lady of the Camellias, as they fall in love, Armando's flamboyant father disapproves of their relationship and does everything to separate them.
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La gorda (1966)
Character: N/A
An amateur singer leaves his town to go to Buenos Aires. In town he falls in love with a girl, but he won't be able to get rid of his fat girlfriend that he left behind in town.
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Tiempo de revancha (1981)
Character: Bautista
Two coworkers decide to blackmail the corrupt demolition company they work for by setting up a fake accident.
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El gordo catástrofe (1977)
Character: N/A
Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital.
Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).
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La morocha (1958)
Character: N/A
A prostitute persecuted by the police, receives the interested protection of a greedy merchant. He takes refuge in his house one night and meets his nephew, a sensitive boy who wants to be a musician.
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Fin de mes (1953)
Character: N/A
The crushing conformity of a penniless bank teller takes an unexpected turn when he deviates from his honest routine.
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¿Los piolas no se casan…? (1981)
Character: N/A
The story revolves around Bebe (Santiago Bal) and Cacho (Tristan), two typical neighborhood boys who live different misfortunes in their constant search to conquer women. Bebe is half a blackmail and thinks he knows how to do them all, while Cacho is more shy and in love. Unexpectedly Bebe finds herself facing a relationship that advances faster than she thought, and that is why she decides to ask for some advice from her rogue neighbor, Don Carmelo (Darío Vittori), a veteran punguista who is in a couple with a beautiful woman much younger. Thus the plot is taking place between entanglements, alleged infidelities and an imminent marriage that no one expected.
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Los colimbas se divierten (1986)
Character: Don Braulio
Two violators of the military service law are incorporated as soldiers recently arrived from Europe and proposed to integrate a group that will operate in a jungle region, for which they have to prepare for difficult survival missions.
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