|
The Adversary (1970)
Character: N/A
Jimmy West abandons his own boxing career to manage Johnny Carlos, a promising fighter who hates boxing. Jimmy fails at his new profession, and as a result of his disappointment with a woman, he turns to homosexual love.
|
|
|
|
|
A Dream for Christmas (1973)
Character: Shoeshine Patron (uncredited)
A Southern minister is assigned to a poor church in California where the congregation is drifting away and the church itself is scheduled for demolition.
|
|
|
|
|
Valley of the Dolls (1967)
Character: Reporter (uncredited)
Lured by their dreams of fame and fortune, three ambitious young women enter the world of show business and discover how easy it is to sink into a celebrity nightmare of ego, alcohol and pills — the beloved "dolls."
|
|
|
Swing Shift (1984)
Character: Waiter at Kelly's
In 1941 America, Kay and her husband are happy enough until he enlists after Pearl Harbor. Against his wishes, she takes a job at the local aircraft plant where she meets Hazel, the singer from across the way. The two soon become firm friends and with the other girls become increasingly expert workers. As the war drags on, Kay finally dates her trumpet-playing foreman and life gets more complicated.
|
|
|
How to Frame a Figg (1971)
Character: Diner Patron (uncredited)
Don Knotts is Hollis Figg, the dumbest bookkeeper in town. When the city fathers buy a second-hand computer to cover up their financial shenanigans, they promote Figg to look after things, knowing he'll never catch on. Their plan backfires when Figg becomes self-important and accidentally discovers their plot.
|
|
|
Black Belt Jones (1974)
Character: Oscar
Jones is a secret agent who has gone into semi-retirement, concentrating instead on teaching the martial arts to inner city youths. The karate school is run by a kindly old coot named Pops. His gambling debts, however, bring the local thug, Pinky, down on him. To make matters worse, Pinky is then hired by some white thugs who want to get a hold of the property Pops' school occupies so they can build a shopping mall. When things get heavy, Black Belt Jones leaps into action. Only he's not alone. Pops' daughter, Sidney, shows up to lend a hand, proving herself every bit as agile and powerful a martial artist as Jones.
|
|
|
The Karate Kid Part II (1986)
Character: Bystander
Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.
|
|
|
Drums of Africa (1963)
Character: Villager
David Moore is in East Africa to get to his employer's railway construction site. He's accompanied by the owner's son Brian and they've lined up Jack Cuortemayn, reputedly the best guide available, to take them there. Cuortemayn refuses as he doesn't care for the impact the railroad will have on the local inhabitants. While Moore tries to make other arrangements, he meets Ruth Knight who has lived there for many years working with her father in a medical clinic. There will be adventures along the way but when Ruth is captured by slave traders, it's up to the others to rescue her.
|
|
|
New York, New York (1977)
Character: Man in Bathroom in Harlem Club
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
|
|
|
Truck Turner (1974)
Character: Druggist
Truck Turner and his partner Jerry, who make their living as bounty hunters in Los Angeles, are hired to hunt down Gator, a pimp who has skipped bail.
|
|
|
Drum (1976)
Character: Bruno
A mid-19th century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.
|
|
|
Watermelon Man (1970)
Character: Instructor (uncredited)
A racist insurance agent lives in a typical suburban neighborhood, but his bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight.
|
|
|
The Boston Strangler (1968)
Character: Suspect (uncredited)
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
|
|
|
Rocky III (1982)
Character: Clubber's Cornerman
Following Rocky Balboa's intense battle with his most powerful adversary yet – the ferocious Clubber Lang – Rocky joins forces with former rival Apollo Creed in an effort to get back his fighting spirit.
|
|
|
Herbie Goes Bananas (1980)
Character: Ship Passenger (uncredited)
The adorable little VW helps its owners break up a counterfeiting ring in Mexico.
|
|
|
Hellfighters (1968)
Character: Caddie (uncredited)
The adventures of oil well fire specialist Chance Buckman (based on real-life Red Adair), who extinguishes massive fires in oil fields around the world.
|
|
|
The Sound and the Fury (1959)
Character: Townsman (uncredited)
The once-prominent Compson family of Jefferson, Miss., has been reduced to near-penury by generations of alcoholism and sin. Levelheaded Jason struggles to keep the family together, but his teenage stepsister, Quentin, chafes against his strictures. When Quentin's estranged mother reappears in town, and carnival worker Charles attempts to seduce the virginal teen, the family may finally be headed for complete collapse.
|
|
|
Diamonds Are Forever (1971)
Character: Casino Patron (uncredited)
Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who's guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
|
|
|
Melinda (1972)
Character: Junkie (uncredited)
A slick, smooth-talking, womanizing young black DJ falls hard for an enigmatic woman he's just met. Things take a turn for the worse, though, when she is found dead in his apartment. It turns out that she was killed by the local mob, which is trying to frame him for the crime. With the police after him, he calls on some of his old acquaintances to help clear his name and avenge the woman's death.
|
|
|
Blazing Saddles (1974)
Character: RR Worker (uncredited)
A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.
|
|
|
Harlem Nights (1989)
Character: Driver
'Sugar' Ray is the owner of an illegal casino and must contend with the pressure of vicious gangsters and corrupt police who want to see him go out of business. In the world of organised crime and police corruption in the 1920s, any dastardly trick is fair.
|
|
|
American Gigolo (1980)
Character: Man at Political Dinner (uncredited)
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
|
|
|
Earthquake (1974)
Character: Citizen (uncredited)
Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.
|
|
|
To Kill a Mockingbird (1962)
Character: Courtroom Spectator (uncredited)
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
|
|