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Non è vero... ma ci credo! (1952)
Character: Dott. Pinelli
A young man in love with a girl whose father--his employer--does not approve of him, disguises himself as a hunchback to get into the father's good graces.
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Ti ho sempre amato! (1953)
Character: don Antonio
A landowner loves a good girl, but is ensnared by another richer woman who is actually aiming for her fortune. This she will be able to temporarily make the two young men go away but the man makes his girlfriend understand that her is true love; he realizes that he has been the victim of a scam and will bring the woman he has always loved to the altar.
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Il boia di Lilla (1952)
Character: Tréville
An official, betrayed by his lady servant, joins musketeers such as Athos, while she turns into a countess and a spy that will eventually be executed.
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Fra' Diavolo (1942)
Character: Carlo Consiglio
The leader of a band of mountain bandits defending Naples against the French plays a dual role as a police official. Our romantic hero pivots as well between two women, the sister of a royalist and a lady spy.
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Un giorno in pretura (1954)
Character: Avv. Tonnara
A day at an Italian trial court, where a magistrate judges a full array of peculiar petty crimes and characters.
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Anni facili (1953)
Character: N/A
A Sicilian professor who moves to Rome gets lost in the maze of Roman ministries and gives in to corruption.
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Quel fantasma di mio marito (1950)
Character: Director
Gianni Alberti is a journalist who is sent to Palestine. He decides to fake a fatal accident so he can then return home as a hero. But things don't turn out as planned, Gianni end up coming back to Italy, but only as a ghost.
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Sangue sul sagrato (1952)
Character: N/A
Artist Pietro Leoni is preoccupied with feminine beauty. While walking near an old castle in Italy, he sees a young woman dive in the water from a rock and becomes determined to sculpt her from memory. He rents a house near the spot and falls in love with the mentally disturbed daughter, Francesca, of the castle's owner, W. C. Hutton, while becoming involved with her sister, Marisa unaware of her identity.
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La damigella di Bard (1936)
Character: Franco Toscani
The Turin noblewoman Maria Clotilde di Bard, the sole and elderly heir to an ancient Savoyard title, is reduced to living in the attics of the palace due to the embezzlement of a dishonest administrator. The young lady, who has always been alone due to a great love that never led to marriage with Baron Nigra, befriends the daughter of the palace owner, who tells her about her love for an aeronautical engineer: an unhappy love, because her father is against it. Maria Clotilde discovers that the young man is her brother's illegitimate son, taken away at an early age and never recognized, and therefore the sole heir to the Bard name. The shady administrator also ruins the new owners, who find themselves penniless. But in a trunk kept by the damsel there is years of correspondence between her and Baron Nigra, whose immense historical value restores the Bard family to its former glory and thus allows for a happy ending with the marriage of the two young people.
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Noi due soli (1952)
Character: N/A
A man and his girlfriend struggle to find some time for themselves.
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