Mouna

Personal Info

Known For

Acting

Known Credits

0.1658

Gender

Male

Birthday

01-Oct-1911

Age

(115 years old)

Place of Birth

Meythet, Haute-Savoie, France

Also Known As
  • Aguigui Mouna
  • Aguigui
  • André Dupont
  • Mouna

Mouna

Biography

Aguigui Mouna, whose real name was André Dupont, was born on October 1, 1911, in Meythet, Haute-Savoie, into a modest family marked by odd jobs and precarious employment. Early on, he rejected authority after a brief stint in the Navy and his expulsion from the Communist Party, which led him down a personal path blending pacifism, a libertarian spirit, and a biting sense of humor. In the 1950s, after several professional setbacks on the French Riviera and in Paris, he "invented" the character of Aguigui Mouna, a libertarian, philosophical tramp who decided to make the street his stage. Based primarily in Paris, he became a familiar figure in the Latin Quarter and the Beaubourg district, riding a brightly colored bicycle, his half-beard and half-mustache serving as a permanent manifesto. He harangues passersby against war, militarism, nuclear power, and consumer society, wielding slogans, puns, and aphorisms at the crossroads of humor and meditation. Mouna is involved in numerous causes: conscientious objection, the anti-nuclear movement, refugee advocacy, denunciation of child labor, and radical critique of productivism. He disseminates his ideas in a small newspaper, Le Mouna Frères, which expresses a pioneering environmentalism, a cheerful humanism, and non-violent anarchism. In May 1968, his constant presence in the streets, his verve, and his whimsical nature make him an emblematic figure of a joyful, poetic, and anti-authoritarian protest. From the 1970s onward, he runs in several elections—notably the 1974 presidential election—as a "non-candidate," subverting the electoral ritual with deliberately poetic and absurd platforms. He advocated for more bicycles, fewer cars, more green spaces, and fewer weapons, garnering a few thousand votes, primarily in a Parisian constituency in the late 1980s. In a final paradox, he was awarded the title of Knight of the Order of Arts and Letters, an official recognition of a subversive jester who relentlessly challenged those in power. Until the end of his life, he continued to roam Paris, engaging in impromptu interventions, sidewalk conversations, and pacifist provocations, remaining true to a philosophy that blended derision and gravity. Aguigui Mouna died on May 8, 1999, at Bichat Hospital in Paris, leaving behind the image of a "public entertainer" and a wise outsider, the embodiment of a poetic, ecological, and non-violent anarchism in the heart of the modern city.


Credits

Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante (1977) Character: Self
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
Les dieux en colère Les dieux en colère (1970) Character: Le harangueur des foules
Before the flood, a foreigner arrives in a city where the inhabitants indulge in drink, lust, looting and torture. Bewitched by a magician, he looks in vain for an ideal girl before raising the wrath of the gods.
Tristesse des anthropophages Tristesse des anthropophages (1966) Character: N/A
In a world where everything is forbidden except what is obligatory, a man recalls what led him to work in a very strange fast food restaurant.
Écoutez Mouna Écoutez Mouna (1989) Character: Self
Everyone knows Aguigui Mouna, the jester who harangues the crowds on the Beaubourg esplanade in Paris and rides his bicycle through demonstrations. But many don't know the story of André Dupont, a Savoyard raised in tough conditions, forced into violence in the navy to rise to power and into resourcefulness in civilian life to survive. Antibes, 1952, the transformation: Aguigui Mouna is born. Laughter, solidarity, non-violence, humanism—Mouna has found the meaning of his existence. He will try to share them with all the robots of this "poop-pee-capitalist" society. A comic book character who, through his adventures, reveals the absurdities of his century.



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