|
柳生武芸帳 剣豪乱れ雲 (1963)
Character: N/A
Yagyu Jubei must protect the Yagyu scroll that holds the secret of the infamous assassination plotted by the Tokugawa government 30 years ago.
|
|
|
大江戸喧嘩纏 (1957)
Character: N/A
It's fighting fires and swordsmen with a touch of music in this free-for-all of action and excitement combining the talents of Japan's most popular couple... Misora Hibari and Okawa Hashizo. Along with the great Otomo Rytaro as Tatsugoro the fire chief, they keep Edo safe as part of the famed Megumi Fire Squad.
|
|
|
唄祭りかんざし纏 (1958)
Character: N/A
Fearless girl firefighter Oharu and skilled firefighter Shintaro battle against their evil rivals who threaten to take over Oharu’s family’s turf.
|
|
|
|
|
|
|
|
|
|
|
大菩薩峠 完結篇 (1959)
Character: N/A
Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!
|
|
|
人斬り笠 (1964)
Character: N/A
A skilled assassin's services are called upon to put an end to the ugly turf battle between two yakuza families, Mitsuwa and Aikawa. Forced by the code of the yakuza to put one's life on the line for a Boss who offered a meal and lodging, each side manages to get hold of powerful swordsmen who will stop at nothing to pay their obligations.
|
|
|
御存じ快傑黒頭巾 マグナの瞳 (1955)
Character: Inaba Tozaemon
A mysterious black hooded man intervenes when an anti-government group who plots to steal the precious blue diamond called “Maguna no Hitomi.”
|
|
|
御存じ快傑黒頭巾 第二話 新選組追撃 (1955)
Character: Nagakura Shinpachi
The mysterious black hooded man, Kurozukin, helps transport funds raised to fight against the government.
|
|
|
怪談番町皿屋敷 (1957)
Character: N/A
Harima Aoyama (Chiyonosuke Azume) was a young hatamoto (samurai bannerman) to the Shogun. He seduced his commoner house maid Okiku (Hibari). He promised that his love was no passing infatuation & she would never suffer for it. She resisted his charms for some while knowing full well that they are of classes that do not intermarry, but in time he broke down her resistance, for how could she help but love him. Political expedience puts the young hatamoto in the way of a marriage with a woman of his own station. This will cement family connections & see his family safely through a crisis, at a time when many clans were finding themselves abolished on any pretext.
|
|
|
|
剣豪二刀流 (1956)
Character: N/A
The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.
|
|
|
任侠東海道 (1958)
Character: N/A
An all-star cast highlights this Jidai-Geki classic. Set in the samurai era, this is the tale of period Yakuza. One of the real classics in this genre. Jirocho, an honorable and respected gang boss, uncovers a conspiracy organized by his rivals while on a quest to bring justice to three murders. Some of the most famous actors from Toei studios make this a must-see for everyone! Featuring a very young Nakamura Kinnosuke, who went on to become one of Japan's mosted noteworthy actors under the name Yorosuya Kinnosuke. This is one of the best examples his early work.
|
|
|
旗本退屈男 謎の竜神岬 (1963)
Character: N/A
Ryujin Misaki, located at the edge of the Genkai Sea, is known as an isolation ward for leprosy patients. When Saotome, a sword master and guard of the Shogun, hears news of a doctor gone missing, he begins to suspect that things are not what they seem at Ryujin Misaki. Intent on discovering the truth, Saotome launches a private investigation.
|
|
|
水戸黄門漫遊記 怪力類人猿 (1956)
Character: N/A
A series of grisly murders with strange claw marks lead Mito Komon into discovering a deadly plan that involves a strange gorilla creature.
|
|
|
|
隠密七生記 (1958)
Character: N/A
Best friends Gentaro and Sanpei become fateful enemies when Sanpei steals a secret document revealing the identity of the chosen successor to the Tokugawa Shogun. Gentaro of the Owari clan sets out to retrive the invaluable document.
|
|
|
右門捕物帖 地獄の風車 (1960)
Character: N/A
Umon’s services are called upon when innocent bystanders, Kayo and Minokichi, along with the ronin, Gontaro are mistakenly identified as suspects in several recent murder cases. To prove their innocence and uncover the truth, Umon launches his own investigation.
|
|
|
薩陀峠の対決 (1962)
Character: N/A
A variety of characters, including ninja Noto, a swordsman disguised as a komuso monk, and a young samurai chasing them, participate in a chaotic bloody battle for 4,000 gold coins that were stolen from Nijo Castle.
|
|
|
血斗水滸伝 怒濤の対決 (1959)
Character: N/A
One of the great stories from Japan’s rich history comes to life in this true tale of the bloody showdown between two rival yakuza gangs in the 1840’s. The battle between Boss Sukegoro of Iioka and Boss Shigezo of Sasagawa has been portrayed many times, most notably in the first Zatoichi film, where the blind man befriends the tubercular ronin Hirate Miki, before cutting him down in one of the great duels in cinema history. This all-star extravaganza pulls out all the stops, with appearances by virtually all of the great actors and actresses from Toei’s studio at the time. Ichikawa Utaemon’s portrayal of the kind-hearted, noble yakuza boss Shigezo of Sasagawa contrasts sharply with the devious Sukegoro of Iioka. Corrupt as he may have been, his men were all willing to give up their lives for him.
|
|
|
佐々木小次郎 前篇 (1957)
Character: N/A
Ronin Sasaki Kojiro pursues his ultimate goal of becoming a master swordsman. Along the way he encounters another great swordsman, Miyamoto Musashi.
|
|
|
佐々木小次郎 后篇 (1957)
Character: N/A
The conclusion of the story of famed swordsman, Sasaki Kojiro. After surviving a series of daring adventures, Kojiro seems to have finally discovered the ultimate happiness in life when he is reunited with Tone, the love of his life. However, his days of happiness are overshadowed by an upcoming duel with his fateful enemy Miyamoto Musashi.
|
|
|
柳生武芸帳 片目水月の剣 (1963)
Character: N/A
When the country is in peril, Lord Yagyu Tajima summons his son Yagyu Jubei to retrieve the mystical Yagyu Scroll in order to save all of Japan. This time, Jubei must stop the evil plot of Lord Hayato-no-sho, who secretly plans on overthrowing the Shogunate. This is the most exciting film in the long-running series about one of the greatest swordsmen in Japanese history. Konoe Jushiro gives one of his finest performances in this classic tale.
|
|
|
若さま侍捕物帖 鮮血の晴着 (1957)
Character: N/A
A murdered pawnbroker found clutching a blood-soaked wedding gown, the kidnapped daughter of a Shogun vassal, mysterious robberies, brutal killings, a vault with no key, a suspect killed while in police custody. This fragmented trail of clues could well be one of the most baffling cases that Young Lord has ever had to solve as he attempts to unravel the mystery and bring the guilty party to justice.
|
|
|
緋ざくら大名 (1958)
Character: N/A
Light-hearted samurai comedy. The second son of a feudal lord runs away from an arranged marriage. He saves the life of a princess whom he gets to fall in love with. It turns out that she is just his prospective bride.
|
|
|
百万両五十三次 (1959)
Character: N/A
An Edo appointed official Baba must ensure the safe delivery of shogunate funds to Kyoto.
|
|
|
花笠道中 (1962)
Character: N/A
In this film, Hibari plays a dual role as brother and sister. The story involves a journey to Hanagasa for an incognito Lord (Kotaro Satomi) to overthrow an attempted usurpation of his domain, while being harassed by vassals of the usurper (Kensaku Hara). There's also a mysterious ronin played by Jushiro Konoe. The songs are seamlessly woven into the narrative and don't overwhelm the action. While the plot is derivative it is good example of its type and quite enjoyable. Note that there are some flashback sequences in black and white.
|
|