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続 愛と誠 (1975)
Character: N/A
Meet Saotome Ai, a high school girl from a well-to-do family. When she was a small child, she was in an accident that resulted in a young boy being permanently scarred between his eyes while she emerged unscathed. The young boy saved her life and although she never knew who he was, she never forgot him. Meet Taiga Makoto, a young man with a scar between his eyes who has had a rough life, but has emerged as a rough, tough bully - a thug and a brawler and about as rude as they come - all of which he blames on the incident that gave him his scar. When Ai and Makoto run into each other again, Ai feels guilt for what Makoto has become and decides to intervene and rehabilitate him. But is he a diamond in the rough, or just a bully?
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夜の緋牡丹 (1950)
Character: Dr. Tanigawa
A romantic melodrama about the shifting relationship between Ryosuke and Miki as their precarious employment and social circumstances shift around them.
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おれの行く道 (1975)
Character: N/A
Let's Go, Grandma! plays like an exuberant, goofy update to Yasujiro Ozu's Tokyo Story. Kinuyo Tanaka plays the titular Grandma, who, after selling her Hokkaido property, is apparently flush with cash but newly homeless. Her grown children take turns hosting her, making extravagant performances of filial devotion with an eye to potential profit. Making use of a catalog of wacky visual effects, bracketed by gratuitous ham-fisted fight scenes, and costarring pop singer Hideki Saijo, the film is balanced by Tanaka's nuanced performance, which delivers a denunciation of hypocrisy and greed.
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大暴れ風来坊 (1960)
Character: N/A
Fourth installment of Nikkatsu's "Drifter" series, with Kobayashi Akira.
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元祿美少年記 (1955)
Character: 神崎与五郎
On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.
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クレージーの殴り込み清水港 (1970)
Character: N/A
The 14th and final "Crazy" feature. The Crazy Cats reunited (minus Ishibashi, who had by then retired from the team) for one last feature, Jun Ichikawa's odd Memories of You (Kaisha mono-gatari, 1988) released by Shochiku. Most of the cast of Crazy lrresponsibles at Shimizu Harbor (1966) return in this sequel.
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Karayuki-san (1937)
Character: N/A
"Karayuki-san offers a no-holds-barred depiction of the discrimination faced by a former prostitute who returns to Japan from Singapore with her mixed-race son." - Alexander Jacoby (Oxford Brookes University)
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リオの若大将 (1968)
Character: N/A
Yuzo Kayama is captain of the Fencing team and visits Brazil to work in the shipyards with his professor. There he meets his beautiful daughter (Mie Nakao) and a tour guide (Yuriko Hoshi), but his work and his band, The Ranchers, keep him busy.
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世紀の合唱 愛国行進曲 (1938)
Character: eldest son
A biographical film chronicling the life of composer Setoguchi Tōkichi (1868-1941) from his early days as a clarinetist in the Imperial Japanese Navy band to his later years when his music, in particular the famed “Warship March” (Gunkan kōshinkyoku), surged in popularity.
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母は死なず (1942)
Character: N/A
The premature death of a young mother serves as inspiration for her husband and son.
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眠れる美女 (1968)
Character: Old Kiga
About an establishment where old men pay to sleep besides young girls that had been narcotized and happen to be naked, the sleeping beauties. The old men are expected to take sleeping pills and share the bed for a whole night with a girl without attempting anything of bad taste like putting a finger inside their mouths.
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樋口一葉 (1939)
Character: N/A
Japanese film based on the life of writer Ichiyo Higuchi (1872-1896).
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或る夜の殿様 (1946)
Character: N/A
In 1887, two businessmen, Echigo-ya and Kitahara, compete for railroad construction authorization from the government. The minister states that a local noble must not object, and his missing younger brother is the only one who could sway him. Meanwhile, Omitsu, a hotel employee tired of Echigo-ya’s wife’s arrogance, teams up with Kitahara to stage a scheme where a vagrant young man pretends to be the noble’s lost brother, aiming to trick and embarrass the wealthy woman.
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桃の花の咲く下で (1951)
Character: N/A
A picture-story-show operator, accompanies her son, Akira, who lives apart from her, to a hot-spring medical treatment and spend a moment of brief happiness together, but eventually the time comes to say goodbye. The portrayal of the children and the atmosphere of the hot spring resort shine through in this film about a mother by master filmmaker Hiroshi Shimizu.
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雲月の鈴蘭の妻 (1940)
Character: N/A
This is a rokyoku film of Tenjuken Ungetsu II (Hideko Itami), a popular rokyoku performer who was famous for her seven different voices for men and women of all ages.
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青春の気流 (1942)
Character: Designer
It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.
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美しき鷹 (1937)
Character: N/A
One of three titles released the same year, with the same title based on the same story. This is the P.C.L. (Toho) Version
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釣鐘草 (1940)
Character: Teacher
Following Flower Picking Diary (1939), Tamizo directed another film starring Hideko Takamine, based on a story by Nobuko Yoshiya. Takamine plays a poor young girl, trying to become a teacher on her quest to become independent to be able to look after her younger brother. But then tragedy strikes...
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吾輩は猫である (1936)
Character: Mizushima Kangetsu
1936 P.C.L. adaptation of Natsume's novel.
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冬の宿 (1938)
Character: N/A
A film that begins with wit and comedy when a husband tries to hide and mask his drinking, which his Jesus freak and very Christian wife dislikes, by gargling and other methods, turns somber when the man loses his job after being fired. He attempts to keep us appearances by having parties and still going to night clubs, which means money is even more of a short supply. He turns to gambling and the race horse tracks as a result.
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忍術・猿飛佐助 (1976)
Character: N/A
A period comedy set at the end of the Sengoku Period about Sasuke Saruhi, a middle-aged ninja.
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続サラリーマン出世太閤記 (1957)
Character: Matsubara
After a transfer to a rural factory, salesman Hideyoshi faces blunders, schemers, and rivalries but proves his integrity, winning respect and a return to headquarters.
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かぐや姫 (1935)
Character: N/A
Toho's production of the classic Japanese fairytale.
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虞美人草 (1941)
Character: Seizo Ono
1941 Toho adaptation of Natsume's novel.
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サラリーマン出世太閤記 (1957)
Character: Matsubara
Optimistic student Hideyoshi struggles to land a job at Japan Motors, facing setbacks and rivalry but winning his way in through persistence—and a mix of charm, luck, and chaos in both work and love.
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上海陸戦隊 (1939)
Character: N/A
This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.
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純愛物語 (1957)
Character: Hospital doctor
Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.
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明日を創る人々 (1946)
Character: Director (uncredited)
In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.
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日本のいちばん長い日 (1967)
Character: Minister of Finance Hosaku Hirose
Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.
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指導物語 (1941)
Character: N/A
In this semi-documentary, an older locomotive driver is tasked with training younger ones and is currently training two in particular. The old man is finding the task overwhelming as it is hard work with practical lessons and classroom components. His wife has died, but he has three daughters with the oldest taking care of her younger siblings.
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女人哀愁 (1937)
Character: N/A
Young Hiroko’s conservative principles place her at odds with most modern women, as she has already submitted to her mother’s choice of man for any marriage prospect. Wed into an affluent family that practically treats her as a housemaid, locked away like a 'doll' by her estimation, Hiroko’s own submission to traditional thinking brings contradictions to light.
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女優 (1947)
Character: Shirō Haruta
During the late Meiji period, at the beginning of the twentieth century, Sumako, a country girl, becomes a great actress with the help of Hogetsu, a scholar who brought European realism to the Japanese stage. The relationship leads to the end of his marriage and the breakup of his Arts Society.
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今ひとたびの (1947)
Character: N/A
A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.
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大東亜戦争と国際裁判 (1959)
Character: Shumei Okawa
In 1941, overpopulated Japan faces an economic boycott and its armed forces push further to the south. And despite negotiations between Japan and the U. S. A. war is declared with the attack on Pearl Harbour. Victories follow for Japan on land and sea and her forces push forward to the borders of India. But gradually the tide turns in favour of the Allies and after the atom bombings of Hiroshima and Nagasaki, Japan is compelled to accept the Potsdam Declaration and by the order of the Emperor agrees to unconditional surrender. Under the supervision of the occupation forces the International Military Tribunal opens in Tokyo to try the Japanese war leaders. Established in the cause of justice, and to prevent future aggressive wars the trials drag on for two and a half years. And on December 23, 1948, General Tojo and six other war leaders mount the thirteen steps to the gallows at Tokyo's Sugamo prison.
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森と湖のまつり (1958)
Character: N/A
A drama about relations between Japanese immigrants and the indigenous Ainu on Hokkaido, the most northerly island of Japan. From a novel by Taijun Takeda.
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新しい背広 (1957)
Character: N/A
This movie depicts poor yet kind and modest people, focusing on sibling love.
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