Claudia von Alemann

Personal Info

Known For

Directing

Known Credits

0.0626

Gender

Female

Birthday

23-Mar-1943

Age

(83 years old)

Place of Birth

Seebach, Germany

Also Known As
  • NO INFO PROVIDED

Claudia von Alemann

Biography

Claudia von Alemann is a German film director and professor.


Credits

Cinématon XXVIII Cinématon XXVIII (1983) Character: N°273
Reel 28 of Gérard Courant’s on-going Cinematon series.
Der Beginn aller Schrecken ist Liebe Der Beginn aller Schrecken ist Liebe (1984) Character: N/A
Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.
Che: muerte de la utopia? Che: muerte de la utopia? (1999) Character: N/A
What does Che Guevara"s mythic presence represent to people at the turn of the century, and how do people define their concept of utopia?
Nuits claires Nuits claires (1990) Character: N/A
In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)
Vladimir Günstig - Eine trojanische Affäre Vladimir Günstig - Eine trojanische Affäre (2004) Character: die Mutter
A group of indispensable works in the Ruhr area on the development of a solar power plant. At first she only finds attention through a former KGB agent who believes that the struggle of the political systems is further fought in the hidden. His views are initially smiled at, but when a young spy causes confusion, there is a feeling of happiness: the apparent paranoia of the Russian friend has tangible causes, and the work of the group is more than just evident.
Das schwache Geschlecht muss stärker werden Das schwache Geschlecht muss stärker werden (1969) Character: N/A
The weaker sex must become stronger - but how can this be achieved? The central keyword of the six filmmakers Claudia von Alemann, Susanne Beyeler, Erika Runge, Helke Sander, Ula Stöckl and Hanna Laura Klar is: emancipation. Together, they will discuss the importance of films for feminist consciousness-raising and the role of female filmmakers in this process. A statement will be followed by an exemplary feature film scene. Claudia von Alemann talks about the unequal division of housework and advocates the remuneration of this work. How can the relationship between work and family be improved for working women? What about bringing up children? What steps are necessary to overcome the unequal gender order? One thing is clear: Film work is political practice.
Die Deutschen und ihre Männer - Bericht aus Bonn Die Deutschen und ihre Männer - Bericht aus Bonn (1990) Character: Self
A documentary with fictious elements. Ms. Elisabeth (Lieschen) Müller from Austria comes to Bonn, Germany to find herself a man. During the search she investigates the connections between neckties, political power and prostitution, and tries to look for the influence the german feminist movement had on the men in Germany's capital.



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