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La locura de Don Juan (1948)
Character: Don Juan
An intrascendent man pretends to be crazy to stop his family's extravagance, which is about to ruin him, victim of two scammers.
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Don Fulgencio (1950)
Character: Don Fulgencio
The adventures of the man who had no childhood, smart for business, but a lover of innocent jokes.
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Deshojando margaritas (1946)
Character: Federico Lozada
Workaholic kindustrial tycoon is kidnapped and learns the value of a more leisurely lifestyle.
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Novio, marido y amante (1948)
Character: Enrique Octavio Castelli
A young woman marries an older man on a whim; the marriage is not consummated. She falls in love with her husband's son.
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El calavera (1958)
Character: Rosendo Gorostiaga
Aging-roue comedy: foxy grandpa's doctor tells him he needs to cut out the high-living and make a stable, tranquil home for himself, as befits his age and station... but he decides he'd rather do that by marrying his nephew off and piggybacking on the domestic tranquility created in that household.
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El pijama de Adán (1942)
Character: Don Lucas Herrera
A recently married woman runs away from her husband upon discovering that he had had a mistress. The father-in-law, determined to fix things, also becomes entangled in a disgust with his wife.
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Liceo de señoritas (1951)
Character: Profesor Felipe Peña
A fifty-year-old teacher suffers from an inferiority complex, lives dominated by his mother and does not dare to propose to the woman he loves. One night he gets drunk and that will change his life.
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La calle junto a la luna (1951)
Character: Charles de Soussans
The life of the famous poet Evaristo Carriego (1883-1912), who lived in the Buenos Aires neighborhood of Palermo and who painted the customs of the people of those years like no one else.
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El negocio del odio (1972)
Character: N/A
An ambitious businessman searches for the perfect candidate to train and turn into a great boxing champion.
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El caballo del pueblo (1935)
Character: Bebe Viñas
Unscrupulous businessman is plotting a hostile takeover, looking for ways to fix a horse-race, and scheming to force a failed businessman to marry his daughter to him to avoid financial ruin.
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Noche de bodas (1942)
Character: N/A
For reasons that will be revealed in the end, a woman mysteriously returns to her parents' home on her wedding night.
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Luna de miel en Río (1940)
Character: Goyena
Catita goes with her husband to spend the honeymoon in Rio de Janeiro and on the trip they fall into the hands of a player who will try to use them to achieve their ends.
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Mi novia es un fantasma (1944)
Character: Cameo
A humble maid is confused with a millionaire from a misunderstanding in the hotel that works and a journalist falls madly in love with her.
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Locos de verano (1942)
Character: Tío Severo
The vicissitudes of the members of a Buenos Aires family facing their economic bankruptcy and the attitude of each one of them in the emergency.
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El solterón (1940)
Character: Tomás Méndez "Tomasito"
A single man and womanizer who enjoys the nightlife learns that he has a son who is already an adult. In order to gain his affection he decides to change his life. Things get complicated when he needs to return to his past life, this time to save his family from ruin.
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No salgas esta noche (1946)
Character: N/A
A young man pretends to be ill to seduce a beautiful doctor, but his niece falls in love with him.
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Un bebé de París (1941)
Character: Andrés
A woman fakes her pregnancy to keep her husband and then it turns out to be true.
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La rubia del camino (1938)
Character: Count Ugolino Malipieri
A very coquette millionaire girl runs away before her engagement and is courted by a truck driver.
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Los martes, orquídeas (1941)
Character: Saturnino Acuña
The story is based on Elenita, the younger of four sisters, young, timid and romantic. To try to change her character and give her an illusion, his father sends her weekly a bouquet of orchids making her believe they are from a secret admirer.
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La cigarra no es un bicho (1963)
Character: Severino Requena, el músico jubilado
The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.
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El alma del bandoneón (1935)
Character: Enrique
Two brilliant tango singers struggle to the top of their profession and cope with obstacles to their personal romance.
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Miguitas en la cama (1949)
Character: Daniel Morand
A young woman must alternately live with her separated parents and while her mother gives her a severe upbringing, her father amuses her with his carefree life.
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Muchachas que estudian (1939)
Character: Professor Castro
A group of young women share an apartment and they put forward their studies to love, but they will end up in love.
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¿Vendrás a medianoche? (1950)
Character: N/A
A bachelor, sheltered by a wealthy aunt, sees the ghost of his girlfriend appear every night. But she isn't dead, and they end up getting married.
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Bendita seas (1956)
Character: Aniceto
María has a powerful reason to hide the fact that she is Enrique's mother.
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Casamiento en Buenos Aires (1940)
Character: Goyena
When her boyfriends are tempted by attractive women who are only interested in their money, two friends decide to join forces to make them give up such love affairs.
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La hija del ministro (1943)
Character: Gervasio Correa
The daughter of a minister pretends to be a worker to conquer the opposition deputy and discover the evidence that he proposes to present against her father.
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Rigoberto (1945)
Character: N/A
A man finances the invention of a friend overshadowed and dominated by the women of his family.
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Jettatore (1938)
Character: Don Lucas, el jettatore
A rumor spreads about a man being bad luck. His superstitious friends believe it, but it's all part of an evil scheme to ruin the man's upcoming wedding. Adapted from the play of the same name by Gregorio de Laferrere.
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Noches de Buenos Aires (1935)
Character: Lopecito
Various love and crime stories take place in the context of a theater, between tango singers, musicians and dancers.
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Tres anclados en París (1938)
Character: Eleodoro López
Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.
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Adán y la serpiente (1946)
Character: Dr. Tomás Uliga
A hotel becomes very popular when rumors begin to circulate about a ghost wandering its corridors.
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Divorcio en Montevideo (1939)
Character: Goyena
In order to get rid of his exgirlfriend, a rich boy marries a manicurist, agreeing to divorce months later. The deal is carried out, but the young man sincerely falls in love with her and desperately seeks her out to remarry.
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