|
Por ellos... todo (1948)
Character: Marecedes Martínez de Coustar
Aging father watches his adult children grow into independence and leave the roost.
|
|
|
Detective (1954)
Character: Doña Gertrudis Figurola del Palacio
To preserve the happiness of his home, a detective transforms himself into different characters: a brave mexican, a French compliment, a tough German and a smiling lady.
|
|
|
Allá en el setenta y tantos (1945)
Character: N/A
The life of Élida Passo, pioneer of medicine of the Buenos Aires of the XIX century. By 1870, the first women tried to practice medicine in an area reserved for men; and through sacrifice and struggle, they begin the path towards a more egalitarian society.
|
|
|
La orquídea (1951)
Character: N/A
A woman of great beauty is used by a man who only desires her body and falls on the path of self-destruction.
|
|
|
|
|
Fragata Sarmiento (1940)
Character: Petronila Bustos
It narrates the history of the Argentine ship that served for many generations like school for the formation of sailors.
|
|
|
La locura de Don Juan (1948)
Character: Doña Laura
An intrascendent man pretends to be crazy to stop his family's extravagance, which is about to ruin him, victim of two scammers.
|
|
|
Una novia en apuros (1942)
Character: N/A
A young woman interrupts her honeymoon with a pharmacist to search for the mysterious donor of a valuable ring.
|
|
|
Una atrevida aventurita (1948)
Character: N/A
Family-owned ski resort is failing, and they've pinned all their hopes on seeing the property purchased by the Gonzalez Brothers.
|
|
|
|
|
|
|
El infortunado Fortunato (1952)
Character: N/A
A humble and good-natured man is disappointed when the young woman he loves becomes involved with a millionaire.
|
|
|
La dama del millón (1956)
Character: Sofía
A widow who must collect her husband's life insurance is courted by the director of the insurance company, until the dead man appears.
|
|
|
|
|
La mujer más honesta del mundo (1947)
Character: N/A
The beautiful wife of a mediocre and good-natured butcher falls in love with a cerebral philosophy professor who little by little reveals to her a horizon that conflicts with her innocence.
|
|
|
El sobretodo de Céspedes (1939)
Character: Leonor de Rodríguez
The needy Pedro Céspedes finds a coat that implies for those who wear it a mysterious prodigality of money and jewelry.
|
|
|
Cuando canta el corazón (1941)
Character: Doña Angélica
A boy's family wants him to marry a girl of the same position even though he is in love with another girl.
|
|
|
|
|
La doctora quiere tangos (1949)
Character: Felicitas
Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.
|
|
|
Noche de bodas (1942)
Character: N/A
For reasons that will be revealed in the end, a woman mysteriously returns to her parents' home on her wedding night.
|
|
|
Si yo fuera rica (1941)
Character: Aurora Mármol
A screwball comedy about a young barrio songstress and pickpocket who, while escaping after nicking a woman's wallet, is hired to model for an agency. There she discovers a new world when she mixes with the rich and finds love among them.
|
|
|
La cumparsita (1947)
Character: Tía Remedios
A reporter and tango singer is sent to the war zone in 1916, where he loses his memory.
|
|
|
Petróleo (1940)
Character: N/A
A man who has invested a lot of money in the extraction of petroleum in Comodoro Rivadavia is betrayed by his foreman.
|
|
|
|
|
30 segundos de amor (1947)
Character: Leonor
After running over a young man with her car, a girl is forced to kiss him for 30 seconds, in order not to pay the expensive fine.
|
|
|
|
|
Flecha de Oro (1940)
Character: Esposa de don Luis
A simple office worker unexpectedly receives a bus as an inheritance.
|
|
|
Los martes, orquídeas (1941)
Character: Delfina Céspedes de Acuña
The story is based on Elenita, the younger of four sisters, young, timid and romantic. To try to change her character and give her an illusion, his father sends her weekly a bouquet of orchids making her believe they are from a secret admirer.
|
|
|
|
|
|
|
|
|
Cuando la primavera se equivoca (1944)
Character: Andrea
A young woman falls asleep at the gates of an old farm; in her dream she is transported to another century where she suffers for love.
|
|
|
Bajó un ángel del cielo (1942)
Character: Paulina
A young couple pretends to have had a baby in order to get the girl's father's permission to get married.
|
|
|
Los hijos artificiales (1943)
Character: Rafaela
To hide his escapades, a justice of the peace with a dissipated life pretends to have a son out of wedlock, but when the young man appears in his town he complicates things.
|
|
|
|
|
Historia de una noche (1941)
Character: Catalina
A man returns to town after a long time and meets his ex-girlfriend, who is married to a husband in desperate economic situation.
|
|
|
Mandinga en la sierra (1939)
Character: N/A
A village healer accuses a plastic surgeon who comes to the mountains to rest of being diabolical.
|
|
|
La casa del recuerdo (1940)
Character: N/A
An old woman remembers when her daughter fell in love with a young neighbor, and she and her husband did everything to break that relationship.
|
|
|
Rigoberto (1945)
Character: N/A
A man finances the invention of a friend overshadowed and dominated by the women of his family.
|
|
|
Esposa último modelo (1950)
Character: Abuela Carlota
When a young woman who knows nothing about housework falls in love, her grandmother and nanny make her seem like the ideal housewife in front of her boyfriend.
|
|
|
Las tres ratas (1946)
Character: Aurora de la Fuente
Three sisters become orphans. The eldest one will undertake the protection of the rest which involves a very hard task . Eventually, she will have to resign to her happiness.
|
|
|
Adolescencia (1942)
Character: Doña Angélica Fenán de Cardenas
A young man has to fight over his girlfriend with a newly arrived competitor, an older man who arrived from America.
|
|
|
Papá tiene novia (1941)
Character: N/A
When a widower's five daughters find out that he has a fiancée, they hire an actress to seduce him in order to end the relationship.
|
|