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దేశమంటే మనుషులోయ్ (1970)
Character: N/A
Desamante Manushuloyi is a 1970 Telugu, political social problem film. The film was directed by C. S. Rao. It received the 1970 National Film Award for Best Feature Film in Telugu.
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మాయని మమత (1970)
Character: Kotaiah
Mayani Mamata (transl. Immortal Affection) is a 1970 Indian Telugu-language drama film, produced by Bhamidipati Bapaiah Panthulu under the Bhavani Pictures banner and directed by Kamalakara Kameswara Rao.
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వీరాంజనేయ (1968)
Character: Ahiravana
Veeranjaneya is a 1968 Telugu film directed by Kamalakara Kameswara Rao.
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సీతా కళ్యాణం (1976)
Character: Vishwamitra
An epic musical drama depicting the preface to Seetha and Rama's wedding.
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ఉమ్మడి కుటుంబం (1967)
Character: Subbaiah
Four brothers live happily together as a joint family. But when misunderstandings arises between them, they need to overcome them to live happily again.
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ఎదురీత (1977)
Character: Zamindar
The film is a remake of the 1975 Hindi film Amanush. It revolves around a man who is falsely implicated and imprisoned for a crime he doesn't commit. Disappointed with life, he takes to the bottle on his release.
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Babruvahana (1964)
Character: N/A
An enactment of the war between the father and son, Arjuna and Babruvahana
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కొండవీటి సింహం (1981)
Character: Ranjith's father-in-law
A policeman attempts to discipline his rebellious son, but his efforts go in vain as his son starts resenting him.
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రౌడీ రాముడు కొంటె కృష్ణుడు (1980)
Character: Baba
A gangster and his acolyte try to lay their hands on a treasure, which rightfully belongs to the government. Two young brothers thwart their attempts and receive the accolades of one and all.
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గులేబకావళి కథ (1962)
Character: Chandrasena
Once upon a time, when Pataliputra was ruled by Chandrasena. He has two wives, Gunavati & Rupavati. The King is engrossed in love with the second, and they contain 3 sons. Vakraketu, a vicious sibling of Rupavati, always ploys to usurp the throne, for which he molds his nephews as creampuff. The childless Gunavati penances conceive acquiring a boon from Siva, who blesses a baby boy, Vijaya.
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జగదేక వీరుని కథ (1961)
Character: Maharaju
When asked by the king what his ambition is, prince Pratap says he wants to marry four celestial maidens. The angered king exiles him and Pratap sets off on a quest to find the maidens.
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Karunamayudu (1978)
Character: N/A
A 160-minute version of the life of Jesus Christ filmed entirely with a cast and crew of Christian Indians in India.
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శ్రీ రామాంజనేయ యుద్ధం (1975)
Character: Vishwamitra Maharshi
The film is based on Hindu scripture Ramayana which shows Hanuman's devotion towards Rama. It begins with the crowning ceremony of Rama & Sita.
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ನಳ ದಮಯಂತಿ (1957)
Character: N/A
Damayanthi, the princess of Vidarbha Kingdom, marries Nala, the king of Nishadha Kingdom. But their life changes when Nala loses his kingdom in a game of dice.
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Manchi Manushulu (1974)
Character: N/A
Gopi and Radha fall in love during a trip but Radha's father orchestrates their breakup. Years later, the estranged couple reunites through their illegitimate child.
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అగ్గి పిడుగు (1964)
Character: Doctor
A set of identical twin brothers join forces to avenge the killers of their parents, and also regain their ancestral entitlement to rule over a kingdom.
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అగ్గి బరట (1966)
Character: N/A
A young warrior, Raja, is threatened by an evil general, Gajapathi, who exploits innocent subjects. At the same time, he must also save Princess Vasavi from the general's hands.
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ఘరానా దొంగ (1980)
Character: Rajaiah
A desperate smuggler, Ravi, battles a corrupt police officer and his gang while trying to protect his love, Radha
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రేచుక్క (1955)
Character: Maharaju Devarayalu
A greedy minister takes over a kingdom and arrests the king. A countryman takes the prince to a family in the forest. However, after many years, the prince sets out to avenge the minister. The story was inspired by The Prince Who Was a Thief (1951), starring Tony Curtis.
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ముత్యాలముగ్గు (1975)
Character: N/A
A wealthy Sreedhar unexpectedly marries Lakshmi, but when he brings her home, they face the ire of his relatives who are intent on separating them.
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అప్పు చేసి పప్పు కూడు (1959)
Character: N/A
Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.
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భలే కృష్ణుడు (1980)
Character: Mesthri Yadaiah
Krishna is the son of a wealthy man, Madhav Rao. When Madhav Rao's secretary tricks him for his property leading to his death, Krishna takes up a false identity to avenge his father's loss.
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అందరూ దొంగలే (1974)
Character: Jailer
A diamond heist goes wrong after one of the henchmen backstabs the gang leader, who soon dies. Trouble ensues when an innocent driver takes the blame. His daughter strives to prove his innocence.
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మహామంత్రి తిమ్మరుసు (1962)
Character: Prataparudra Deva Gajapathi
Timmarusu the prime minister in Krishnadevaraya's court, is envied by Hamvira, who hopes to overthrow him. After being falsely accused of attacking the king, Timmarusu must prove his innocence.
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మోసగాళ్లకు మోసగాడు (1971)
Character: N/A
Amarvedu dynasty was attacked by Britishers at the time of Bobbili war in South India. Before the Britishers are about to attack the dynasty, a couple of friends Daanaala Dharmayya (Gummadi) and Pagadaala Subbayya hides the treasure in a cave of five doors, very far away.
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జగన్మోహిని (1978)
Character: N/A
The story of woman betrayed by a king reappears in his next life as a ghost intent on possessing him. On the advice of a priest,the king marries a pious woman who matches her devotional prowess against the ghost’s seductions and wins
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దైవ బలం (1959)
Character: Kanakasha
Princess Rupa falls in love with Chandrasena, a commoner, as per an astrological prediction. Her king father plots to separate them but in vain.
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భట్టి విక్రమార్క (1960)
Character: N/A
Bhatti Vikramarka (transl. Bhatti and Vikramarka) is a 1960 Indian Telugu-language swashbuckling adventure film based on the life of King Vikramaditya.
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James Bond 777 (1971)
Character: N/A
The adventures of Kishore, a "James Bond 777" CBI agent, as he and heroine Sopa battle criminal mastermind "Boss" and his gang which includes whip-cracking Jamilla and a trio of highly trained dogs.
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తెనాలి రామకృష్ణ (1956)
Character: Thathacharya
Tenali Ramkrishna is a poet in King Krishnadeva Raya's kingdom. When he learns that the king's enemies are plotting to attack him and conquer the kingdom, he tries to prevent it from happening.
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Saarangadhara (1957)
Character: Ganganna
In a fit of rage, King Narendra orders his men to chop off his son Sarangadhara's limbs in a forest. However, Meghananda comes to the rescue of an injured prince and asks him to pray to Lord Shiva.
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మగాడు (1976)
Character: Rahim
Two brothers are raised amidst difficulties, but one becomes a cop while the other takes to crime and becomes a gangster. Fate puts them against each other, which leads to disastrous consequences. It is a remake of Hindi film Deewaar (1975).
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కురుక్షేత్రం (1977)
Character: Dhritarashtra
The Sanskrit epic Mahābhārata told through Cinema.
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కార్తవరాయని కథ (1958)
Character: King of Arya
Karthavarayuni Katha (transl. Story of Karthavaraya) is a 1958 Indian Telugu-language Hindu mythological film, produced and directed by T. R. Ramanna under the R. R. Pictures banner. It stars N. T. Rama Rao and Savitri, with music composed by G. Ramanadhan and Ashwathama. The film was simultaneously made as the Tamil movie Kathavarayan (1958) by the same banner and director.
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శ్రీమద్విరాట పర్వము (1979)
Character: Virata Raju
It is an Epic story based on the book Virata Parva of Mahabharatha. After 12 years of Vanavasam, the Pandavas spend their 13th year of exile the Agnaadhavasam in an incognito state with disguised identities at the court of Virata. Follows how they end their exile & the marriage celebration of Uttara and Abhimanyu.
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పాండవ వనవాసము (1965)
Character: Durvasa Maharshi
After the Pandavas are forcefully exiled by their enemies, they must get together and fight back in order to reclaim their land.
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Apna Desh (1972)
Character: Mrs. Dinanath Chandra
When it's discovered that four prominent members of the community are crooks and black marketeers, young Akash (Rajesh Khanna) -- posing as an expatriate smuggler -- teams with his girlfriend, Chanda (Mumtaz), to expose them. But to nail the quartet -- a tradesman, a doctor and a builder, all led by a wealthy industrialist (Madan Puri) -- Akash must get them to confess their misdeeds while Chanda surreptitiously captures everything on film.
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దాన వీర శూర కర్ణ (1977)
Character: Shalya
A retelling of Mahabharata through the perspectives of KARNA and DURYODHANA. The film uses dialogue and poetry written in Classical Telugu/ Grandhika Basha.
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Ekaveera (1969)
Character: Maharaja
Adapted from Viswanatha Satyanarayana’s novel, a Telugu tragedy set in Tamil Nadu.
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భామ విజయం (1967)
Character: King
Jayachandra, a prince, falls in love with Sundari, a tribal girl and they end up getting married. However, they are separated by Vahini, a heavenly dancer, who is attracted to the prince.
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గూఢచారి 116 (1966)
Character: Damodaram
After the murder of his fellow agent, who uncovered evidence against a ruthless criminal gang, Secret Agent Gopi (Agent 116) is drawn into a dangerous mission to uncover the truth and bring the killers to justice.
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చాణక్య చంద్రగుప్త (1977)
Character: Ambhi
The film is a historical story, based on the 3rd century BC Maurya Emperor Chandragupta Maurya and his mentor Chanakya. It begins with the Greek invader Alexander intruding on our borders, Magadha as his last step of sovereignty. Discerning it, fear-defying scholar Chanakya is under trace of the dynamic King to hinder it.
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మాయాబజార్ (1957)
Character: Duryodhana
Balarama promises Subhadra that he'll marry his daughter to her son. But when the Pandavas lose their kingdom to the Kauravas, Balarama breaks his promise.
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నర్తనశాల (1963)
Character: Virata
The Pandavas have to finish 13-year exile and hide their real identities until Vijayadashmi. Arjun's son, Abhimanyu, falls in love with Virata's daughter Uttaraa, but does not reveal his identity.
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