Dilip Roy

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Dilip Roy

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Credits

Arogya Niketan Arogya Niketan (1967) Character: N/A
Pradyut Sen is an allopathic doctor who moves to Nabagram to run his practice. However, as the village already has an ayurvedic doctor, Jibon Sen, Pradyut develops a dislike for him.
প্রজাপতি প্রজাপতি (1993) Character: N/A
'Prajapati' is the story of Sukhen who grows up neglected to become a rough person with a heart of gold. Shikha, Sukhen's beloved wants him to lead a normal and healthy life. His elder brothers are political leaders who work only for their personal gains. His eldest brother Keshav runs a drug business behind his medical business. His second brother Purnendu is a corrupt man who kills the young maid of their house. Sukhen attempts to stop the fatal rift growing between his brothers but is killed while doing so.
দেবিকা দেবিকা (1987) Character: N/A
The movie portrays the social stigma for widows in the late 17th century that was prevalent in India. The plot line runs through many layers of complications both in Devika's personal life and her place in society, as she fights with her family, quarrels and distances herself from Kishore, marries another man under social pressures and much more. The movie makes the point that instead of behaving like meek sheep under social influences, we must understand every individual's perspective from our own point of view. The movie ends on a happy note where Kishore and Devika both stand against the blind and illogical superstitious mentality and are finally reunited.
মায়া মমতা মায়া মমতা (1993) Character: N/A
Mamata, the daughter of a rich industrialist, Abinash, is raised by Maya as her own child. However, her marriage with Anil instigates a series of tragic events in her life.
অগ্নীশ্বর অগ্নীশ্বর (1975) Character: Khagen
A patriotic doctor lends moral backbone to the broken society of Bengal.
হাঁসুলীবাঁকের উপকথা হাঁসুলীবাঁকের উপকথা (1962) Character: Tarali
Set in 1941, the film delves into the complexities of rural life in Bengal. It sheds light on the oppressive Zamindari system, a social structure that perpetuates inequality and suffering. By exploring the lives of individuals caught within this system, the film offers a poignant commentary on the changing social dynamics and the growing discontent that would ultimately lead to significant transformations.
অসাধারণ অসাধারণ (1977) Character: N/A
Asadharan is the story of Jagabandhu, a man who is always eager to help people. He doesn't even think of his well-being in his efforts to do so. The district's magistrate asks him to help him and reveals the corrupt government officials. Jagabandhu falsely declares his death, hoping to get financial help and the support of the people. No one turns up for his funeral, and he is disheartened. He reveals the corrupt people and leaves his district forever.
Mahabiplabi Aurobindo Mahabiplabi Aurobindo (1971) Character: N/A
Inspired by the life of Rishi Aurobindo, it’s a Bengali classic portraying the life of Sri Aurobindo Ghosh beginning from his return to India in 1892 to his life in Pondicherry in 1910. This film shows a detailed narration of his early life, marriage, interaction with Sister Nivedita, contributions in India’s freedom struggle and activities in Jugantar, Alipore bomb blast case, and the subsequent trial.
আরোহী আরোহী (1964) Character: N/A
The romanticized story of a peasant who lives in a small village. He learns to read and is befriended by a doctor who helps him improve his status in the community. The film concentrates on the atmosphere and the character of the somewhat irascible peasant anxious that others should accept the knowledge he gained from his readings.
জীবন সৈকতে জীবন সৈকতে (1972) Character: N/A
Jiban Saikate is a 1972 Bengali film based on the novel The Citadel by A. J. Cronin. It was directed by Swadesh Sarkar and stars Soumitra Chatterjee, Aparna Sen and Dilip Roy.
রোদন ভরা বসন্ত রোদন ভরা বসন্ত (1974) Character: ACP Ghosh
Shipra is a poor woman who is molested and killed as she witnesses corruption. The police and lawyer Somnath take up the case and slowly dig into it. He traces the corrupted policeman and comes to know that Karuna, the head lady of the orphanage where Shipra used to live is equally involved in female trafficking. However, when he sees Karuna his world is turned upside down. Karuna is Shukla, Somnath’s long-lost wife. Circumstances had led her to become a puppet in the hands of the gangsters. However, she is to keep mum about the entire conspiracy, lest they kill her only daughter. Somnath gives assurance to Karuna to speak the truth. She does that and, in the end, the entire gangster network is caught. Karuna’s daughter is proved to be Somnath’s daughter. They get together again.
শ্বেত পাথরের থালা শ্বেত পাথরের থালা (1992) Character: N/A
After her husband passes away at a regressive Shyambazar household, progressive Bandana falls in love with her son's painting mentor, Sudipto Sorcar. However, due to Titli Chatterjee's mother's objection, Bandana gives up on her love and starts living at the orphanage.
হিমঘর হিমঘর (1996) Character: N/A
Barun Banerjee, a middle-class bank employee, gets in trouble after the head office sets up an enquiry about previous transactions. However, he soon sees the selfish nature of the world around him.
কালামাটি কালামাটি (1958) Character: N/A
The first film to deal with life in creches in coalmine areas.
অপরিচিত অপরিচিত (1969) Character: Shiben Ray
Politician Priyanath forces Sunita for prostitution. She is abducted by the gangster Ranjan, but latter involves and falls in love with Sujit. Sujit, just recovered from mental breakdown also involves with Sunita. While Sunita is going to marry Sujit, Ranjan kills Sunita.
कहाँ कहाँ से गुज़र गए कहाँ कहाँ से गुज़र गए (1986) Character: N/A
Ravi, a wealthy model, leaves his father's business after unsatisfactory modeling work and returns to his parents' home to join struggle students and revolutionary Manohar.
অজানা শপথ অজানা শপথ (1967) Character: Shankar
It's a story based on friendship and love. In this movie, there are three friends Satya, Shankar, and Manimohan. Satya is in love with a girl named Srimoti. After a few years, Srimoti gets pregnant. Satya shoots himself after an argument with her. Manimohan reaches the spot and takes Srimoti away to a distant place and settles down with her. Shankar thinks that Manimohan killed Satya. But the police arrested Shankar for the crime. Srimoti gives birth to a girl named Niyoti. After Shankar is released from jail, he learns about Manimohan's whereabouts. He goes there to take revenge. But after he finds out the truth, he forgives them. (Source: Angel Digital)
নতুন তীর্থ নতুন তীর্থ (1964) Character: N/A
This story is about a poor village boy named Bhola. A cruel landlord, Rajib wants to open an alcohol factory. But the only problem is that Bhola doesn't want to give him any land.
বিরাজ বৌ বিরাজ বৌ (1972) Character: N/A
In this poignant tale, brothers Nilambar and Pitambar have contrasting personalities: Nilambar is kind but aimless, while Pitambar is responsible and practical. Nilambar's wife, Virajmohini, struggles as he mortgages their property to support his sister's marriage. When the village Zamindar, Rajendrakumar, becomes infatuated with Viraj, her life takes a tragic turn. Misunderstood by her husband, Viraj leaves home, faces numerous hardships, and eventually reunites with Nilambar in Tarakeswar. In her final moments, she finds peace, resting her head on her husband's lap, ending their story on a tender note.
খুঁজে বেড়াই খুঁজে বেড়াই (1971) Character: Gora
A 1971 Bengali Drama Film directed by Salil Dutta, featuring Soumitra Chattopadhyay & Aparna Sen in lead roles.
নিশি কন্যা নিশি কন্যা (1973) Character: N/A
A 1973 Bengali Drama Film directed by Ashutosh Bandyopadhyay, featuring Soumitra Chattopadhyay & Mithu Mukhopadhyay in lead roles.
ব্রজবুলি ব্রজবুলি (1979) Character: N/A
The story is that Brajraaj Karforma is a veteran office clerk, who usually comes to the office very late and likes to chat with everyone. The main subject of his stories is his fictional heroic activities.
অশ্লীলতার দায়ে অশ্লীলতার দায়ে (1983) Character: N/A
The plot is based on the novel "Ashleelatar Daye" by Narayan Sanyal (1924-2005), which is an adaptation of "Seven Minutes" by Irving Wallace. A novel is accused of obscenity and a case is filed. Later it is found that a now famous person had written the novel when young and it was based on his own experience. The case is dismissed.
কোরাস কোরাস (1974) Character: N/A
A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.
গড় নাসিমপুর গড় নাসিমপুর (1968) Character: N/A
Depicted on the backdrop of 1651 when the emperor was Shahjahan and the subadar of Bengal was Shajada Suja. Amidst the conspiracies of the royalty, a young man decides to expose the schemes and reunite with his lover after the Nasimpur territory of Bengal gets occupied by a Mughal prince.
অন্তরীক্ষ অন্তরীক্ষ (1957) Character: N/A
This is a story about a landlord in a local rural Bengal. He is very stubborn, egoist, commanding person. Every steps of his move has logical conclusions, with reasons and vision. He doesn't want to commit himself for any cause. But Jayanta doesn't always agree with landlord's decisions. He is very honest, sincere and whimsical person who doesn't know how to plan a work. He likes a girl from his early days and always wants to marry that girl. So he conveys his wish to the father of that girl. After a small hesitation, the landlord also agrees with his wife and nods for the approval. But after the marriage takes place, a long time mystery breaks out. As a result Jayanta has to suffer, but at last the landlord rescues him.
নিশাচর নিশাচর (1971) Character: N/A
Rich Meenakshi is engaged to Arindam but suddenly receives death threats from smuggling kingpin Jayanta AKA Nishachar and suffers a nervous breakdown. What for?
জোড়াদিঘির চৌধুরী পরিবার জোড়াদিঘির চৌধুরী পরিবার (1966) Character: N/A
‘Joradighir Choudhury Paribar’ is the story of landlords, their ego, love and revenge. Despite ancestral differences, the Choudhury family’s landlord and Indrani, the landlady of Raktadaha decide to get married. But circumstances for him to marry Banamala to save her from Parantap Roy. Roy marries Indrani to take revenge against Jora Dighi. Misunderstanding turns lovers into enemies leading to their fatal end.
নটী বিনোদিনী নটী বিনোদিনী (1994) Character: N/A
Girish Ghosh, a dramatist, comes across Binodini Dasi, a prostitute who has a knack for theatre. Soon, she manages to garner a lot of attention because of her performances. Her struggles, her eminent role in the formation of Star Theatre in North Kolkata and her sacrifices for the same are shown. She was a pioneering entrepreneur of Indian Bengali stage. Her meeting with Sri Ramkrishna Dev, his liking for her acting and his blessings change her life significantly. She gives up acting which was her life after the sudden demise of the lord.
নিশিমৃগয়া নিশিমৃগয়া (1975) Character: N/A
A thrilling tale of crime and deception as Mr. Gonzales' criminal empire faces collapse, entwined with the mysterious Number Three's dangerous game of love and betrayal.
Shatru Shatru (1986) Character: N/A
Inspector Ashok Sharma is assigned to take over as Inspector In-Charge of a remote police station, which he does. Upon his arrival there, he comes to the rescue of a blind man and a widow, and has a fist fight with Nishikant Shah and his men. The next day, Shah finds out that the person his men fought with is no other than the new Inspector In-charge, and he goes to pay homage, but Ashok refuses. Then Shah and the local MLA spin a web of lies and deceit, in which Ashok is accused of killing a man in custody, and as a result he may face criminal charges and also lose his job.
সপ্তমী সপ্তমী (1997) Character: N/A
Soumya, a young man, falls in love with and marries Saptami, a conventionally beautiful woman. He leaves her with a friend to complete his higher studies but returns only to find shocking truths.
মন মানে না মন মানে না (2008) Character: N/A
On their way to Siliguri, India, Rahul and Ria bump into each other. Rahul plans to sell a stolen necklace, while Ria plans to meet her boyfriend. However, fate has something else in store for them.
এক মুঠো ছবি এক মুঠো ছবি (2005) Character: N/A
Ek Mutho Chabi is a Bengali feature-film released in September 2005. As the name suggests, the movie does not tell one continuous story over 90 minutes; rather it's a compilation of six different stories combined together, all of around 20–25 minutes duration. All directed by different directors. The movie is a kind of experiment with short stories after success of telefilm industry.Argyakamal Mitra’s Janmodin, Partha Sen’s Pakshiraj, Indranil Roychowdhury’s Tapan Babu, Prabhat Roy’s Ragun Babur Galpo, Anjan Dutt’s Tarpor Bhalobasha and Kaushik Ganguly’s ProgressReport make up the package of six.
সেই চোখ সেই চোখ (1976) Character: N/A
When Nabakrishna's mother died, he was just a boy. She left him enough fortune to live a well-off life. But, can money fulfil everything that one can desire in their life?
মনের মানুষ মনের মানুষ (1997) Character: N/A
Difficulties arise when Rahul falls in love with Payel, the beautiful daughter of an industrialist.
ক্ষুধিত পাষাণ ক্ষুধিত পাষাণ (1960) Character: N/A
A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.
অটোগ্রাফ অটোগ্রাফ (2010) Character: Torun Mukherjee
Arun, a famous Bengali actor, approves Shuvobrata's proposal of remaking Satyajit Ray's famous film 'Nayak'. Problems arise when Shuvobrata requests his live-in girlfriend Shrin to act opposite Arun.
অরুণ বরুণ ও কিরণমালা অরুণ বরুণ ও কিরণমালা (1979) Character: N/A
Three orphans Arun, Barun and Kiranmala set out to search for their parents. While doing so, they face many challenges but receive help from the fairy spirits.
হীরক জয়ন্তী হীরক জয়ন্তী (1990) Character: N/A
Jayanti, a village teacher's niece, falls for Hirak, a humble man who abandoned his education long ago. Jaya's wealthy father is unimpressed, and when Jaya is kidnapped by a rival, Hirak must rescue her while simultaneously winning over her father.
Indrajit Indrajit (1992) Character: Bishwajit
Biswajit is a renowned barrister. He has two younger brothers, named Indrajit and Abhisek. He along with his two younger brothers creates a very happy family. Indrajit joins the police force by the recommendation of MLA Suprakash Sanyal. Indrajit is a honest, sincere and brave police officer, on the other hand Abhisek slowly enters into a wrong path. Indrajit does not concentrate properly in family. So he has some conflicts and differences with his wife. At this juncture a rape case investigation is handed over to him. A member of the Sanyal's gang named Raja has done that crime. So Indrajit arrested him and placed the file before court. When the trial is almost at the end of its proceedings, then Sanyal's men kidnapped Indrajit's son. Release of Raja is their only demand and they convey it to Indrajit. On the other hand Sanyal's daughter Rupa loves Abhisek. So she helps Indrajit. After refusing the demand of Sanyal, Indrajit defeats all evil forces and reveals Sanyal in front of ...
ঝিন্দের বন্দী ঝিন্দের বন্দী (1961) Character: N/A
Gauri Shankar Roy looks much like the king of Jhind. When the actual king, Shakar Singh, goes missing, a person from the kingdom approaches Gauri to pretend to be the king.
ডাইনী ডাইনী (1961) Character: N/A
The story revolves around Nayantara, a woman who is perceived as a witch by the villagers. As the narrative unfolds, it gradually reveals whether she is indeed a witch or if her tragic life has led her to appear that way.



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