|
The Night We Got the Bird (1960)
Character: Station Porter (uncredited)
Good natured comic caper charting the misadventures of a hapless bunch of Brighton based petty crooks dogged with disaster at every turn.
|
|
|
The Long Arm (1956)
Character: N/A
Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.
|
|
|
All the Way Up (1970)
Character: Man next door
Fred Midway may be a bit short on brains, but he's got plenty of ambition. However, before he can gain promotion as a salesman, he must make his family more socially acceptable.
|
|
|
In the Doghouse (1962)
Character: Man in Waiting Room (uncredited)
After 10 years of failure a bumbling vet finally graduates and takes on his own practice.
|
|
|
Who Done It? (1956)
Character: 'Your Birthday Wish' Audience (uncredited)
This movie debut for saucy British TV comic Benny Hill has Benny leaving his job as a sweeper after winning some money. He becomes a private detective and investigates a plot to assassinate British scientists.
|
|
|
The Devils (1971)
Character: Spectator (uncredited)
A charismatic 17th-century French priest becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.
|
|
|
Scum (1979)
Character: Philpott
Carlin is a new reform school inmate with a reputation as a hard case. The authorities encourage gang leader Pongo to humble Carlin, but Carlin overtakes Pongo as Daddy of the ward. The guards institute a reign of terror and neglect, with Carlin emerging as an unlikely leader.
|
|
|
Brothers in Law (1957)
Character: Juror (uncredited)
Roger Thursby is an overly keen, newly-qualified barrister who rubs his fellow barristers up the wrong way. When he is thrown in at the deep-end, with a particularly hot-tempered judge and tricky case, Thursby learns how to prove himself not only to the judge and fellow barristers but also to the public gallery.
|
|
|
A Town Like Alice (1956)
Character: N/A
In 1941 Malaysia, the advancing Japanese army captures a lot of British territory very quickly. The men are sent off to labor camps, but they have no plan on what to do with the women and children of the British.
|
|
|
The Flanagan Boy (1953)
Character: Spectator
Johnny Flanagan did not have the privileges of a good education or wealthy background but the streets developed his natural talent to be a great fighter. His enormous potential to reach the top is born out of a string of spectacular successes. All of which is brought to a halt when he develops a physical relationship with his manager's wife, the beautiful but manipulative Lorna. His naive temperament is no match for her callous, dispassionate scheming and he unwittingly becomes a pawn in Lorna's ultimate plan to murder her husband.
|
|
|
Assault (1971)
Character: Dead Chemist (uncredited)
After a schoolgirl is raped while taking a short cut through the local woods, and another murdered a few days later, the police are baffled. With the help of a reporter, and against the wishes of a local psychologist, a young schoolteacher uses herself as bait to lure the perpetrator out.
|
|
|
Campbell's Kingdom (1957)
Character: Worker
Given only six months to live, Englishman Bruce Campbell goes to Canada to claim "Campbell's Kingdom", the land he inherited from his grandfather. In order to clear his grandfather's name and prove there is oil on the land, Campbell must face up to a ruthless contractor and work against the clock to find oil before "Campbell's Kingdom" is flooded by a new power dam.
|
|
|
Stars of the Roller State Disco (1984)
Character: Night Security Guard
Unemployed youngsters spend their days at the roller disco, circling round and round, before being called to take up low-paid jobs as they become available. For others, it's a subsistence existence of vending machine food, video games, with sex and drugs freely available as distractions.
|
|
