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Si mis campos hablaran (1947)
Character: Andréa
The action begins in 1847 with the arrival of the first German settlers in southern Chile. Don Vicente Perez Rosales is in charge of welcoming the immigrants who arrive by boat to the remote areas of Villarica. After the customary speeches promising loyalty to their new homeland, the settlers begin to work the land. Years pass. Frustrated Daniel, his noble brother Simón, and sweet Dora are three of those pioneers whom history revisits in their youth to explore a triangle of love and desire.
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Amarga verdad (1945)
Character: N/A
A very modest employee exchanges her newborn child with the baby of a wealthy family. However, years later, when the young man is about to graduate as a doctor, he begins to investigate his hidden past.
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Yo vendo unos ojos negros (1948)
Character: N/A
When her father dies, the young protagonist must endure the injustices of her stepmother. Her life changes when Uncle Carlos appears, a generous man who suffers from blindness and who falls in love with the village teacher, who ardently corresponds to him.
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Un viaje a Santiago (1960)
Character: N/A
The film narrates the problems faced by a small group from the small imaginary town of Tunco that arrives in Santiago to ask their representative in parliament for the construction of a road to improve communication alternatives for the inhabitants of the southern hamlet.
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El Padre Pitillo (1946)
Character: N/A
Rosita, a poor and naive girl, becomes entangled in a delicate love affair, which forces her to seek the spiritual help of the kind and ingenious Padre Pitillo, a country priest who does not censure the passion that has ruined poor Rosita, but puts things in their place, in his own particular way.
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La casa está vacía (1945)
Character: N/A
This beautiful, atmospheric Chilean movie (made by an Argentinian director) was unfortunately "cannibalized" by Jerry Warren, who kept about a third of the original footage, together with another third of "La dama de la muerte" (another superb Chilean movie of the same period, made by Argentinian director Carlos Hugo Christensen), then added his own senseless "additional sequences" with John Carradine and Katherine Victor, the final result being the atrocious CURSE OF THE STONE HAND.
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Curse of the Stone Hand (1965)
Character: Beth
A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.
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El paso maldito (1949)
Character: N/A
It narrates the misadventures of a bad boss (Arturo Gonzálvez) who falls in love with a poor girl (Chela Bon), harming a good young man (Lautaro Murúa)
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The Secret of the Ice Cave (1989)
Character: Bussinesswoman
A group of treasure-seekers embark on a expedition into high adventure as they race to discover what's really located in the mysterious ice cave.
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Romance de medio siglo (1944)
Character: N/A
A love story in the midst of historical accidents in Chile, through the revolution of 1891, the Valparaiso earthquake of 1906, the centenary celebrations of 1910 to the present, in 1944.
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