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Siempre es domingo (1961)
Character: N/A
In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.
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Amador (1965)
Character: Hotelero en Torremolinos
After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...
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Si volvemos a vernos (1968)
Character: Primer sereno
Matilde is a former prostitute who gets married to an american soldier with an uncertain future, due to the possibility of being recruited to the Vietnam War.
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Vacío en el alma (1971)
Character: N/A
After a man's death, his sister must take care of her niece, result of an extramarital relationship with a singer of color.
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Polvo eres... (1974)
Character: N/A
The poor Camilo was about a priest, when he suffered a dizzy spell and was diagnosed with a serious illness.
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El mejor regalo (1975)
Character: Peluquero
The day of his wedding, Carlos recibes the most unexpected present he coud receive, a son. Carlitos, makes the weadding a complete disaster and fails to place. Carlos to solve the misunderstanding, decides to follow the boy home to meet his mother and to find out what is going on. This will bring him more than one surprise.
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Casa de citas (1978)
Character: N/A
Luciano has been working in an important company for fifteen years without be rewarded for his efforts, his fidelity and submission. On the recommendation of a cousin, he acts as front man for the shameful business of his managers. They get it so far as to force him to marry the former mistress of one of the directors. Finally, because of a fire in the chalet where he lives and where they cook the dirty business of which he is not responsible for, Luciano ends up in jail for covering up and taking on some responsibilities that are not his, fulfilling his role of straw man until the end.
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Vampiresas 1930 (1962)
Character: N/A
As the era of silent films finds itself at a close, four down-and-out silent film actors and musicians struggle to find work. Fate leads them to a former star of the silent era as she struggles to escape her reputation as a wild and evil vamp of the silver screen and longs to be just thought of as an honest and decent woman. They join forces, and for a short time have a decent amount of success singing and dancing at clubs and bars. But the public has an insatiable taste for foreign black jazz bands, and they will stop at nothing to become a success.
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El erótico enmascarado (1980)
Character: Profesor Sr. González
Manolo (Fernando Esteso) is a porn actor who no longer has any attraction towards women, having become "a decent man". But, of course, there is a horny doctor, who happens to be a fan of this actor, that will do everything to help him, even trying to turn him on with his own wife.
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El chulo (1974)
Character: N/A
A powerless man finds a solution to a childhood trauma.
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Un tipo de sangre (1960)
Character: N/A
A man whose blood type is hard to obtain gets possession of a coat where pickpocketers hide their stolen goods.
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Proceso a una estrella (1966)
Character: Don Emilio
A celebrated cabaret singer, Rosa Lucena, is accused of killing Miguel, her dance partner. She is arrested, but not finding sufficient evidence of guilt, the judges decide to investigate her past, when Rosa and Miguel acted in a theater in Madrid and she fellin love with a young doctor, leaving his career for him. This situation has a direct impact on Miguel, which fails miserably with the withdrawal of his partner.
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La reina del Tabarín (1960)
Character: Maestro de ceremonias del Tabarin
In 1913 a family of traveling musicians goes to the house of a rich marquise. Lolita, daughter of one of the musicians, encounters the son of the wealthy lady.
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El príncipe encadenado (1960)
Character: N/A
The King of Poland abandons his newborn son after predicting a prophecy that would cause destruction in the country in the future.
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La araucana (1971)
Character: N/A
La Araucana is a Chilean film based on an epic poem in Spanish about the Spanish conquest of Chile, by Alonso de Ercilla; it is also known in English as The Araucaniad. It is considered the national epic of the Kingdom of Chile and one of the most important works of the Spanish Golden Age
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Parque de Madrid (1959)
Character: N/A
In the Madrid of the fifties, during any day, whether by chance or fate, a series of characters live all kinds of stories, funny stories and some not so, in one of the most beautiful parks that exist in the city, the Retiro park, known as Parque de Madrid.
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Una tal Dulcinea (1963)
Character: N/A
A history professor is married with a beautiful woman but she is intellectually not able to follow her husband. Therefore she seeks her own pleasures and amusements without him.
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No somos de piedra (1968)
Character: N/A
Lucas, shy and repressed, and sanctimonious Enriqueta are parents of nine children, so he decide to convince her to take the contraceptive pill.
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Un curita cañón (1974)
Character: N/A
Father Saturio is a priest unable to keep his mouth shut if he sees injustices being committed. That is why they have transferred him on various occasions from the parishes where he has been assigned. On this occasion, he will have to face Mrs. Aurora, a rich and powerful woman. The war is served.
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Il consigliori (1973)
Character: N/A
When the godson of San Francisco's crime lord asks permission to leave "the business," Don Antonio agrees, but reluctantly. Such behavior by either one is a violation of the code, and a bloody mob war breaks out. It is only through the strong support of his family connections in Sicily that Don Antonio is able to survive the mêlée and come out on top. Aghast at the situation he has caused, the godson becomes his leader's "consigliere," or Counselor at Crime.
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El buen amor (1963)
Character: N/A
A couple of young university students decide to spend the day in Toledo, in order to forget a little of the routine in which they are. At nine o'clock in the morning, José Luis waits at the Atocha station for his girlfriend, Mari Carmen. The couple has deceived their families, who have told that they will eat in the Faculty. The journey is eternal and the stay in the city, rather than surprise them, as they expected, immerses them, even more, in the monotony in which they live. Without friends, without relatives and without university partners, the couple will spend twelve hours in Toledo, half a day of tenderness in the rain and the December sun that will help them to know themselves better.
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La graduada (1971)
Character: N/A
Naive small town girl, Benita, moves to the capital to start a new life, but things don't go as planned - until she meets Don Carlos, a handsome doctor.
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Valdez, il mezzosangue (1973)
Character: N/A
Chino Valdez is a loner horse breeder living in the old west. Partly a loner by choice, and partly because, being a 'half-breed', he finds himself unwelcome almost everywhere he goes. One day, a young runaway named Jimmy shows up at his door looking for work and a roof over his head. Reluctantly, Chino agrees to take him in and teach him the art of raising, breaking and breeding horses, until the pair finally begin to accept each other.
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Las salvajes en Puente San Gil (1967)
Character: N/A
A revue troupe arrives in Puente San Gil, a small town, where they are received with hostility and contempt by the more conservative inhabitants.
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Una abuelita de antes de la guerra (1974)
Character: Médico
Doña Emilia lives quietly in a village in Lugo, when she receives the news that her son has suffered an accident. So she travels to Madrid without warning.
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Ligeramente viudas (1975)
Character: N/A
Leonor and Engracia suddenly become widows, but both will take their new social situation in different ways. When they meet Jose Luis and Eugenio, all the plans made will change with the intention of reaching the altar.
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La descarriada (1973)
Character: Cliente provinciano
Nati has no choice but to work as a prostitute to support her siblings. Unfortunately she has not had much success; it's difficult to get customers and she also owes money to her "protector", Florencio. But one day a kind of Prince Charming shows up...
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Il prezzo del potere (1969)
Character: N/A
In 1881 Dallas, an ex-Union soldier attempts to expose a conspiracy of Southerners that killed his father, his friend and President James A. Garfield.
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El señor está servido (1976)
Character: Portero
Three stories of three housemaids: Martina, shop steward, serves a marriage that can not have children because she entered the house with that condition. Basilia, Cateta coming to serve and not do anything, the contract for a small fee and let she carry a transistor always hung over the shoulder. And Lali, a gorgeous girl, but very serious and decent, it does not last any longer than 24 hours home because everyone wants to conquer.
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La llamaban la madrina (1973)
Character: N/A
Trini is the daughter and granddaughter of thieves. Before it was a specialist in the art of opening safes, but one day decided to change their way of life and is now a cashier at a supermarket. It has also taken a law student boyfriend, but all will be dashed when his father stop, Mr. Baldomero, for stealing 36 kilos of appliances.
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Tristana (1970)
Character: (uncredited)
As a young woman, Tristana is orphaned and taken under the guardianship of Don Lope, a respected member of the community, who takes advantage of his innocent charge. When Tristana falls in love with artist Horacio, she must learn to be more assertive in order to achieve independence from her nefarious guardian, or her blossoming relationship with Horatio is doomed.
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La gran familia (1962)
Character: N/A
Carlos Alonso and Mercedes Cebrián are parents of fifteen children of different ages.
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Diferente (1962)
Character: N/A
A young man from the gentry rejects all the values his family upholds while they rejects his own; so that, despite his efforts to please and the fact that he works in the family business, he ends up finding out that his uptight and competent brother calls him useless and effeminate.
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Gritos en la noche (1962)
Character: N/A
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.
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Pim, pam, pum… ¡fuego! (1975)
Character: N/A
Spain, 1940s. While returning to Madrid by train, Paca, a chorus girl who aspires to join a prestigious company, meets Luis, a young man of helpless appearance.
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Doña Perfecta (1977)
Character: N/A
Pepe Rey, Doña Perfecta's nephew, arrives in Orbajosa, a quiet and provincial city, with the task of building a reservoir. However, the presence of Pepe, a man of liberal ideas to whom unfounded revolutionary and even anticlerical intentions are attributed, is not well received in the town. So each of its inhabitants will have a reason not only to hate Pepe, but to want him to get out of there as soon as possible
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