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Cuando los hijos se van (1969)
Character: Don Jorge
Federico announces that his dream is to become a great singer; his father does not take it well and gradually distances himself from him. Federico is forced to leave his beautiful home after being accused of theft.
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Eterna agonía (1949)
Character: Agente de ministerio público
Convicted on flimsy evidence of complicity in a jewel robbery, there's nothing he can do afterward to put his life in order. Downward spiral.
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No niego mi pasado (1952)
Character: Agente de policía (uncredited)
This is a film by Alberto Gout that deals with the story of a marriage in crisis. It all starts when Leonardo surprises his wife Susana with her lover and threatens him with death for stealing her.
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Hay lugar para... dos (1949)
Character: Compañero
Union-organizing and labor/management conflicts among Mexico City bus-drivers. Sequel to "Esquina, Bajan!"
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La casa chica (1950)
Character: Fernando Jr. niño
Amalia, aged, remember when Fernando Mendoza, his former medical school, came to San Esteban, the town where she lived. They worked together and became his love. Although he was engaged to another, Fernando decided to return to the city to complete his commitment to her and finally reunited with Amalia, but the facts do not happen as they had planned.
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Piel canela (1953)
Character: Amigo de Antonio
Marucha (Sarita Montiel) has had a shattered face since childhood, but she has a beautiful figure and covers half of her face with her hair. She is a singer and performs in neighborhood theaters. Marucha and Ramon are professionals in crime.
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La familia Pérez (1949)
Character: Ledesma (empleado oficina) (uncredited)
Gumaro Pérez must fulfill all the whims of his wife, who is sworn lady of society even though the Pérez are not a wealthy family. In order not to look bad with his wife, Gumaro asks for a loan, but when he receives it, all his co-workers take it from him since he owes everyone money.
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Los amores de una viuda (1949)
Character: Agente de policía (uncredited)
A widow remarries... and then her missing-presumed-dead first husband reappears.
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Padre nuestro (1953)
Character: Ruiz
Pops is dismissed from his banking job for embezzlement, and his family have to adjust to a more modest lifestyle.
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Los dineros del diablo (1953)
Character: El chato
Los dineros del diablo (The Devil's Money) is a Mexican drama film directed by Alejandro Galindo. It was released in 1953 and starring Amalia Aguilar and Roberto Cañedo.
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Cuatro contra el mundo (1950)
Character: Domínguez, agente policía
After ambushing a brewery’s money truck, four gangsters hide out in the attic of a gangster’s lover while the police search the city. As the heat closes in, jealousy, desire, and mistrust begin to fracture the gang from within.
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Ángeles de arrabal (1949)
Character: Agente Manuel (uncredited)
A thief commits several misdeeds and, to mislead the police, keeps jewelry in the house of his fiancée, whom he seduces to prevent her from discovering the theft.
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The Brave One (1956)
Character: Police officer (uncredited)
A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.
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Una familia de tantas (1949)
Character: Leopoldo
The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.
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En la tormenta (1982)
Character: Doctor Navarro
In the storm is a Mexican film of the year 1980 directed by Fernando Vallejo. The film is about the time of La Violencia in Colombia. Vallejo wanted to make the film in Colombia, however he found numerous obstacles to film it in the country so he decided to do it in Mexico with Mexican actors and recreating the Colombian landscapes in that country.
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Santo en el hotel de la muerte (1963)
Character: Detective policía (uncredited)
Tourists visiting the pyramids in Mexico experience a string of deaths and disappearances while staying at a nearby hotel. Police investigators Fernando and Cornado are assigned to the case and attempt to solve the mystery with the help of reporter (and girlfriend of Fernando) Veronica and the wrestler Santo.
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The Magnificent Matador (1955)
Character: Guest dinner (uncredited)
Karen Harrison is a spoiled, rich, American predator who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos who has inexplicably run away prior to a corrida that was to occasion the "alternativa" of a young, up-and-coming bullfighter.
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La sospechosa (1955)
Character: N/A
After a trip to Europe, Regina de Alba comes home and finds out her mother is nowhere to be found. When her step-father's criminal past becomes known, her suspicions increase.
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A.T.M. ¡A toda máquina! (1951)
Character: Pepe (uncredited)
A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
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