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El derecho de nacer (1952)
Character: Monja (uncredited)
In Santiago de Cuba in the early 1950s, history begins. A young woman of high society becomes pregnant with a false love, her father orders his black maid (Dolores) to kill the baby (Alberto), but she flees to Havana where Alberto becomes a renowned doctor.
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Los Beverly de Peralvillo (1971)
Character: La Viejita
El Borras marries La Pecas, unaware of her mother's (Doña Chole) scheme against Borras. That of Borras to provide for all her family members who are a lazy bunch composed of her father and brothers.
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Así amaron nuestros padres (1964)
Character: N/A
Elderly roue interferes in the love life of a young woman because she's secretly his daughter. Remake of En Tiempos De Don Porfirio.
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Acuérdate de vivir (1953)
Character: Espectadora juicio
In Guanajuato, a piano teacher delays her marriage to an engineer not to let her younger sisters alone. As he is love with her voice, he is mistaken for a sister whom he marries. The teacher then goes to the capital. There she becomes part of a family of young students, who believe she is the mistress of his father, so she suffers the scorn and reproach. Over the years the parents die and she renounces to the inheritance they leave her.
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Pepita Jiménez (1946)
Character: Pueblerina en funeral (uncredited)
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
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Ella y yo (1951)
Character: Virginita (beata) (uncredited)
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
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Ambición sangrienta (1968)
Character: Abuelita de Lupita
A lawman and two sidekicks clear up a series of crimes related to mining rights.
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Ansiedad (1953)
Character: Espectadora programa de radio (uncredited)
Twins (both played by Infante) are separated while very young, one raised as a singer by their widowed mother and another as the heir to one of Mexico's richest families. Their paths cross in the future, but they are unable to recognize each other due to their very different social backgrounds.
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Una familia de tantas (1949)
Character: Invitada a fiesta (uncredited)
The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.
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Dos tipos de cuidado (1953)
Character: Party Guest (uncredited)
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
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Días de otoño (1963)
Character: Anciana con mantilla en iglesia (uncredited)
Luisa is a small-town girl who works in the bakery of the widower Don Albino. Luisa dreams of marrying and loves children. Just as Don Albino shows interest in her, Luisa announces that she will marry soon with Carlos, the driver of a rich house whom she met recently...
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El hombre inquieto (1954)
Character: Señora Martínez de Hoyo (uncredited)
Adult street urchin passes himself off as rich man's long-lost son.
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¿Qué te ha dado esa mujer? (1951)
Character: Viejita (uncredited)
This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.
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Dicen que soy mujeriego (1949)
Character: Pueblerina (uncredited)
Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.
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Las infieles (1953)
Character: Invitada a fiesta (sin créditos)
Governess falls in love with the uncle of the children she's teaching. Then complications.
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El gran autor (1954)
Character: Espectadora teatro (sin créditos)
A story of passion and deceit, where love overcomes the misfortunes and finally triumphs.
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El Campeón Ciclista (1957)
Character: Transeúnte en jardin botanico (uncredited)
Cleto, a poor newspaper boy, dreamed of becoming a cyclist and inventor. His latest invention is delivering newspapers by rockets. When he finds the owner of the newspaper, dismisses him. But Cleto do not give up and shows Don Macario his latest invention: " The telemirófono ", a device that allows you to see the person talking on the phone...
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Ustedes los ricos (1948)
Character: Espectadora en choque (uncredited)
Pepe el Toro is married to Celia la Chorreada and they have two children.
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Besos prohibidos (1956)
Character: Portera
Nightclub singer has to choose between marrying again or reuniting with her divorced husband.
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Rosauro Castro (1950)
Character: Mujer en velorio (uncredited)
Cardoza's death, a candidate for mayor of a village chief enemy and Rosauro Castro, leads to Mr. Garcia Mata to undertake an investigation. Upon arriving realizes that even the whole town, including the mayor, lives in fear by the chief and only achieved revenge end the injustices committed by Rosauro Castro.
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Santo en el museo de cera (1963)
Character: Anciana encuentra cámara
El Santo, the masked Mexican wrestler, investigates a series of kidnappings. He discovers that the mysterious Doctor Caroll is using the victims as part of his experiments to develop an army of monsters. Naturally, El Santo is able to overcome them all - with wrestling!
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La tijera de oro (1960)
Character: Mamá de Mario (uncredited)
The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.
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Gitana Tenias Que Ser (1953)
Character: Actriz (uncredited)
Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.
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