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Who Is Bernard Tapie? (2001)
Character: Self
This documentary tells two stories simultaneously: it's a profile of Bernard Tapie, a wealthy man who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational. Politicians, athletes, friends, companions, and journalists comment on Bernard's charm, his rise to prominence in sports and politics, and his subsequent trouble with the law. Zenovich becomes fixated on her need to interview Tapie, becoming virtually a stalker in her quest.
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D'un film à l'autre (2011)
Character: Narrator (voice)
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
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A Film About Mikhail Kalatozov (2006)
Character: Self
The career of revered Russian filmmaker Mikhail Kalatozov is explored in this documentary film comprised of rare behind-the-scenes footage, interviews with French director Claude Lelouch, and conversations with some of the biggest names in contemporary Russian cinema. Kalatozov's grandson Mikhail Kalatozishvili pays tribute to the director of such timeless classics as I Am Cuba, Salt for Svanetia, and The Cranes are Flying as such notable fans as Andrei Konchalovsky, Sergei Solovyov, and Alexei Batalov discuss the remarkable influence Kalatozov had on their own film careers.
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Bolero: A Global Hit (2019)
Character: Self (archive footage)
Bolero is played every 15 minutes in the world. This film tries to answer how this famous melody inspired and influenced the world pop-culture? It explores the complexity and the richness of a piece so simple in appearance: the emotions it triggers, vertigo it creates, the words it inspires.
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Deauville et le rêve américain (2020)
Character: Self
Reflection of the society and vector of the occidental culture, American cinema influences the entire world since its debuts.
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Jean-Louis Trintignant - Mystérieux et insaisissable (2022)
Character: Self
"And God Created Woman", "Il Sorpasso", "A Man and a Woman", "The Conformist", "Amour"... the list of successes by Jean-Louis Trintignant (1930-2022) may be impressive but his films say little about the man himself. A look back over the life of a discrete and deliberately enigmatic actor.
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Le propre de l'homme (1961)
Character: Claude
At a friend's house, Claude meets Janine. The two young people spend the day wandering around Paris, from the café to the Foire du Trône, together or on their own. An exploration of the construction of a couple from two singularities.
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Un jour dans la vie du cinéma français (2002)
Character: Self
Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.
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Annie Girardot selon son cœur (2020)
Character: Self - Réalisateur
A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.
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Smic, Smac, Smoc (1971)
Character: Hooligan
Charles, Jean and Amidou are workmen at the La Ciotat shipyards and live in the same construction facility. One day, Amidou leaves them to marry Catherine, a salesgirl. The trouble for Charles and Jean is that going to their friend's wedding means buying new clothes, which is problematic given their low income Moreover, they are determined to make this day an unforgettable one, despite their lack of money. Will they be able achieve their aim?
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Confidences pour confidences (1979)
Character: Himself
The independently-minded daughter of lower-middle class French shopkeepers, Brigitte, one of three sisters, refused to marry the father of her child when she became pregnant. In this film, she reminisces about her family life beginning when she was about five years old, up to the present when she is in her early 20s. Of her two sisters, one has a nervous breakdown and the other one becomes something of a baby factory. Colorful anecdotes of her eventful life lend additional depth to her insights.
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Une pour toutes (1999)
Character: Self
Olivia, Irina and Masha are improving their acting skills. They no longer believe in Prince Charming, and their career is waning. Olivia works at the front desk at the airport and offers a wonderful plan: he would do so that friends will be aboard the Paris - New York plane and will sit next to wealthy men. Their task is to seduce the rich and pull them out of money. But the fraudsters do not suspect that Comissaire Bayard and his young assistant are closely watching them...
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Trintignant par Trintignant (2021)
Character: Self (archive footage)
A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.
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Viva la vie (1984)
Character: himself
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
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Une fille et des fusils (1965)
Character: N/A
Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.
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Happy New Year (1987)
Character: N/A
Small time crooksters Nick and Charlie have an elaborate plan to rob an exclusive jewelers store. Using a variety of disguises and posing as rich old men and women they begin the set-up, but then Nick falls for the owner of a neighboring antique store and things get a little complicated.
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Happy New Year (1987)
Character: Man on Train
Small time crooksters Nick and Charlie have an elaborate plan to rob an exclusive jewelers store. Using a variety of disguises and posing as rich old men and women they begin the set-up, but then Nick falls for the owner of a neighboring antique store and things get a little complicated.
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Visions of Eight (1973)
Character: Narrator
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.
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Le Far West (1973)
Character: N/A
This Belgian/French tale chronicles the efforts of Jacques (Jacques Brel) to find the Old West in modern America. Dressed as cowboy, he travels throughout western American cities and towns and finds others similarly dressed. These idealists gather together and build an old-western-style town in the middle of an abandoned factory, battling local bureaucracies in the process.
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Poumon Vert et Tapis Rouge (2021)
Character: Self
To help Francis Hallé in his fight to save the last tropical forests, a documentary filmmaker with a passion for nature decides to make his first film: "The Botanist", an ecological thriller with Leonardo DiCaprio. He traces his path with malice, obstinacy, and discovers, with candor, the arcana of the seventh art. Even if he never gives up, will his film ever exist?
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Belmondo par Belmondo (2016)
Character: Self (uncredited)
Jean-Paul Belmondo returns to the settings of a fantastic career, accompanied by his son Paul. Over a career spanning 50 years, Jean-Paul Belmondo’s movies drew over 130 million people into cinemas. This logbook takes us back to sets and countries, from where we can revisit the films in reference and find out about his fruitful collaborations with various directors. Paul Belmondo will lead the investigation, meeting the stars and his father’s friends (eye-witnesses all) and questioning his father about his journey, sharing it with us so we can discover the man and his story like never before.
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