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Nji Ronggeng (1969)
Character: N/A
Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.
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Dibalik Dinding (1955)
Character: N/A
Thanks to the success of the film "Crisis", produced by Perfini, there is a tendency to make similar stories. There are no main characters in this film, except for the somewhat prominent ones, namely the patient teacher (A. Hamid Arief) and his talkative wife (Tina Melinda). It also depicts the lives of several families in a house like in "Crisis".
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Bertjerai Kasih (1956)
Character: N/A
Teacher Prapto (Rd Sukarno) helped build the nation by educating the people on a mountain slope in Central Java. One day the mountain erupted, the people fled. Lasmijah (Risa Umami) left her daughter Yati to follow her husband, Prapto. In fact, Prapto rushed home. Prapto only met Yati, and then lived in his hometown, Salatiga. There he met Sutinah (Tina Melinda), then married her. Meanwhile, Lasmijah, who was disabled, looked for Prapto and Yati.
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Terang Bulan Terang di Kali (1956)
Character: N/A
Even though the girl (Lely Sulastri) already has a poor boyfriend (B. Nast Efdal), the father (Udjang) accepts the "proposal" brought by the matchmaker (Wolly Sutinah). Fortunately, the mother (Fifi Young) does not agree, so that it can disrupt the smooth process of the sickly future son-in-law (Rasjid AL). "Happy ending", because the prospective groom collapsed in front of his future wife's door...
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Dukun Lintah (1981)
Character: Ibrahim
An evil wizard unleashes a legion of worms on an innocent village. These worms can burrow into the skin and take control of the person. Later in the film, the infected people become sex-crazed zombies and then an army to help protect the evil magician from a good wizard.
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Penangkal Ilmu Teluh (1979)
Character: Kiai Ibrahim
Darmi, an unfaithful married woman, uses a magical charm to preserve her youth. Once her husband finds out what she's been up to (which includes screwing the village playboy), he seeks the help of a Shaman.
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Setan Kuburan (1975)
Character: N/A
In the Islamic tradition, when a person is buried and the binding of their cover cloth is not released, the dead will become a ‘pocong’ ghost (mythical ghost of the dead who can jump around). Another belief is that if you have unpaid debts, a cat will jump over your dead body and you’ll become a ghost. Joyoprono, a rich landlord and a loan shark, who was greedy during his life dies when a tree falls on him. After his death, a ‘pocong’ ghost comes to the village and disturbs the peace.
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Kutukan Nyai Roro Kidul (1979)
Character: N/A
Wulan is plagued by a recurring nightmare and is advised to get married to cure herself of it. Unfortunately, her husbands keep dying on their wedding night. Her misfortune becomes the gossip of her neighbors, who then start scheming to kill her. A young religious teacher comes to the village and ends up falling in love with her. But will he be the next to die?
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Tumbal Iblis (1981)
Character: N/A
Greedy characters attempt to use black magic to get their hands on a valuable estate. It works out about as well as you'd guess.
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Nenek Gondrong (1982)
Character: N/A
A village is being terrorized by an evil spirit called Kuyang or Nenek Grondong, which especially loves sucking blood from infants and pregnant women. That all coincides with a couple adopting a child that turns on them and becomes vicious and evil.
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Ferocious Female Freedom Fighters, Part 2 (1982)
Character: N/A
This is the story of women. Women shattered by violence. Women left alone, the sole survivors of slaughtered families. Women sold into a vicious and brutal international crime syndicate. Women subjected to poverty, horror and brutal sex. Experience a secret glimpse into the erotic realm of the Asian underworld, where women are a high-priced commodity and anything is available… for a price. Pushed to the farthest limits of sanity and battered beyond ordinary human capacity, there is one woman who decides to fight against her destiny. She’s tougher than a rabid canine! Her task is to terminate the misery and sexual torture of her soul-sisters in slavery. She and her fighting female friends are out to topple the power pyramids of the Asian underworld! Fighting ferociously with fists and feet flying, these females are out for revenge!
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Membakar Matahari (1981)
Character: N/A
There is a robbery in a village far from the city, and the robbers not only steal, they also kill. Yanti is raped and is taken to Jakarta. Both her parents and her younger sibling are murdered by the robbers. Rachman, who really loves Yanti, finds her in a night club. Although she has become a prostitute, Rachman still loves her. They escape the brothel and marry in the village. Yanti receives martial arts lesson from Rachman’s grandfather and decides to take revenge on the robbers and the pimp who trapped her in prostitution. With numerous tactics and great fights, Yanti and Rachman manage to defeat the criminals and the pimp.
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Si Buta dari Gua Hantu (1970)
Character: N/A
Mysterious blind man Mata Malikat arrives in a small village and disrupts the peace, starting with killing one of the village's most respected fighters. The fighter's son then tries to avenge his death.
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Honey, Money and Djakarta Fair (1970)
Character: N/A
At the Jakarta Fair, there is a rumour that a major tycoon from Makassar will come looking for new machines and a business partner. There is a flurry of excitement as everyone tries to get the tycoon’s employees to drop by their stands. Mansur, one of business owners in the fair, asks his secretary, Sinta, to find Andi Rachmat Syah, the tycoon. Sinta then approaches Andi, a handsome man employed by the tycoon, to find out about his boss. The man promises to tell Sinta on one condition, that she has to take him around the fair. Samiaji, Mansur’s business competitor, who has a crush on Sinta, is jealous when he finds out about it. Till the end of the story, nobody knows that Andi takes Sinta home after nights of going around the Jakarta Fair.
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Ingin Cepat Kaya (Babi Jadi-Jadian) (1976)
Character: N/A
Gambler Kosim tries to hang himself but is saved by an old man, who then recommends he go visit a cave-dwelling hermit who knows black magic. There, Kosim learns a magic spell to transform himself into a pig. As a requirement, he has to sacrifice one of his children and he's not allowed to hear prayer nor see monkeys. He uses his new power to steal money until he's caught, shot and decapitated, but his head lives on.
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Tuyul Eee Ketemu Lagi (1979)
Character: N/A
Like a sequel to Tuyul (childlike ghost similar to goblin or imp), the Head tuyul is angry as one of their members died (as seen in the previous film). Therefore, he sends the black imp and white imp for revenge. These imps come to Bokir’s house by mistake. Bokir is crazy about a singer, who is signed by Karto, whose house is actually where these imps are meant to go. They are sent to kidnap the singer and to take all of the wealth. The disturbance of these imps can be solved by practising proper prayers. Bokir goes mad and unintentionally reveals the secret of his imps and causes his own death by falling from a high building. Upon his death, the imps are released. They fly with a magic carpet, but when they fly over a mosque, their flying carpet falls down.
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Guna Guna Istri Muda (1977)
Character: N/A
A battle of black magic, revenge, death and assorted Indonesian weirdness occurs between Arifin, his first wife Tati, his second wife Sandra and playboy Anton, who is after Arifin's wealth (and Sandra). Two different shamans (one good and one evil) become involved in the jacked up love triangle.
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Cukong Blo'on (1973)
Character: Suami dari debiturnya Madun
Lies, a 17-year-old student, is forced to marry Madun, an aging and wealthy man, as a way to repay her mother's debts. Her heart actually belongs to Jack, the son of a rich businessman from the same village, who now works in Jakarta. After giving up her rebellion, Lies finally agrees—with several conditions: the marriage must take place in the capital, and Madun has to comply with all her demands. Madun confidently agrees, clueless that Lies has already devised a cunning plan.
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Pembalasan Guna-Guna Istri Muda (1978)
Character: N/A
This is a sequel to the film Guna-guna Istri Muda ("A Young Wife's Witchcraft"). The husband, Arifin, realizes his bad behavior and divorces his second wife, Sandra, to go back and live with his first wife, Tati. Sandra is vengeful about the one-sided divorce. She asks for the shaman’s help, to use black magic to destroy Arifin’s family. Chaos ensues in the family, including during a wedding reception of the son. At a critical moment, a savior arrives.
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Ratu Pantai Selatan (1980)
Character: Kyai
Based on the story of Nyi Roro Kidul, the ruler of the south sea, her favourite daughter wants to live on land by incarnating as a carp. The fish is found by Komar, a poor farmer who lives with his mother. Ship owner and black magic disciple, Darsi has long wanted to marry Komar, but Komar chooses to marry the fish. Darsi intends to destroy both of them with her black magic until finally, Nyi Roro Kidul intervenes to save them.
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Tongkat Sakti (1982)
Character: N/A
After his father is killed and his mother is raped, Marsan decides to study silat (Indonesian martial arts). After receiving enough training and given the magic stick by his teacher, Marsan returns to his village to seek revenge.
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Lara jonggrang (Candi Prambanan) (1983)
Character: N/A
Legend about Loro Jonggrang's love story with Bandung Bondowoso. When he was newly appointed as Senopati Baka, he was assigned to attack the Pengging Kingdom. However, while he was there, he was recognized as the crown prince of Pengging, who had apparently been kidnapped by the Baka people when he was still a child. The angry King Baka personally led an attack on Pengging and was killed by Bandung Bondowoso. The son of the Baka king, Loro Jonggrang saw his father die and held a grudge against Bandung Bondowoso. When Bandung Bondowoso was about to propose, Loro Jonggrang also put forward a condition to build a thousand temples. When there was one less temple, Loro Jonggrang made the cock crow as if it was morning. Bandung, knowing that Loro Jonggrang was cheating, cursed it, making it the thousandth and largest temple.
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Tjambuk Api (1958)
Character: N/A
Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.
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Napsu gila (1973)
Character: N/A
A nurse begins working at a retirement home and soon after the residents start turning up dead.
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Zaman Edan (1978)
Character: N/A
The film tells a story about a husband that becomes the homemaker of the household by taking care of the child, cooking, washing, and others because his wife has a job with a higher pay than his previous job as a teacher
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Benyamin Biang Kerok (1972)
Character: Wan Bakar
Pengki is a mischievous prankster who constantly causes trouble for his employer, Johan, his wife, and his parent-in-law. Cunningly, he sells the car's gasoline, pretends to be the master of the house using Johan's car, and flirts with pretty girls. His antics always go unpunished until two of the girls he is dating show up at Johan's house, which Pengki had claimed as his own. This incident leads to his dismissal as a driver. Pengki's fortunes change when he becomes an assistant to a fortune teller named Wan Bakar.
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Bayi Ajaib (1982)
Character: Village Elder
A diamond mine in the village is the source of competition between Kosim and Dorman, who are the first ones to find it. They hope to win the position as head of the village. Dorman believes that the soul of his ancestor, Alberto Dominique, who is buried there, will help him achieve his ambition.
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