El hombre que supo amar (1976)
Character: Novio de Amelia
The life of Juan de Dios and his struggle against social, political and religious structures.
Habibi, amor mío (1981)
Character: N/A
Young Stefano falls in love with a Spanish girl, Habibi. The two become engaged, but after a happy period, Stefano will discover the girl's betrayals. This will lead the protagonists to drift apart and seek new paths; this will be an opportunity for them to reflect on themselves and the loss of values in life.
Armando (o la buena vecindad) (2010)
Character: Ramón
Armando reads quietly in the semi-darkness of his office. He receives three consecutive invitations to lunch at the same time on his cell phone and landline...
La semana del asesino (1972)
Character: Trabajador
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.
La criatura (1977)
Character: Vendedor
After a heartbreaking miscarriage, a couple adopts a stray male dog in hopes of saving their rocky marriage. But as the wife develops an obsessive bond with her new companion, it will trigger jealousies and rivalries that may lead to the most inconceivable act of all.
Santo y Blue Demon vs Dracula y el Hombre Lobo (1973)
Character: Luchador
After facing defeat at the hands of Cristaldi the magician, Dracula is back to seek revenge and rule the world. With the help of Wolfman and his legion of followers, victory seems eminent. Professor Cristaldi, a descendant of the magician, is warned about Dracula's plans and calls upon El Santo and Blue Demon in the hopes that they can put the infamous Count and the werewolf down for good.
El florido pensil (2002)
Character: Don Anisno
"El Florido Pensil" is a humorous reflection of the education of several generations of Spaniards from the 1940s to the 1960s. Based on the book of the same name by Andrés Sopeña, it evokes, from the present, his memories of that time: everyday school, local radio, Roberto Alcázar's comics, Thursday cinema with Franco opening swamps and "Yon Güein" chasing and killing Indians. Through the childish eyes of a child Sopeña (Daniel Rubio) and his schoolmates, we discover a way of understanding the world, society and a Spain "of glories and flowery pensil", as the national anthem of those years used to sing.
La campana del infierno (1974)
Character: Slaughterhouse Manager
When John is released from a psychiatric center where he has been hospitalized for a long time, he decides to move into the house of his dead mother, whose inheritance is in dispute.
Niño nadie (1997)
Character: Organizador
Unbenownst to a middle-aged teacher of handicapped children, his long-term suffering girlfriend is pregnant with his child. The film philosophically explores the ideas of free will and destiny as they relate to the characters and their life choices.
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