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Bari Behen (1949)
Character: N/A
Shyama (Suraiya) gets a job as a servant so she can pay for her younger sister, Kiran's (Geeta Bali) education in the city. Kiran, though, is in love with a rogue, Ajit (Pran).
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Bansaria (1949)
Character: N/A
A romantic drama set against the musical traditions of its time, centering on love, conflict, and emotional upheaval.
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Pannadai (1945)
Character: Chanda
Set four hundred years ago, Pannadai is an epic tale from Rajasthan centered on the loyal nurse Pannadai. After Rana Sang of Chittorgarh dies, his Queen Karunavati is besieged by Bahadursingh. Pannadai cleverly secures help from Emperor Humayun, but after the Queen's death, she is entrusted with safeguarding the child-king Udai Singh. Pannadai then faces the treacherous schemes of Banbir, Rana Sang's illegitimate son, who seeks to usurp the throne, leading to the ultimate sacrifice of her own son to protect the rightful heir.
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Anjan (1941)
Character: Ranima
In a feudal household ruled by the stern Ranima, a poor governess, Indira (Devika Rani), finds herself entangled in a web of love and deceit. Both the kind-hearted family doctor Ajit (Ashok Kumar) and the manipulative estate manager Ramnath (Girish) vie for her affection. When Ranima dies suddenly, Ramnath frames Ajit for her murder. What follows is a dramatic courtroom showdown that reveals the truth and restores justice — allowing love to triumph.
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Ek Raat (1942)
Character: N/A
A thriller centered on Ravi, who arrives at Heera Mahal on a stormy night. He finds the bungalow now owned by Balraj Sharma, a crippled ex-police officer, and his daughter Rekha. Ravi takes a job with Balraj and learns of Balraj's fear of Jaggi, a man seeking revenge. Ravi and Rekha fall in love and try to help Balraj. The plot thickens when Ravi is accused of two murders, leading to more suspense and revelations.
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Bachpan (1945)
Character: N/A
Madhu and Bihari, two children from contrasting social backgrounds develops a deep friendship despite societal class divisions. Their innocent bond faces challenges and disapproval from elders as it evolves into love. Can their bond survive the harsh judgments of a class-conscious world and the trials of growing up?
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Chhamia (1945)
Character: N/A
Chhamia, a street dancer falls in love with Ranjit, a man from a higher social class. Their relationship faces significant challenges and disapproval due to their differing backgrounds and the interference of Ranjit's family, specifically his aunt and uncle. The plot explores the emotional trials and societal prejudices Chhamia endures as she tries to maintain her love amidst these obstacles.
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Ghazal (1945)
Character: N/A
A poetic form associated with themes of love, longing, and separation
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His Highness (1937)
Character: Queen
Queen Gulab is enraged when the throne bypasses her son for young Prince Kirit. Kirit is kidnapped during an outing with his bodyguard, Captain Dilip. Though Dilip is arrested, Ram and Rahim rescue the prince. The Queen persists in her schemes, even as a mysterious masked man repeatedly intervenes. She plots against the Minister, unaware that Princess Asha, Kala, Tiger, Bahadur, and Tommy are dedicated to protecting Kirit.
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Chudiyan (1942)
Character: N/A
A hero named Anwar Chacha sacrifices his life to save the young couple, Kishnan and Shyamali, from a villain during their wedding. The heroes then unite to defeat the villain and pay their final respects to Anwar Chacha at his grave.
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Anmol Ratan (1950)
Character: N/A
A sweeping tale of an idealistic, struggling writer whose passion for his craft and his love for a devoted woman must withstand the harsh tests of poverty, betrayal, and society's indifference to prove that character is the true Anmol Ratan.
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Bhai Bahen (1950)
Character: N/A
True to its title, this family drama follows the life of a strong, orphaned young boy who, driven by fierce self-respect and the emotional promise he makes, embarks on a relentless struggle against a cruel city and a local bully to protect his bond with his new, wealthy sister.
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स्टेशन मास्टर (1942)
Character: N/A
A railway employee, Kalicharan, would like Usha, the Station Master of Rangpur Railway Station's daughter, to get married to Niranjan, the DTS of Indian Railways, but Usha has fallen in love with Arun, a Guard with the Railway, wants to marry him, and refuses to marry Niranjan, who is twice as old as her and a widower as well.
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Mirza Sahiban (1957)
Character: Sahiban's Mother
Based on one of the four tragic romances of the Punjab, it is only one of over a dozen film versions of the tale.
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निर्मला (1938)
Character: N/A
Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
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ज़माना (1938)
Character: N/A
A married couple is overcoming social challenges and obstacles, with fate playing a pivotal role in their decisions.
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Zingaro (1935)
Character: N/A
A scientist (Nayampally) turns himself into a monster in this story based on Dr. Jekyll and Mr. Hyde.
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Ratan (1944)
Character: N/A
They are in love - have grown up together. Circumstances lead her to get married to a older man with a small child who does not accept her physically after having seen her face for the first time - he feels guilty that she has been cheated upon and her youth has been snatched away. One day she returns home to meet her childhood friend.
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Bahut Din Hue (1954)
Character: Flower Woman
Kidnapped by a villainous sorcerer, young mother Balanagamma (Pushpavalli) remains in captivity for more than 12 years, spurning her captor's sexual advances with claims of being in the midst of a long-term penance ritual. In her absence, her son has grown to adulthood -- and is determined to rescue his missing mother.
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Mirza Sahiban (1947)
Character: N/A
The movie revolves around a young mischievous boy named Mirza who is sent away to his uncle's home for further studies. Mirza is passionate about archery and is an expert at it. He starts living with his uncle where he meets his uncle's daughter Sahiban.
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