Manuel Sánchez Navarro

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0.5571

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Manuel Sánchez Navarro

Biography

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Credits

Cuando me vaya Cuando me vaya (1954) Character: Hombre en subasta (uncredited)
Fictionalized version of the life of songwriter Maria Grever.
La mujer ajena La mujer ajena (1955) Character: N/A
This is the story of a gambler whose mistress is the wife of a renowned philanthropist. The gambler himself is cheating on his mistress with another woman. The secret love triangle gradually becomes public due to the jealousy, ambition, and weaknesses of its protagonists, including the guilt felt by the lovers.
Una luz en mi camino Una luz en mi camino (1939) Character: N/A
In a small city, talented María was trained as a singer by blind composer Joaquín. They both dream of making it big in the capital but, when they finally make the move, they find that success is not achieved without struggles.
Ángel o demonio Ángel o demonio (1947) Character: Señor Trueba
Wealthy young gentleman falls in love with a cabaret girl of no breeding; he overcomes his prejudices and accepts her in spite of her past... will she live up to his expectations of her?
No niego mi pasado No niego mi pasado (1952) Character: Don Julio
This is a film by Alberto Gout that deals with the story of a marriage in crisis. It all starts when Leonardo surprises his wife Susana with her lover and threatens him with death for stealing her.
El rencor de la tierra El rencor de la tierra (1949) Character: Padre de Anselmo (uncredited)
A couple is struck by tragedy and must prove how great their love is to overcome what happened together.
Lágrimas robadas Lágrimas robadas (1954) Character: Don Ricardo (uncredited)
Melodrama involving a young woman returning to Mexico from abroad after a failed romance and dealing with an unwanted pregnancy and a meddling Aunt.
Canasta de Cuentos Mexicanos Canasta de Cuentos Mexicanos (1956) Character: Doctor (sin créditos)
Strong-willed Luisa attracts lots of men, but her intelligence and sharp tongue often sends them running. When she meets Carlos, who is equally cagey, sparks fly. The two of them marry, and quickly begin clashing on a daily basis, humiliating each other as they try to teach one another lesson after lesson.
Para siempre amor mío Para siempre amor mío (1955) Character: N/A
A man, annoyed by his wife's interference in the family business, travels to Spain, where he becomes involved with another woman.
Cuatro horas antes de morir Cuatro horas antes de morir (1953) Character: Invitado fiesta (uncredited)
The film tells the intense countdown of a woman sentenced to death.
Yo quiero ser mala Yo quiero ser mala (1950) Character: Invitado a fiesta (uncredited)
In this Romantic-Comedy from Director Rene Cardona, Actress Maria Elena Marques plays a hard-living woman named Leticia, who suffers from a recently broken heart after being deceived by her ex-boyfriend. Soured on anything to do with love and while drinking away her sorrows, she sets out to marry the very first man she sees. This man just happens to be a nice guy named Roberto, (Abel Salazar). Although the pair's mutual attraction to each other is obvious, Roberto has no idea what he is in for, and he soon proposes. Not long after the marriage, Leticia starts to take advantage of both Roberto and her new Father-in-Law (played by Oscar Pulido), who shows kindness towards the girl. Predictably, marital bliss soon turns into discord, and the couple agree to divorce after a year passes. Their love-hate relationship and pending break-up provides a perfect backdrop for several comedic situations before the two realize that they are actually in love.
Noche de perdición Noche de perdición (1951) Character: Jefe de investigadores (uncredited)
A dancer is accused of killing a businessman. When her husband finds out, he decides to take her kid away from her.
Historia de un amor Historia de un amor (1956) Character: Antonio Malpica, juez (uncredited)
Elena (Libertad Lamarque), already a star, falls madly in love with Roberto. They make it to the altar. Elena and Roberto adopt a baby. The years go by and everything is happiness in the couple’s life—until one day the girl’s grandfather appears.
Las señoritas Vivanco Las señoritas Vivanco (1959) Character: Tomás
Two women of lesser descent are dedicated to stealing to support their brother's daughter.
Serenata en México Serenata en México (1956) Character: N/A
Mariachi with dual vocalists is broken up by a promoter who wants one of them as a solo act.
Necesito dinero Necesito dinero (1951) Character: Don Heliodoro (el coronel)
Manuel is a mechanic in love with the beautiful Maria Teresa. When the rich Jose Antonio courts his beloved Maria, Manuel realizes that he needs money and gets into trouble to get it.
La Muerte Enamorada La Muerte Enamorada (1951) Character: Raúl Godínez
A man's life changes forever when death -- in the form of a female grim reaper -- moves in with him and his family, all so that he can buy a bit more time on earth. The only catch is, his family has no idea that their houseguest, a woman their father says is a foreign relative, is there to take their daddy away. Miroslava Stern, Fernando Fernandez and Jorge Reyes star in this inventive Spanish-language comedy.
El fantasma de la opereta El fantasma de la opereta (1960) Character: Hombre en teatro (uncredited)
Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms.
The Brave One The Brave One (1956) Character: Luis (uncredited)
A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.
The Black Scorpion The Black Scorpion (1957) Character: Victor Steven (uncredited)
Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.
Dos tipos de cuidado Dos tipos de cuidado (1953) Character: Poker Player (uncredited)
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
¡Ay, amor... cómo me has puesto! ¡Ay, amor... cómo me has puesto! (1951) Character: Roberto (uncredited)
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
La ausente La ausente (1952) Character: Rafael, mayordomo
After arguing with her husband, a woman runs out of the house in the car and dies in a mysterious accident
La faraona La faraona (1956) Character: Doctor (uncredited)
Pastora Heredia is a beautiful gypsy with great character who always tries to help the needy. One day she gots the notice of the death of his grandfather, a millionaire who lived in Mexico and that since his father was angry, she knew nothing of him. However, as Pastora was his only granddaughter and sole heir of all his property, it does not hesitate to cross the pond to claim his inheritance. But once there is that Don Guillermo, grandfather, not dead.
El gendarme desconocido El gendarme desconocido (1941) Character: Mequiades de la Peña y Peña (uncredited)
A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.
El revoltoso El revoltoso (1951) Character: Judge (uncredited)
Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.
La monja alférez La monja alférez (1944) Character: Don Diego Fernández de Córdova, Virrey del Peru
A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.



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