|
寶蓮燈 (1956)
Character: 沉香（少年）
A Chinese musical fantasy.
|
|
|
|
|
|
|
|
|
|
|
奪魂旗(下集) (1963)
Character: Seung Gun-Ling
Someone has been impersonating the Soul Snatching Banner in order to commit crimes. But someone else may have been impersonating him to do good deeds! And who was the skeleton in the cave, wearing the Soul Snatching Banner's clothing? As martial artists gather to a mountain sword meet to see who is the best of them all, fathers fight against sons and clan leaders fight against tradition and someone intends to make sure no one leaves the mountain alive!
|
|
|
梁紅玉擊鼓退金兵 (1956)
Character: Tian De
The Song Dynasty is in danger after being invaded by Jin soldiers. The geisha Liang Hongyu encourages her lover Han Shizhong to join the army and fight against Jin Zhong's superior, Wei Liangchen.
|
|
|
天長地久 (1955)
Character: Chan Kwok-leung
Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start.
Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.
|
|
|
鬼媳婦 (1960)
Character: N/A
Adaptation of a Chinese opera.
|
|
|
女攝青鬼乞米養孤兒(上集) (1958)
Character: N/A
Ghost story (originally released in parts 1 & 2) based on a Chinese opera.
|
|
|
|
|
冤魂镜 (1966)
Character: N/A
Hong Kong horror movie from 1966.
|
|
|
|
|
春色滿華堂 (1952)
Character: N/A
Musical from Hong Kong directed by Fung Chi-Kong.
|
|
|
Wu lin sheng huo ling xia ji (1965)
Character: Wan Tin-sau
In the second part and conclusion to the story, the eight martial clans discover that there are two Sacred Fire weapons, Yin and Yang, and the siblings must uncover the facts of their parent's deaths in order to unite, wield the weapons, and defeat Nun Silence and her evil schemes.
|
|
|
武林聖火令(上集) (1965)
Character: Wan Tin-sau
A loving couple are killed after drawing a map of the coveted Moslem Sacred Fire Decrees with their blood under coercion. The map is split into eight parts, placed separately in the custody of the eight leading martial sects. The children of the couple are adopted by Elderly Spirit from Hades and Nun Silence of Emei respectively. Growing up, the son Wan Tin-sau inherits from Hades all the skills he will need to know to take on the nun and her protegee in a duel 18 years later...
|
|
|
|
|
奪魂旗(上集) (1963)
Character: Seung Gun-Ling
The master of the Soul-Snatching Banner has re-emerged in jiang hu to cause chaos and disruption. He leaves his mark - the killing flag - to show where he will strike next. The younger generation of swordsmen and women seek him out to end his rampage but each end up badly injured and dispirited. Part one of two.
|
|
|
|
|
|
|
桃花扇 (1961)
Character: N/A
A Shaw Brothers Chinese Opera based on the Qing dynasty musical play that recounts the death of the Ming dynasty through the love story of its two main characters, young scholar Hou Fangyu and a courtesan named Li Xiangjun.
|
|
|
飛頭公主滴血救親夫 (1960)
Character: 2nd Prince consort/Yi Fu Ma
HK musical fantasy comedy.
|
|
|
父母心 (1955)
Character: Chi-kuen
An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies.
Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.
|
|
